Now again, it's difficult to tell because the camera's iris is practically closed, but the entire room is now flooded with light via nine (that's right, 12) halogen floodlights that total about 600 watts. They are turned on fully, and two of them are trained directly on the screen. Draw your own conclusions here... Frankly, I think this is very impressive. This my friends, is the acid test.
Another angle, but the lighting is the same. Full on, and easily more than enough to read by, yet the screen, even though part of it is washed out by the lighting, is still quite visible. I should note that I do have black masking panels on our Stewart screen that are currently in the lowered position for this 4:3 film.