Alesis DEQ830 manual Filtering effects, Eliminating Feedback, Answering machine

Page 60

4 Applications

Eliminating Feedback

During a live performance, you may experience feedback if a microphone is placed too close to a monitor. However, this feedback often occurs at one frequency before it happens at others. You can "ring out" the monitor by using EQ to cut the frequency that’s feeding back. The following is best to try when the band and audience are not present:

1.Insert the EQ between the mixer’s monitor output and the monitor amplifier.

2.Slowly and carefully raise the monitor level to the point of feedback. Notice that it always feeds back at the same frequency unless the mic is moved a lot. As soon as you hear feedback, turn the monitor level down, but not off.

3.Select a band that is near where you think the feedback is occurring. For example, if you’re getting high-frequency feedback, try 6.3 kHz.

4.Slowly raise the 6.3 kHz Band Gain level while listening for feedback. If you hear feedback, cut that frequency because you guessed right.

5.If you don’t hear feedback, return that band to “0” and repeat this procedure with another frequency band. Once you hear feedback, cut that frequency.

If you don’t hear feedback at any frequency using this method, try boosting the monitor level a little more.

Filtering effects

The answering machine

A popular vocal effect is to filter the voice to a limited frequency range. This “telephone” effect can be used on any instrument or mix. Here’s how to get that sound on the DEQ830:

1.Press all of the [BAND SELECT] buttons in the ranges from 25 Hz to 630 Hz and from 6.3 kHz to 20 kHz on the channel you are using. Or you can hold down a [BAND SELECT] button and turn the [VALUE] encoder to select these frequency ranges.

2.Use the [VALUE] encoder to reduce all of these frequencies until their LEDs are at -12 dB.

3.Select all of the unedited frequencies and boost them as high as you can without clipping the signal.

4.Be sure to toggle the [BYPASS] button to compare the result with the original.

This procedure can be an effective tool in isolating and eliminating feedback in the main or house system as well.

58

Image 60
Contents Reference Manual This page intentionally left blank Table Of Contents Chapter Four Applications Introduction WelcomeDEQ830 Key Features How to Use This Manual This page intentionally left blank Important Safety Instructions Important Safety Instructions EnglishSafety symbols used in this product Please follow these precautions when using this productPage Symboles utilisés dans ce produit Instructions de Sécurité Importantes FrenchPage Sicherheit Symbole verwendet in diesem Produkt Lesen Sie bitte die folgende Sicherheitshinweise GermanPage CE Declaration of Conformity FCC Compliance StatementThis page intentionally left blank Quick Start Guide If you can’t wait to get started…Hook it up to a mixer Play some signal into the unit Try some equalizationStore the Program Save an EQ Curve DEQ830 Diagram Installing in a Rack ConnectionsUnpacking and Inspection Thermal Considerations in Rack MountingAC Power Hookup Using the DEQ830 in another countryConnecting Inputs and Outputs Unbalanced I/OBalanced I/O Operating LevelsMono connections Stereo connectionsConnecting to the inserts on an instrument amplifier Connecting to equipment with XLR inputs and outputsAnalog Signal In, Digital Signal Out Digital Signal In, Analog Signal OutDigital Signal In, Digital Signal Out About Audio Cables This page intentionally left blank What is equalization? Basics of EqualizationDescription of the Front Panel Bypass All ALL Link Push to LinkStore CompareProgram Value Encoder ValueNumerical LED Display Program mode Edit modeStore mode Save Curve modeRetrieve Curve mode Bypass modeChannel Level mode Link mode Utility modeReal Time Analyzer mode Basic operation Program mode Basic operation Edit modeSingle Band Edit Band Solo Band Gain Cut/Boost RangesLED Multiple Band Edit Selecting an Edit GroupRelative Gain display Proportional Gain MemoryBasics of Equalization Limits of Relative Gain Release Edit Group function Basic operation Store mode Basic operation Save Curve modeBasic operation Channel Level mode Basic operation Link modeCopying settings between channels Basic operation Real Time Analyzer mode Using the Value encoder in RTA modeSetting Metering modesBasic operation Utility mode Master Level +/- 6 dBRelease Edit Group On/Off Edit Time Out On/Off Midi Channel ALLMidi Program Change On/Off Midi Out/Thru Select Out/ThruPeak Mode 0, 1, 2, Inf Internal Clock Sample Rate Select 44.1/48Force Analog Input Auto/Analog Fast Program Select On/OffReceiving System Exclusive bulk dumps Demonstration mode Lock modeHidden Modes Equalization Artifacts DistortionNoise PhasingConstant Q vs. Variable Q What makes the DEQ830 unique?Variable Q Constant QMulti-band application and results Basics of Equalization This page intentionally left blank Applications General EQ tipsRock Kick Drum Vocal AirFiltering effects Eliminating FeedbackAnswering machine Settings chart Comb filteringApplications Troubleshooting Care and MaintenanceCleaning Line Conditioners and ProtectorsTroubleshooting Troubleshooting IndexObtaining Repair Service Refer All Servicing to AlesisCustomers in the USA and Canada Customers outside the USA and CanadaThis page intentionally left blank Specifications Audio PerformanceMechanical This page intentionally left blank Warranty / Contact Alesis Limited WarrantyAlesis Contact Information