Arcam AVR250 manual Level settings, EX Settings, Test Tone Cycle, Use Channels 6+7 for

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5 – Level settings

The relative sensitivity of different speakers can lead to some speakers sounding disproportionately loud or quiet, relative to others in the system. The level settings of your AVR250 can help to address this inbalance.

It is important to calibrate the speakers correctly to achieve an accurately centred sound stage. If possible, we recommend you use a sound pressure level meter (SPL meter) to perform this part of the set-up as it is difficult to judge the levels accurately by ear alone.

Test Tone Cycle

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MANUAL is best for setting up with a SPL meter as the test tone will not change to the next speaker until instructed by you. Pink noise is emitted by the highlighted speaker; when you wish to measure a different speaker, move the highlight to the new speaker.

AUTO is best for setting up by ear. In this state, the test tone changes automatically between speakers after a two second burst of sound.

On first installation, watch the OSD display as you cycle through the available speakers with the test tone. Check that the speaker generating the sound corresponds to that indicated on the OSD. If there is a discrepancy then check and correct the system cabling before proceeding further.

To calibrate the speakers with a SPL meter, place the meter at ear level with the microphone pointing towards the ceiling, when seated in the usual listening position. (You will need to set the meter to ‘C’‚ setting with a ‘slow’‚ response and to read 75dB SPL at the centre of the scale.) If you do not have a SPL meter, simply set the front left speaker to 0dB on the menu and then match all the other speakers to this level.

Each speaker can be fine-tuned by 1dB increments to ±10dB. The output from each speaker needs to be adjusted to the 75dB SPL sound level. No adjustments can be made for a speaker that is not selected in the previous ‘Speaker Sizes’ menu.

Note that inserting headphones into the front panel of the AVR250 will cause all test-tones to be muted (including the headphone output).

Note: If you are using a 6.1 speaker configuration (a single surround back speaker), we recommend connecting the surround back speaker to the surround back left channel of the AVR250.

In this case, the level of the connected surround back channel should be increased by 3dB (i.e., the SPL meter should show a response of 78dB for this channel).

6 – EX Settings

Surr. EX: This can either be set to AUTO or MANUAL and is applicable only when playing ‘Surround EX’-encoded material.

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AUTO DD EX: The AVR250 will switch automatically to ‘Surround EX’ decoding when suitably encoded material is detected (this can be temporarily overridden by pressing the MODE button on the remote control).

AUTO PLIIX MOVIE: The AVR250 will switch automatically to ‘Pro Logic IIx Movie’ decoding when suitably encoded material is detected (this can be temporarily overridden by pressing the MODE button on the remote control).

MANUAL: The AVR250 will not select Surround EX automatically. It can however be selected manually by pressing the MODE button.

Use Channels 6+7 for

Choose one from:

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DOLBY SURR EX: ‘Dolby Surround EX’ provides two additional rear channels from 5.1 channel EX-encoded material. This is intended to give better effects steering. In this mode, amplifier channels 6 and 7 are used to drive the EX speakers.

ZONE 2: In this mode, amplifier channels 6 and 7 are used to provide speaker level output for use in Zone 2.

BIAMP L+R: The amplifier channel 6 and 7 are used to provide a second amplified output of the left and right channels. This allows you to bi-amplify your front speakers, which should give an improvement in the sound quality of these channels.

If you would like to do this, please refer to page 26 for further information.

Note: Changing this setting will require you to change the configuration of the cables connected your speakers.

AVR250

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Contents AVR250 Safety guidelines Important safety instructionsSafety compliance Contents Introduction Using this handbookSafety Before you startBefore making connections Inserting the batteries into the remote controlCables InstallationPositioning the unit AVR250 rear panelConnection of record decks Audio connectionsAnalogue audio connections Subwoofer outputHigh quality Component video connections Scart RGB 4-WIRE ConnectionVideo connections Composite/S-video video connectionsZone 2 connections Connecting loudspeakersUsing bare wire ended leads Using spade terminalsConnecting to a power supply Connecting the AM and FM antennasNavigating the Set-up menu Configuring the AVR250Set-up mode Set-up Menu IndexSelect Cvbs status General Settings2/S-VIDEOtrigger is not active in this mode ‘Basic’ Set-up MenusSubwoofer Settings Speaker SizesSurr L/R Small Large Distance measurements for 5.1 Speaker delay settings Speaker Delay SettingsUse Channels 6+7 for Level settingsEX Settings Test Tone CycleADV 1 Speaker Eq ADV 2 Video SettingsADV 3 Digital Settings ‘Advanced’ Set-up MenusSave Set-up Saving Settings and Exit Set-upADV 4 Zone 2 Settings ADV 5 Analogue SettingsRemote control Front panel display Switching on/offVolume control Operating your AVR250Zone HeadphonesInput selection Stereo DirectTreble/Bass Remote control buttonsEffects/FX ModeDeleting a preset Using the tunerTuning to a station Storing a presetUsing the Main Menu Effect Using ZoneDecoder splits the centre signal equally to IntroductionDigital multi-channel sources Surround modesMulti-channel source modes Two-channel source modesDSP Effects Modes Speaker positioningBi-amping your system Bi-wiring and bi-amping loudspeakersBi-wiring your loudspeakers Before you start important informationTroubleshooting Hum on an analogue input Source switching changes randomly or freezes on one sourceNo Zone 2 audio when playing DTS film Unable to adjust bass and treble controlsScart connections Scart RGB cable with audio back to processorScart S-video cable with audio back to processor IR Remote Codes Command Command codePreset/Tune down Preset/Tune up Preset/Tune mode toggle System code Command Command codePreset Power toggle MuteTechnical specifications Continual improvement policyRadio interference Guarantee Worldwide GuaranteeOn line registration Appendix Serial programming interface Command and response formatsPower / Alimentation / Betriebsbereitschaft / Stroom Example / Exemple / Beispiel / Voorbeeld Mute / Coupure du son / Stumm / DempenDe audio- en video-ingang naar een zone wijzigen Changes the audio and video input to a zoneChange l’entrée audio et vidéo d’une zone Änderung des Audio- oder Videoeingangs einer ZoneDe video-ingang voor de hoofdzone wijzigen Changes the video input for the main zoneChange l’entrée vidéo de la zone principale Änderung der Videoquelle der HauptzoneDirect mode / Mode Direct / Direktmodus / Modus Direct Navigation / Navigation / Navigation / Navigatie Effect / Effet / Effekt / EffectStore / Mémorisation / Speichern / Opslaan Preset / Présélection / Voreinstellung / VoorinstellingRDS / Système RDS / RDS / RDS Tune / Réglage / Senderabstimmung / Afstemmen
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AVR250 specifications

The Arcam AVR250 is a distinguished model in the realm of home theater receivers, embodying high-performance audio and video processing capabilities that cater to discerning audiophiles and home cinema enthusiasts alike. Designed by Arcam, a company renowned for its commitment to delivering premium sound, the AVR250 stands out through its thoughtful engineering and robust feature set.

At the heart of the AVR250 lies a powerful amplification stage capable of delivering a peak output of 100 watts per channel into 8 ohms, ensuring that even the most demanding speakers can be driven with ease. This level of power translates into dynamic audio experiences, whether you're enjoying your favorite movies, music, or gaming. The receiver also incorporates a sophisticated digital signal processing engine that enhances sound quality and ensures accurate reproduction of all audio formats.

One of the standout features of the AVR250 is its support for multiple surround sound formats, including Dolby Digital, DTS, and Dolby Pro Logic II. This enables users to experience surround sound in its full glory, bringing their favorite films to life with immersive audio tracks that add depth and realism to the viewing experience. The AVR250 also boasts an array of connectivity options, including HDMI inputs that support high-definition video and audio signals, allowing seamless integration with modern multimedia devices such as Blu-ray players, gaming consoles, and streaming devices.

In addition to its robust audio capabilities, the Arcam AVR250 is also equipped with video processing technologies. It can upscale standard definition content to high-definition resolution, ensuring that older media looks sharper and more vibrant on modern displays. The receiver also features video switching capabilities, allowing users to connect multiple video sources and effortlessly switch between them.

User-friendliness is another hallmark of the AVR250, featuring an intuitive on-screen display and remote control that make setup and operation straightforward. The receiver also offers advanced room correction technologies, which utilize microphone measurements to optimize sound performance in various room acoustics. This ensures that audiences receive the best possible sound quality tailored to their specific environment.

In summary, the Arcam AVR250 exemplifies a blend of power, quality, and versatility. With its advanced audio technologies, comprehensive connectivity options, and user-friendly design, this home theater receiver is poised to elevate cinematic experiences and music reproduction in any home. Whether you are an audiophile or a casual viewer, the AVR250 caters to a wide array of listening preferences, making it a worthy addition to any audio setup.