Arcam AVR250 manual Direct mode / Mode Direct / Direktmodus / Modus Direct

Page 41

Direct mode / Mode Direct / Direktmodus / Modus Direct

Change the stand-by state of a zone.

Modifiez l’état de veille d’une zone.

Ändern des Stand-by-Zustands einer Zone.

De standby-status van een zone wijzigen.

Example / Exemple / Beispiel / Voorbeeld

Command/response sequence to switch ‘Direct mode’ on:

Séquence commande/réponse pour activer le mode Direct :

Befehls-/Rückmeldesequenz zur Aktivierung des Direktmodus: Opdracht- en responsreeks om modus Direct in te schakelen:

nCom.: PC_311 – followed by/suivie d’un/gefolgt von/gevolgd door (0xd)

nResp.: AV_3P11 – followed by/suivie d’un/gefolgt von/gevolgd door (0xd)

COMMAND:

Byte: Description:

CC‘3’ (0x33) (Command code)

P1 ‘1’ (0x31) – Zone 1

P2

Request:

 

‘0’ (0x30) – Set ‘Direct Mode’ off

 

‘1’ (0x31) – Set ‘Direct Mode’ on

 

‘9’ (0x39) – Request mode setting

 

 

RESPONSE:

 

 

Byte:

Description:

 

 

RC

‘3’ (0x33) (Reply Code)

 

 

AC

Answer code

 

 

P1

‘1’ (0x31) – Zone 1

 

 

P2

Response:

 

‘0’ (0x30) – ‘Direct mode’ is off

 

‘1’ (0x31) – ‘Direct mode’ is on

 

 

English

Decode mode — two-channel /

Mode de décodage – deux canaux /

Dekodiermodus – Zweikanal /

Decoderingsmodus – tweekanaals

Set the decode mode for two-channel material.

Réglez le mode de décodage pour le matériau à double canal.

Einstellen des Dekodiermodus auf Zweikanalmaterial.

De decoderingsmodus voor tweekanaals materiaal instellen.

Example / Exemple / Beispiel / Voorbeeld

Command/response sequence to change the decode mode to Pro Logic IIx Movie Mode:

Séquence commande/réponse pour remplacer le mode de décodage par le mode Pro Logic IIx Movie :

Befehls-/Rückmeldesequenz zur Änderung des Dekodiermodus in den Modus „Pro Logic IIx Movie“:

Opdracht- en responsreeks om de decoderingsmodus te wijzigen naar de modus Pro Logic IIx Movie:

nCom.: PC_413 – followed by/suivie d’un/gefolgt von/gevolgd door (0xd)

nResp.: AV_4P13 – followed by/suivie d’un/gefolgt von/gevolgd door (0xd)

COMMAND:

Byte: Description:

CC‘4’ (0x34) (Command code)

P1 ‘1’ (0x31) – Zone 1

P2 ‘.’ (0x2e) – Mono ‘/’ (0x2f) – Stereo

‘0’ (0x30) – Pro Logic II Movie Mode ‘1’ (0x31) – Pro Logic II Music Mode ‘3’ (0x33) – Pro Logic IIx Movie Mode ‘4’ (0x34) – Pro Logic IIx Music Mode ‘6’ (0x36) – Dolby Pro Logic Emulation ‘7’ (0x37) – Neo:6 Cinema

‘8’ (0x38) – Neo:6 Music

‘9’ (0x39) – Request decode mode

RESPONSE:

Byte:

Description:

 

 

RC

‘4’ (0x34) (Reply Code)

 

 

AC

Answer code

 

 

P1

‘1’ (0x31) – Zone 1

 

 

P2

Response:

 

The current decode mode is returned,

 

as for the command.

 

 

Decode mode — multi-channel /

Mode de décodage – multicanal /

Dekodiermodus – Mehrkanal /

Decoderingsmodus – meerkanaals

Set the decode mode for multi-channel material.

Réglez le mode de décodage pour le matériau multicanal.

Einstellen des Dekodiermodus auf Mehrkanalmaterial.

De decoderingsmodus voor meerkanaals materiaal instellen.

Example / Exemple / Beispiel / Voorbeeld

Command/response sequence to change the decode mode to Pro Logic IIx Movie Mode:

Séquence commande/réponse pour remplacer le mode de décodage par le mode Pro Logic IIx Movie :

Befehls-/Rückmeldesequenz zur Änderung des Dekodiermodus in den Modus „Pro Logic IIx Movie“:

Opdracht- en responsreeks om de decoderingsmodus te wijzigen naar de modus Pro Logic IIx Movie:

nCom.: PC_512 – followed by/suivie d’un/gefolgt von/gevolgd door (0xd)

nResp.: AV_5P13 – followed by/suivie d’un/gefolgt von/gevolgd door (0xd)

COMMAND:

Byte: Description:

CC‘5’ (0x35) (Command code)

P1 ‘1’ (0x31) – Zone 1

P2 ‘.’ (0x2e) – Mono down-mix ‘/’ (0x2f) – Stereo down-mix ‘0’ (0x30) – Multi-channel mode ‘2’ (0x32) – Pro Logic IIx mode

‘9’ (0x39) – Request decode mode

RESPONSE:

Byte:

Description:

 

 

RC

‘5’ (0x35) (Reply Code)

 

 

AC

Answer code

 

 

P1

‘1’ (0x31) – Zone 1

 

 

P2

Response:

 

The current decode mode is returned,

 

as for the command.

 

 

AVR250

E-41

Page 40 Page 42
Image 41
Page 40 Page 42
Contents AVR250 Safety compliance Safety guidelinesImportant safety instructions Contents Safety Using this handbookBefore you start IntroductionBefore making connections Inserting the batteries into the remote controlPositioning the unit InstallationAVR250 rear panel CablesAnalogue audio connections Audio connectionsSubwoofer output Connection of record decksVideo connections Scart RGB 4-WIRE ConnectionComposite/S-video video connections High quality Component video connectionsUsing bare wire ended leads Connecting loudspeakersUsing spade terminals Zone 2 connectionsConnecting to a power supply Connecting the AM and FM antennasSet-up mode Configuring the AVR250Set-up Menu Index Navigating the Set-up menu2/S-VIDEOtrigger is not active in this mode General Settings‘Basic’ Set-up Menus Select Cvbs statusSurr L/R Small Large Subwoofer SettingsSpeaker Sizes Distance measurements for 5.1 Speaker delay settings Speaker Delay SettingsEX Settings Level settingsTest Tone Cycle Use Channels 6+7 forADV 3 Digital Settings ADV 2 Video Settings‘Advanced’ Set-up Menus ADV 1 Speaker EqADV 4 Zone 2 Settings Saving Settings and Exit Set-upADV 5 Analogue Settings Save Set-upRemote control Volume control Switching on/offOperating your AVR250 Front panel displayInput selection HeadphonesStereo Direct ZoneEffects/FX Remote control buttonsMode Treble/BassTuning to a station Using the tunerStoring a preset Deleting a presetUsing the Main Menu Decoder splits the centre signal equally to Using ZoneIntroduction EffectDigital multi-channel sources Surround modesMulti-channel source modes Two-channel source modesDSP Effects Modes Speaker positioningBi-wiring your loudspeakers Bi-wiring and bi-amping loudspeakersBefore you start important information Bi-amping your systemTroubleshooting No Zone 2 audio when playing DTS film Source switching changes randomly or freezes on one sourceUnable to adjust bass and treble controls Hum on an analogue inputScart S-video cable with audio back to processor Scart connectionsScart RGB cable with audio back to processor IR Remote Codes Command Command codePreset System code Command Command codePower toggle Mute Preset/Tune down Preset/Tune up Preset/Tune mode toggleRadio interference Technical specificationsContinual improvement policy On line registration GuaranteeWorldwide Guarantee Appendix Serial programming interface Command and response formatsPower / Alimentation / Betriebsbereitschaft / Stroom Example / Exemple / Beispiel / Voorbeeld Mute / Coupure du son / Stumm / DempenChange l’entrée audio et vidéo d’une zone Changes the audio and video input to a zoneÄnderung des Audio- oder Videoeingangs einer Zone De audio- en video-ingang naar een zone wijzigenChange l’entrée vidéo de la zone principale Changes the video input for the main zoneÄnderung der Videoquelle der Hauptzone De video-ingang voor de hoofdzone wijzigenDirect mode / Mode Direct / Direktmodus / Modus Direct Navigation / Navigation / Navigation / Navigatie Effect / Effet / Effekt / EffectStore / Mémorisation / Speichern / Opslaan Preset / Présélection / Voreinstellung / VoorinstellingRDS / Système RDS / RDS / RDS Tune / Réglage / Senderabstimmung / Afstemmen
Related manuals
Manual 44 pages 56.68 Kb Manual 44 pages 3.26 Kb

AVR250 specifications

The Arcam AVR250 is a distinguished model in the realm of home theater receivers, embodying high-performance audio and video processing capabilities that cater to discerning audiophiles and home cinema enthusiasts alike. Designed by Arcam, a company renowned for its commitment to delivering premium sound, the AVR250 stands out through its thoughtful engineering and robust feature set.

At the heart of the AVR250 lies a powerful amplification stage capable of delivering a peak output of 100 watts per channel into 8 ohms, ensuring that even the most demanding speakers can be driven with ease. This level of power translates into dynamic audio experiences, whether you're enjoying your favorite movies, music, or gaming. The receiver also incorporates a sophisticated digital signal processing engine that enhances sound quality and ensures accurate reproduction of all audio formats.

One of the standout features of the AVR250 is its support for multiple surround sound formats, including Dolby Digital, DTS, and Dolby Pro Logic II. This enables users to experience surround sound in its full glory, bringing their favorite films to life with immersive audio tracks that add depth and realism to the viewing experience. The AVR250 also boasts an array of connectivity options, including HDMI inputs that support high-definition video and audio signals, allowing seamless integration with modern multimedia devices such as Blu-ray players, gaming consoles, and streaming devices.

In addition to its robust audio capabilities, the Arcam AVR250 is also equipped with video processing technologies. It can upscale standard definition content to high-definition resolution, ensuring that older media looks sharper and more vibrant on modern displays. The receiver also features video switching capabilities, allowing users to connect multiple video sources and effortlessly switch between them.

User-friendliness is another hallmark of the AVR250, featuring an intuitive on-screen display and remote control that make setup and operation straightforward. The receiver also offers advanced room correction technologies, which utilize microphone measurements to optimize sound performance in various room acoustics. This ensures that audiences receive the best possible sound quality tailored to their specific environment.

In summary, the Arcam AVR250 exemplifies a blend of power, quality, and versatility. With its advanced audio technologies, comprehensive connectivity options, and user-friendly design, this home theater receiver is poised to elevate cinematic experiences and music reproduction in any home. Whether you are an audiophile or a casual viewer, the AVR250 caters to a wide array of listening preferences, making it a worthy addition to any audio setup.
Top Page Image Contents