to isolate each channel from crosstalk and
unsurprising that nearly all manufacturers of Dolby Digital receivers opt for a shortcut here; they add the
OPTIMUM GAIN VOLUME
CIRCUITRY
To produce volume at low levels, conventional volume attenuation methods must initially drop a signal close to the noise floor. This often taints the signal with a small amount of noise, which becomes amplified when the signal itself is amplified. Optimum Gain Volume Circuitry solves this problem by adjusting the gain so that less than half the typical amount of attenuation is needed. This ensures that the signal never comes close to the noise floor, and thereby eliminates the possibility of noise contamination that plagues conventional
NON-SCALING CONFIGURATION
If you already own a Dolby Digital receiver, you can choose to send the Low Frequency Effect signal
(LFE) to the front left and right speakers instead of to the sub-
woofer. This flexibility is provided by all manufacturers for the benefit of
people who do not
own a subwoofer,
and for users who
own
ance front speakers and feel that with certain music or
soundtracks, their front speakers can reproduce the LFE signal better than their subwoofer can. Given the ease with which digital signals can be handled, it is perhaps
Our philosophy is simply not to mess with the signal (or your music and soundtracks.) No shortcuts. The
PURE AUDIO MODE
When you select the Pure Audio Mode, the video signal is shut down (resulting in a blank screen), and the receiver concentrates on delivering the purest audio possible. This is ideal for those music lovers who want to sit back and enjoy their compact discs,
TRANSPARENT MULTIWAY BINDING-POST SPEAKER TERMINALS
If you’re investing in a receiver of this calibre, you prob- ably have