Line 6 Pilot's Handbook manual Class A-30 based on a 1967 Vox AC-30 Top Boost

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The Amps & Cabs • Class A-30 – based on a 1967 Vox AC-30 Top Boost

Class A-30 – based on a 1967 Vox AC-30 Top Boost

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Music was changing in the early ’60s and guitarists were asking for more brilliance & twang. So the Jennings Company, makers of Vox amps, decided to add Treble and Bass controls (and an extra 12AX7 gain stage, incidentally) in addition to the Treble Cut knob it already had (which in actuality was a sliding bandpass filter); this additional circuit became known as Top Boost.

The AC 30 with Top Boost was the amp made famous by many British invasion bands. Much of the unique character of the Vox sound can be attributed to the Class A circuitry—Class A amps overdrive in a very different way than Class AB. Brian May of Queen, Mike Campbell of Tom Petty’s Heartbreakers, and The Edge of U2 have all used classic AC 30s to make their music. Although often played fairly clean, a cranked AC 30 has a great saturated lead tone, a la Brian May on early Queen albums.

On this Amp Model, Duoverb’s Mid control acts like the original Cut knob on the AC

30.We also turned the Bass and Treble controls around, unlike the design of the Top Boost electronics, which has the bass and treble turned all the way down when the knob was all the way up. Go figure.

The Cabinet Model is based on the Vox and its two 12-inch Celestion Bulldogs.

All product names are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These product names, descriptions and images are provided for the sole purpose of identifying the specific products that were studied during Line 6’s sound model development.

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Contents Pilot’s Handbook Serial no Page Amps Line 6 and Duoverb RegisterQuick Start Guide Working ITFront Panel Features Master Presence Volume Reverb Power Amp 1 & Amp II Foot Switch Using The Channel Memories Manual Mode What You See Is What You GetXLR Outputs PIN 2 HOT Rear Panel FeaturesN222 Using Your Direct XLR Outputs Connect the speakers from your combo to the right outputs Connecting External SpeakersHooking up your HD in mono with a single Hooking up your HD in side by side stereo with two 4x12s Hooking up your HD in side by side stereo with two 2x12s Meet The Family Amps & CabsExplorer based on a 1960 Gibson Explorer Tweed 410 based on a 1958 Fender Tweed Bassman Blackface based on a 1964 Fender Deluxe Reverb Line 6 Clean Class A-30 based on a 1967 Vox AC-30 Top Boost Plexi Lead based on a 1968 Marshall Super Lead Brit 800 based on a 1987 Marshall JCM Solo 100 based on a Soldano SLO-100 Zen Master based on a 2001 Budda Twinmaster Small Tweed based on a 1953 Fender Tweed Deluxe Blackface 212 based on a 1965 Fender Twin Reverb Modern Class a based on a Matchless DC-30 Class A-15 based on a 1961 Vox AC-15 Plexi 45 based on a 1965 Marshall JTM-45 Hiway 100 based on a Hiwatt 1973 Custom Rectified based on a 2001 Mesa Boogie Dual Rectifier FBV Class Foot Controllers Connecting an FBVFBV Shortboard So What Do All These Buttons and Pedals Do?Using Your Feet So What Do All These Buttons and Pedals Do? FBV Shortboard users Name The Shortboard’s Amp 1 and Amp Saving and Naming with an FBVMidi Program Change Values Midi CapabilitiesCC# Midi Continuous Control Messaging PartReverb Enable 127 ~63=Off 64~127=On Reverb Model To obtain factory service Customer Service