Mackie M1200/M1400 owner manual Biamplified System with Active Crossover

Page 38

Biamplified and Triamplified Systems Most speaker systems in use today are of

the two-way or three-way variety. Cone speak- ers are good at reproducing low and mid-range frequencies, but not high frequencies. Like- wise, compression drivers are good at reproducing high frequencies, but definitely not low frequencies. This is why two-way, three-way and even four-way speaker systems were developed — to improve the efficiency of each individual driver by requiring it to reproduce only the frequencies that it repro- duces best.

One method of accomplishing this is through the use of a passive crossover network between the amplifier and the speaker(s). Often the passive crossover is built into the cabinet along with the various drivers. The crossover divides the high-level speaker signal into frequency bands, which are then directed to the appropriate driver. There are some drawbacks to this method, however. The pas- sive crossover adds reactance to the load that the amplifier sees, which can affect the damp- ing. Power is wasted as heat across the resistors in the crossover, reducing the amount of amplifier power available to the drivers themselves.

 

 

 

 

FR SERIES

 

 

 

POWER AMPLIFIER

 

 

 

 

(STEREO MODE)

 

 

 

 

 

FROM SIGNAL SOURCE

 

CH 1

 

CH 1

+

 

 

 

 

 

 

 

 

 

 

 

 

 

(MACKIE MIXING CONSOLE)

IN

 

OUT

 

 

 

 

 

 

 

FROM SIGNAL SOURCE

 

CH 2

 

CH 2

 

 

 

 

 

 

 

 

(MACKIE MIXING CONSOLE)

IN

 

OUT +

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Passive Crossover System

Biamplified and triamplified systems use separate power amplifiers to power each indi- vidual low-frequency and high-frequency driver. An electronic crossover (a.k.a. active crossover) is located between the signal source and the power amplifier. The advantages of this method include 1) increased headroom available from each amplifier, since they’re am- plifying only a portion of the entire audio spectrum; 2) improved damping factor be- cause the amplifier output is connected directly to the driver; 3) improved efficiency because there are no passive resistors to dissi- pate heat; and 4) flexibility to choose the optimum crossover frequency and crossover slope for the individual drivers in the system.

TWO-WAY SPEAKER CABINET

HIGH-LEVEL

HIGH FREQUENCIES

PASSIVE

TO TWEETER

CROSSOVER

 

 

LOW FREQUENCIES

 

TO WOOFER

TWO-WAY SPEAKER CABINET

HIGH-LEVEL

HIGH FREQUENCIES

PASSIVE

TO TWEETER

CROSSOVER

 

 

LOW FREQUENCIES

 

TO WOOFER

 

FR SERIES

FROM SIGNAL SOURCE

POWER AMPLIFIER

(MACKIE MIXING CONSOLE)

(STEREO MODE)

FROM SIGNAL SOURCE

(MACKIE MIXING CONSOLE)

LOW-LEVEL

2-WAY ACTIVE CROSSOVER

 

 

 

 

FR SERIES

 

 

 

 

POWER AMPLIFIER

 

 

 

 

 

(STEREO MODE)

 

 

TO HIGH-FREQUENCY

CH 1

 

 

 

+

 

 

 

AMPLIFIER

INPUT

 

 

CH 1

 

 

 

TO LOW-FREQUENCY

CH 2

 

 

OUT

 

 

 

 

 

 

 

 

 

 

 

 

 

 

INPUT

 

 

 

 

 

 

AMPLIFIER

 

 

CH 2

 

 

 

 

 

 

 

OUT +

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

LOW-LEVEL

3-WAY ACTIVE

CROSSOVER

TWEET

WOOF

TO HIGH-FREQUENCY

CH 1

 

 

 

+

 

 

 

TWEET

AMPLIFIER

INPUT

 

 

CH 1

 

 

 

 

TO MID-FREQUENCY

CH 2

 

 

OUT

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

INPUT

 

 

 

 

 

 

 

AMPLIFIER

 

 

CH 2

 

 

 

 

 

 

 

 

 

OUT +

 

 

 

MID

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

FR SERIES

 

 

 

 

 

 

POWER AMPLIFIER

 

 

 

 

 

 

 

(BRIDGE MODE)

 

 

 

 

TO LOW-FREQUENCY

CH 1

 

 

 

+

 

 

 

 

 

INPUT

 

 

CH 1

 

 

 

 

 

AMPLIFIER

 

 

 

 

 

 

 

 

 

 

 

OUT

 

 

 

WOOF

 

 

 

 

 

 

 

 

 

 

 

 

 

CH 2

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

OUT +

 

 

 

 

 

 

 

 

 

 

 

 

 

Biamplified System with Active Crossover

Triamplified System with Active Crossover

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Contents Speaker Outputs Safety Instructions To suffi Protectors Ciently Noise level exposures shown in this chartManent hearing loss While thisM1200/M1400 Amps can be mounted Be sure the Power switch is off before making connectionsQuick Start M1200/M1400 ampsThings You Must Remember 1/4 TS connectors are wired Tip = hot + and sleeve = coldStart dancing, but don’t let the ants out of your pants General Precautions Considerations Application DiagramsPlug for the Connectors Section Arcane Mysteries IlluminatedContents Application M1400 Main Speakers and Stage Monitors with ONE Amplifier M1200/M1400 Stereo System with Bridged Subwoofer Gain DB for those of you sittin’ there with your calculatorMeters High Current DesignShort SIGProtect Outputs. Both the Protect and the Short LEDs light upPower Temp StatusSpeaker Outputs Power CordFiers first. When powering If you shut down your System, turn off your ampliBe Aware Should you An amp’s signal routingInput Choose to terminate your Speaker cables withPin Shield Hot + PinCold Pin Ring Constant Directivity ThruLOW CUT Filter AMP Mode More on Constant Directivity HornsLimiter BridgeOutput Application NEL 1 inputs onlySubwoofer Here’s how to configure it Turn the M1200/M1400’s Power offTurn the M1200/M1400’s Power on. Woof Select a rolloff point, via the FrequencySubwoofer Frequency switch setting either 63Hz or 125Hz Thermal Considerations AC Power ConsiderationsRack Mounting AC Power Distribution Input WiringOutput Wiring FeetLoad Gauge Impedance Wire70V Distribution Systems Make sure the AMP Mode switch is set to Bridge Warranty ServiceTroubleshooting Are both Gain knobs set to the same position?Wood-Red Rd. NE Woodinville, WA RepairMackie Designs Sound Pressure Level SPL measured with an a weighting filter Term for a sound mixer, usually a large desk-like mixerEMI Frequency See HertzControl affecting the final output of a Signal whose level falls between -10 dBu and +30 dBuMale counterpart to the phone jack. See above TRS Unity gainUnbalancing a Line XLR Connectors⁄4 TS Phone Plugs and Jacks InstrumentsSpeakons Binding PostsBalanced lines offer increased immunity Balanced LinesBalanced line is a three Optimizing Sound System Levels GroundingHere are some guidelines Don’t use hardware-store light dimmersNext set the master output level fader Dynamic RangeBiamplified System with Active Crossover Ohm speaker load is twice as heavy as a Do the Math OHMS, Loads and SuchAs a load gets heavier, its impedance in ohms decreases Specifications AC Line Power IndicatorsPower Consumption Limiter SectionFreq Colophon Mackie Designs Inc All Rights Reserved

M1200/M1400 specifications

The Mackie M1200 and M1400 are two prominent power amplifiers that have gained recognition for their reliability, performance, and innovative design in the professional audio field. Engineered for both live sound and studio applications, these amplifiers deliver exceptional sound quality and unmatched power, making them a favorite among audio professionals.

One of the standout features of the M1200 and M1400 is their impressive power output. The M1200 boasts a power output of 1200 watts at 4 ohms, while the M1400 takes it a step further with 1400 watts at 4 ohms. This substantial power allows users to drive a wide range of speakers, making them suitable for various settings, from small clubs to large venues and outdoor events. Furthermore, they excel in providing clean, distortion-free sound even at high volumes.

Both models incorporate Mackie's patented Smart Protect DSP technology. This intelligent thermal and signal protection system helps prevent overheating and ensures that the amplifiers operate within safe limits, enhancing longevity and reliability. The DSP also contributes to superior sound quality, maintaining clarity and detail across different frequency ranges.

Another key feature of the M1200 and M1400 is their rugged construction. Designed for the rigors of touring and live performances, these amplifiers feature a sturdy chassis that withstands the challenges of transport and heavy use. Their efficient heatsink design allows for effective cooling, ensuring the amplifiers remain operational even under demanding conditions.

In terms of connectivity, both models are versatile. They offer XLR and TRS inputs, allowing compatibility with a variety of audio sources. The outputs include Neutrik Speakon connections, providing secure and reliable speaker connections. Additionally, the amplifiers have built-in limiters that help to prevent speaker damage by controlling signal levels.

The user-friendly interface of the M1200 and M1400 includes level control knobs, LED indicators for power and signal, and a comprehensive set of output options. This simplicity ensures that audio engineers can quickly adjust settings to cater to specific acoustic environments, making setup and operation seamless.

In conclusion, the Mackie M1200 and M1400 power amplifiers are remarkable for their powerful performance, durability, and advanced technology. Whether for live sound reinforcement or studio applications, these amplifiers continue to set a standard in audio excellence, proving their worth to sound engineers worldwide.