Waves Linear-Phase MultiBand Software Audio Processor manual Range and Threshold Concept

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Chapter 5 – Range and Threshold Concept

Chapter 5 – Range and Threshold Concept

The concept of ‘Threshold’ and ‘Range’ instead of the traditional ‘Ratio’ control creates some very flexible and powerful uses for the LINMB. They include low-level compression and expansion, giving you multiband “upward compressors” and noise reducers.

OLD SCHOOL / ANOTHER SCHOOL

In the classic compressor approach, if you set a very low Threshold with any given Ratio, extreme amounts of gain reduction of high level signals may occur. For example, with a Ratio of 3:1 and Threshold of –60dB will result in a –40dB gain reduction for 0dBFS signals. Such a case is rarely desirable, and in general you would only set such a low Threshold in a typical compressor when the input level is also very low. In common practice, more than -18dB of gain reduction or +12dB gain increase is rarely needed, especially in a multiband compressor.

In the LINMB, the concept of ‘Range’ and ‘Threshold’ comes in very handy. It lets you first define the maximum amount of dynamic gain change using the ‘Range’ control, and then determine the level around which you want this gain change to take place using the ‘Threshold’. The actual values of these controls depend on the type of processing that you want.

If Range is negative; you’ll have downward gain change. If Range is positive; you’ll have upward gain change.

The real flexible fun happens when you offset this dynamic Range with a fixed Gain value.

HIGH-LEVEL COMPRESSION

High-level compression in C1. Ratio is 1.5:1, Threshold is -35. Equivalent LINMB setting would have Range set to about -9dB, with Gain set to 0.

If you are interested in conventional compression (termed here ‘high-level compression’ because the dynamics of the compression happens at high levels), simply set the Threshold to high values, between –24dB and 0dB, and the Range to a moderate negative value, between –3 and –9. In this way the gain changes will take place at the upper part of input dynamics — just like a normal compressor will do.

Waves LinMB software guide page 15 of 28

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Contents Waves - Linear-PhaseMultiBand Software Audio Processor Users GuideWaves LinMB software guide page 1 of Chapter 1 - Introduction Waves LinMB software guide page 3 of Chapter 2 - Basic Operation Start off using the Processor defaults Waves LinMB software guide page 6 of Practice Makes PerfectChapter 3 - Specialties of the Chef Waves LinMB software guide page 8 of Waves LinMB software guide page 9 of Individual Band Controls Chapter 4 - LinMB Controls and DisplaysOutput Section Crossovers - XoverGlobal Behavior Settings Opto or Electro. Default - Electro Waves LinMB software guide page 14 of Chapter 5 - Range and Threshold Concept Waves LinMB software guide page 16 of Negative Range Positive RangeWaves LinMB software guide page 18 of Waves LinMB software guide page 19 of Chapter 6 - Examples of use Play some audio thru the Low level Enhancer setup Load the Voiceover preset from the Load menu Waves LinMB software guide page 23 of Load the Uncompressor presetHard basic Chapter 7 - Factory PresetsFull Reset Basic multiUpward Comp +5dB DeeperLow-levelEnhancer Upward Comp +3dBMulti Electro Mastering Adaptive Multi Electro MasteringUNcompressor Too Much Limiting Setup with Auto-MakeupBassComp/De-Esser BassComp/HiFreqLimit