Tascam 414MKII How the dbx Works, Cleaning the Pinch Roller, Cleaning the Capstan Shaft

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Care and Maintenance

Cleaning the Pinch Roller

Clean the pinch roller at least once each day the deck is used. Use a good rubber cleaner.

1.Clean the pinch roller with a cotton swab moistened with rubber cleaner, until there is no visible residue on the pinch roller.

2.Using a clean cotton swab, wipe off all excess rubber cleaner from the pinch roller. Make certain that there is no foreign matter remaining on the pinch roller.

Cleaning the Capstan Shaft

After cleaning the pinch roller, clean the capstan shaft with a cotton swab moistened with head cleaning fluid.

Erase head

Capstan

 

Record/Play head

Pinch roller

Degaussing the Tape Path

Hold the degausser about 1 m (3 feet) away from the recorder. Turn it on, slowly move into the tape path. Move the degausser slowly back and forth, touching lightly all metal parts in the tape path. Slowly move it away again to at least 1 m (3 feet) from the recorder before turning it off.

CAUTION

If the surface of the unit gets dirty, wipe the surface with a soft cloth or use a diluted neutral cleaning fluid. Clean off thoroughly. Do not use thinner, benzine, or alcohol, as they may damage the surface of the unit.

How the dbx Works

The dbx system is a wide-band compression- expansion system which provides a net noise reduction (broadband, not just hiss) of a little more than 30 dB. In addition, the compression during recording permits a net gain in tape headroom of about 10 dB.

A compression factor of 2:1 is used before recording; then, 1:2 expansion on reproduce. These compression and expansion factors are linear in decibels and allow the system to produce tape recordings with over a 90 dB dynamic range – an important feature, especially when you're making live recordings. The dbx system employs RMS level sensors to eliminate compressor-expander tracking errors due to phase shifts in the tape recorder, and provides excellent transient tracking capabilities.

To achieve a large reduction in audible tape hiss, without danger of overload or high-frequency self- erasure on the tape, frequency pre-emphasis and de- emphasis are added to the signal and RMS level sensors.

Input

Á Encoder

Á

Tape deck

Á

Decoder

Output

Dynamic range

Encode

 

 

 

 

Decode

 

 

of

(Compress)

Record

Playback

 

(Expand)

Á80dB

Saturation

input signal

80dB

Á40dB

 

Á40dB

 

 

+20dB

 

 

 

 

 

+25dB

level

 

 

 

+15dB

 

 

+20dB

 

 

+10dB

 

 

 

 

0dB

 

Á

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Dynamic range of tape

 

 

 

 

 

 

 

 

(65dB)

 

 

 

 

 

 

–30dB

 

 

 

 

 

 

 

 

 

 

Á

 

 

 

 

 

 

 

 

–50dB

 

 

–60dB

 

–60dB

 

 

 

 

 

 

 

 

 

 

 

 

 

 

dbx encoding/decoding level diagram

–80dB

Noise level

SUBSONICS AND INTERFERENCE

The dbx system incorporates an effective bandpass filter. This filter suppresses undesirable subsonic frequencies to keep them from introducing errors into the encode or decode process. However, if rumble from trains or trucks is picked up by your microphone and fed to the dbx system, modulation of the program material during low level passages may occur. This low-frequency component will not itself be passed through the recorder and so, will not be present at reproduce for proper decoding. If this low-level decoding error is encountered, and subsonics are suspected, we suggest the addition of a suitable high-pass filter in the microphone line.

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Contents 414@# Table Of Contents Safety Instructions Portastudio 414 Mkii is Do not cut off the mains plug from thisRecording System Three Steps to MultitrackSignal Flow in the 414 Mkii Mixer Understanding the MixerTape Cue Monitor System Tape Speed and Track Format Multitrack Cassette RecorderTrack Format and Tape Recommendations Tape Length Tape TypeAccidental Erase/Record Protection Optional Accessories RC-30P Remote FootswitchInput Selection and Adjustment Portastudio 414 Mkii Brief GuideMonitor Section Master SectionCounter reset button Press to change the counter to Recorder Controls Connections on the Rear PanelStep-By-Step-Operation Guide Lets Try the 414 Mkii MixerHow to Record on Track Track 1 Playback through Tape CUE How to Make an Overdub on Track Routing tape signals to Tape CUEStopping playback Routing inputMonitoring input/tape Record level adjustment TrimTrack selection How to Record Tracks 3 How to Record Many Sources onto a Single TrackHow to Record a Mix onto Two Tracks Simultaneously Recording the stereo channels 5-6Monitor source How to Mix DownConnections Record level Playback levelReview Selecting in and out points PUNCH-IN or Insert RecordingPreliminary Punching-in/out with Record Punch-in ProcedureUsing the remote footswitch RC-30P Ping-pong Procedure Bouncing Tracks Ping-PongSetting the Output Level of Effect Devices Using Effects with the Portastudio 414 MkiiSetting Effect Send Levels Setting the Mix/Balance Control on Effect Devices How to Connect Your Effects DevicesSyncing MIDI-Tape Using the Tascam MTS-30 TroubleshootingFeatures and Controls DC in 12 V connector on the rear panelInput Section Guitar in & Trim control on the rearStereo Input Section Monitor SectionOutput Section Master SectionCassette Loading and dbx System Transport ControlsTape path components Play keyCare and Maintenance Cleaning the Heads and Tape GuidesTrack Controls DisplaysCleaning the Pinch Roller Cleaning the Capstan ShaftHow the dbx Works Degaussing the Tape PathSpecifications Mechanical CharacteristicsBlock Diagram CH 1 CHLevel Diagram TRK414@#