Mesa/Boogie LoneStar Amplifier owner manual

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BIAS ADJUSTMENT:

(Continued) control grids. Voltage and current are NOT the same. Current is the AMOUNT of electricity, the “quantity” — and is measured in amperes. Voltage is the degree of electric charge — like the “pressure” to use the old water analogy. Let me illustrate how different voltage and current are:

When you scrape your feet across a carpeted fl oor in dry, wintery conditions, your body can become charged with 50,000 to 100,000 volts of static electricity. And when you reach for the door knob, a spark jumps and you feel it! The voltage is super high but the cur- rent (measured in micro-amps) is tiny - otherwise you would die from electrocution.

Contrast this with your car battery, which puts out a mere 12 volts. You can lay your hands right across the terminals and not feel a thing. Yet the amount of current available can run to several hundred amperes .. enough to turn over a cold engine and get it started.

So current and voltage are two totally separate electrical parameters — though when you multiply them together, you get POWER, which is measured in watts.

When you set the bias of an amplifi er, you are adjusting the static VOLTAGE at the control grid of the tube in order to produce a desired amount of idle CURRENT fl owing to the tube’s plate. A small change in grid voltage, produces a large change in the amount of current fl owing — and that’s basically how a tube works. Say that again because it’s super important: A small change in voltage at the grid causes a large change in current fl owing to the plate. See, that’s the essence of amplifi cation: A small change causing a large change. And here it’s a small voltage change causing a large current change.

The bias conditions are what determines how much current fl ows through the big power tubes when you’re not playing. And what drives your speakers is fl uctuations in that current fl ow when you ARE playing. If the amount of current increases and decreases 440 times per second, then you’ll hear an A note. If the fl uctuations in current fl ow are large and still at 440 per second, you’ll hear an A that is LOUD!

But for purposes of biasing, it’s the amount of “plate current” fl owing with no signal applied that’s important. Unfortunately current is hard to measure because the circuit must be interrupted — as in “cut the wire” — and the meter spliced “in series” with the broken circuit. But measuring VOLTAGE is easy. It is not necessary to interrupt the circuit because a voltage reading can be taken in PAR- ALLEL with the circuit intact.

Thus, as a matter of convenience, most bias settings are given in volts at the grid ... even though current through the plate is the important factor. In fact plate current is so inconvenient (and dangerous) to measure that Fender doesn’t even state what the correct value should be. They only give the grid voltage that will produce that current. (That’s the minus 52.) But that only happens if the tubes being used are “in spec.”

As long as the tubes ARE “in spec”, the right bias voltage will always give the correct plate “CURRENT” — but then there’s no need for the bias voltage to be adjustable!

If the tubes are NOT in spec, then the only proper way to re-set the bias is to cut the circuit and measure the current while adjusting the bias ... but no manufacturer I know even STATES the desired current value! Be that as it may, when the original bias voltage is altered far enough, it will compensate for the tube’s abnormal performance and the correct amount of idle current fl ow may then be restored. Clearly this is something most repair techs should not attempt.

Some newer amps have LED indicators connected to the circuit which will turn on when the right threshold of current fl ow has been reached. This is an improvement, and almost worthy if you’re willing to except resistors and lights added into your amplifi er’s audio path — which we aren’t.

The other “advantage” of this system is that it allows some amp manufacturers to avoid matching their power tubes. The thinking is that adjusting the bias to each tube separately eradicates the inherent differences between the tubes by insuring that the same current fl ows through each one.

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Contents Mesa Boogie Hello from the Tone Farm Front Panel Controls & Features Precautions & Warnings Front View Lone Star Helpful Hints Helpful Hints That will be introduced into the circuit Front Panel Controls & FeaturesDrive / Clean By itself the Gain control has basically three tonal regions Is still passed on to the Middle and Bass controls Become dominantFor further tweaking To dedicate to each of your two channels Lone Star With the Drive bypassed Rear Panel They could be worth their weight in gold somedayRear Panel Channel & Solo External Switch Ports Stunning results Appearance of your Lone StarRest Area Factory Sample Settings Sample # 6 Barbeque Personal Settings Sheet Setting # Page Page 6L6 More Page Your amp needed biasing Speaker Impedance Matching & HOOK-UP Guide A resistance on the amplifi er Speaker Impedance Matching & HOOK-UP GuideWiring SCHEMES...Amplifier to Speaker Cabinets Wiring SCHEMES...Amplifier to Speaker Cabinets Wiring SCHEMES...Amplifier to Speaker Cabinets 16 Ohm On TRIODES, Pentodes & Irishmen Page Page Rear View Mesa Oogie Spirit of Art in Technology

LoneStar Amplifier specifications

The Mesa/Boogie LoneStar Amplifier is a standout choice for guitarists seeking a high-quality, versatile tube amplifier that excels in both clean and overdriven tones. Designed for performers who require reliability and tonal variety, the LoneStar is a blend of vintage warmth and modern performance, making it ideal for various musical genres, from blues to rock to country.

One of the main features of the LoneStar is its dual-channel configuration, allowing players to toggle between pristine clean tones and rich, dynamic overdrives. Each channel offers independent tone controls, including bass, mid, treble, and presence, enabling precise sound shaping. The amplifier also includes a unique "Boost" feature on the overdrive channel, which provides an additional gain stage for solos or dynamic passages.

The LoneStar is powered by a quartet of EL84 power tubes, which deliver a sweet, harmonically rich output. This choice of tubes contributes to the amp's tonal character; the EL84s are known for their smooth breakup and dynamic response. Additionally, the amplifier can operate in either 30-watt or 15-watt modes, offering flexibility for both stage and studio environments.

A hallmark characteristic of the LoneStar is its use of the "CabClone" technology, which gives players the ability to silently record or practice by sending a speaker-emulated signal directly to a mixing console or recording interface. This innovation means you can achieve high-quality recordings without the need for a mic'd cabinet.

The amplifier also features a rugged design, with a sturdy chassis and durable tolex covering, ensuring it withstands the rigors of touring. Its aesthetic appeal, paired with its functional controls and footswitch capabilities, makes it a favorite among professional musicians.

With its distinctive tone, versatility, and advanced features, the Mesa/Boogie LoneStar Amplifier has established itself as a modern classic in the amplification world. Whether you are seeking lush clean sounds, soaring leads, or earthy mid-range overdrive, the LoneStar provides all the tools you need to shape your signature sound effectively. For players who appreciate quality craftsmanship and performance, this amplifier is an investment that pays dividends in tonal richness and reliability.