Arcam AVR250 manual Using Zone, Introduction, Effect, Decoder splits the centre signal equally to

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Main Menu Screen 2

Compression: Allows selection of three different compression ratios (OFF, MEDIUM

and HIGH), where the higher compression is intended for ‘late night’ listening. The compression effect increases the volume of the quiet passages and decreases the volume of the louder passages. Compression can be disabled by setting this item to OFF.

Compression is only available on Dolby Digital recordings and on some DTS recordings.

Lip Sync: Allows the introduction and adjustment of a time delay between the audio and video signals to compensate for the sound and picture not being

synchronised. This may be required when extra video processing is used in the system, for line doubling or progressive scan video, or for when a DVD has been poorly mastered or a broadcast shows noticeable delay between the video and audio.

The lip sync function works on all sources, unless Stereo Direct is selected. Lip sync is also directly available on the SYN button on the remote control.

The range of lip sync delay is 0 to 220 milliseconds.The lip sync adjustment can only correct for delayed video: if the audio is delayed, set lip sync to its minimum.

Pro Logic IIx Music Mode: This allows the adjustment of the sound field for Dolby Pro Logic II/IIx Music decoding of two-channel sources.

n Dimension: allows the user gradually to adjust the soundfield

either towards the front or towards the rear. If a recording is too spacious or strong from the surrounds, it can be adjusted forward’ to get a better balance. Likewise, if a stereo recording is somewhat too ‘narrow’ sounding, it can be adjusted toward the rear to get a more enveloping, immersive result. We recommend Dimension’ is set to 3 for normal use.

n Centre Width: With Pro Logic decoding,

 

 

dominant centre signals come only from the

Display

Centre spreading

centre speaker. If no centre speaker is present,

 

effect

the decoder splits the centre signal equally to

0

No centre spreading

the left and right speakers to create a ‘phantom’

 

 

centre image. The Centre Width control allows variable adjustment of the centre image so it may be heard only from the centre speaker; only from the left/right speakers as a phantom image; or from all three front speakers to varying degrees. We recommend ‘Centre Width’ is set to 3 for

normal use.

nPanorama Mode: Extends the front centre image to include the surround speakers for

an exciting ‘wrap-around’ effect with side wall imaging.

120.8°

228°

336°

454°

562°

669.8°

7Phantom centre

The ‘Centre Width’ setting for Dolby Pro Logic IIx Music Mode

MAIN MENU screen 3

This page refers to Zone 2 functions. These are required if your system is installed to send audio and video to a separate ‘Zone 2’ room, or you wish to make use of the Zone 2 headphone facility.

Vol: Shows present volume being used in Zone 2 and can be adjusted from here. This is also the volume control for the headphones output if it is assigned to Zone 2.

Zone 2 Source: Selects which source is sent to Zone 2. The source can be selected specifically, or can be set to Follow Zone 1.

Note that pressing the THX button in Zone 2 will cause the input for Zone 2 to be set to ‘Follow zone 1’.

Using Zone 2

Introduction

Zone 2 provides the option for the occupants of the master bedroom, children’s room or kitchen to view or listen to a different source at a different volume level from the main zone.

Control of Zone 2 is via an infra-red receiver that sends commands back to the AVR250. See ‘Control Connections’ on page 8 for further information.

AVR250

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Contents AVR250 Safety guidelines Important safety instructionsSafety compliance Contents Using this handbook SafetyBefore you start IntroductionInserting the batteries into the remote control Before making connectionsInstallation Positioning the unitAVR250 rear panel CablesAudio connections Analogue audio connectionsSubwoofer output Connection of record decksScart RGB 4-WIRE Connection Video connectionsComposite/S-video video connections High quality Component video connectionsConnecting loudspeakers Using bare wire ended leadsUsing spade terminals Zone 2 connectionsConnecting the AM and FM antennas Connecting to a power supplyConfiguring the AVR250 Set-up modeSet-up Menu Index Navigating the Set-up menuGeneral Settings 2/S-VIDEOtrigger is not active in this mode‘Basic’ Set-up Menus Select Cvbs statusSubwoofer Settings Speaker SizesSurr L/R Small Large Speaker Delay Settings Distance measurements for 5.1 Speaker delay settingsLevel settings EX SettingsTest Tone Cycle Use Channels 6+7 forADV 2 Video Settings ADV 3 Digital Settings‘Advanced’ Set-up Menus ADV 1 Speaker EqSaving Settings and Exit Set-up ADV 4 Zone 2 SettingsADV 5 Analogue Settings Save Set-upRemote control Switching on/off Volume controlOperating your AVR250 Front panel displayHeadphones Input selectionStereo Direct ZoneRemote control buttons Effects/FXMode Treble/BassUsing the tuner Tuning to a stationStoring a preset Deleting a presetUsing the Main Menu Using Zone Decoder splits the centre signal equally toIntroduction EffectSurround modes Digital multi-channel sourcesTwo-channel source modes Multi-channel source modesSpeaker positioning DSP Effects ModesBi-wiring and bi-amping loudspeakers Bi-wiring your loudspeakersBefore you start important information Bi-amping your systemTroubleshooting Source switching changes randomly or freezes on one source No Zone 2 audio when playing DTS filmUnable to adjust bass and treble controls Hum on an analogue inputScart connections Scart RGB cable with audio back to processorScart S-video cable with audio back to processor Command Command code IR Remote CodesSystem code Command Command code PresetPower toggle Mute Preset/Tune down Preset/Tune up Preset/Tune mode toggleTechnical specifications Continual improvement policyRadio interference Guarantee Worldwide GuaranteeOn line registration Command and response formats Appendix Serial programming interfacePower / Alimentation / Betriebsbereitschaft / Stroom Mute / Coupure du son / Stumm / Dempen Example / Exemple / Beispiel / VoorbeeldChanges the audio and video input to a zone Change l’entrée audio et vidéo d’une zoneÄnderung des Audio- oder Videoeingangs einer Zone De audio- en video-ingang naar een zone wijzigenChanges the video input for the main zone Change l’entrée vidéo de la zone principaleÄnderung der Videoquelle der Hauptzone De video-ingang voor de hoofdzone wijzigenDirect mode / Mode Direct / Direktmodus / Modus Direct Effect / Effet / Effekt / Effect Navigation / Navigation / Navigation / NavigatiePreset / Présélection / Voreinstellung / Voorinstelling Store / Mémorisation / Speichern / OpslaanTune / Réglage / Senderabstimmung / Afstemmen RDS / Système RDS / RDS / RDS
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AVR250 specifications

The Arcam AVR250 is a distinguished model in the realm of home theater receivers, embodying high-performance audio and video processing capabilities that cater to discerning audiophiles and home cinema enthusiasts alike. Designed by Arcam, a company renowned for its commitment to delivering premium sound, the AVR250 stands out through its thoughtful engineering and robust feature set.

At the heart of the AVR250 lies a powerful amplification stage capable of delivering a peak output of 100 watts per channel into 8 ohms, ensuring that even the most demanding speakers can be driven with ease. This level of power translates into dynamic audio experiences, whether you're enjoying your favorite movies, music, or gaming. The receiver also incorporates a sophisticated digital signal processing engine that enhances sound quality and ensures accurate reproduction of all audio formats.

One of the standout features of the AVR250 is its support for multiple surround sound formats, including Dolby Digital, DTS, and Dolby Pro Logic II. This enables users to experience surround sound in its full glory, bringing their favorite films to life with immersive audio tracks that add depth and realism to the viewing experience. The AVR250 also boasts an array of connectivity options, including HDMI inputs that support high-definition video and audio signals, allowing seamless integration with modern multimedia devices such as Blu-ray players, gaming consoles, and streaming devices.

In addition to its robust audio capabilities, the Arcam AVR250 is also equipped with video processing technologies. It can upscale standard definition content to high-definition resolution, ensuring that older media looks sharper and more vibrant on modern displays. The receiver also features video switching capabilities, allowing users to connect multiple video sources and effortlessly switch between them.

User-friendliness is another hallmark of the AVR250, featuring an intuitive on-screen display and remote control that make setup and operation straightforward. The receiver also offers advanced room correction technologies, which utilize microphone measurements to optimize sound performance in various room acoustics. This ensures that audiences receive the best possible sound quality tailored to their specific environment.

In summary, the Arcam AVR250 exemplifies a blend of power, quality, and versatility. With its advanced audio technologies, comprehensive connectivity options, and user-friendly design, this home theater receiver is poised to elevate cinematic experiences and music reproduction in any home. Whether you are an audiophile or a casual viewer, the AVR250 caters to a wide array of listening preferences, making it a worthy addition to any audio setup.
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