Mesa/Boogie LoneStar Amplifier owner manual More

Page 26

BIAS ADJUSTMENT: (Part of a continuing series)

An Article written by Randall Smith that we thought you might fi nd interesting.

Here’s a question we often hear:

“Why doesn’t Mesa put bias adjustments in their amplifi ers?”

 

 

 

 

BEAM-

 

 

 

 

CONFINING

CATHODE (

)

ELECTRODE ( )

 

GRID (

,

)

.

 

SCREEN

 

 

..

 

 

 

..

 

GRID (

)

 

.

 

 

.

PLATE

 

 

 

..

 

 

 

.

 

 

 

 

.

 

 

 

 

.

( , )

 

 

 

..

 

 

 

..

 

 

 

 

..

 

Structure of a 6L6 / 5881

Beam Power Pentode.

Well, there’s a short answer and a long answer to this question.

The short answer is that during my 12 years of repairing Fenders, one of the most frequent problems I saw was bias controls that were either set wrong or that had wandered out of adjustment due to vibration. As any honest tech will tell you, there’s lot’s of easy money to be made by sprinkling “holy water” on amplifi ers ... uh, what I meant to say is “Your amp needed biasing.” See what I mean? What customer is going to argue with that?

It only takes a moment and a volt meter: The Fender diagram shows how: “Adjust this trim pot for - 52 volts.” That’s it. Nothing

more.

Now don’t be fooled into thinking that tubes “draw” more or less bias, they don’t. The way a bias supply is connected to a tube is akin to a dead end road, it just trails off to nowhere without really completing a circuit. It’s a static voltage and regardless of what tube is in the socket — or even if the tubes aren’t plugged in at all, it doesn’t change the bias voltage a bit.

So the end of the short answer is this: Since a bias supply needs to put out the right voltage and never vary, I wanted to build amplifi ers that were individually hard wired to the correct values and NEVER needed adjustment. And for 25 years, that’s how MESA/Boogies have been built.

Time to change tubes? Just plug our tubes into any one of our amps and you’re DONE. No tech needed. NO bills and no BS about biasing. And most important: The bias is RIGHT because it can’t change!

Now, you want the long answer? Here’s more information on how our hard-wired bias avoids trouble. Please read on.

But fi rst, let’s make an important distinction. Our business is designing and building high performance amplifi ers. And for this we need tubes whose variance is within a narrow range. Our warehouse is full of rejects ...oh, they work — they just don’t perform within our tolerance range. We have a very sophisticated computer - based tube testing system (nicknamed “Robotube”) that matches and measures tubes over seven important parameters. It can even predict which tubes are likely to have a shortened lifetime — even though they work perfectly during the test.

Because our business is building quality amps, we can afford to reject a lot of wayward tubes.The guys you hear complaining because Boogies don’t have bias adjusters are primarily in the business of selling tubes - not amps. They don’t want to throw away 30 percent of their inventory, so they promote the idea that tubes outside our parameters can be used to “customize” amplifi ers and they criticize us because our amps can’t be adjusted to accommodate their out-of-MESAtolerance tubes.

Now you might be thinking, “But I thought you just said that tubes don’t “draw” bias, therefore they don’t effect the bias supply and thus it doesn’t need to be adjustable.” When you set the bias (whether it’s by selecting the right resistors, as we do, or adjusting a trimmer

which is quicker) what you are doing is establishing the correct amount of idle CURRENT that fl ows through the power tubes. But you can’t adjust the current directly, you can only change it by adjusting the amount of bias VOLTAGE that goes onto the tubes’

PAGE 22

Image 26
Contents Mesa Boogie Hello from the Tone Farm Front Panel Controls & Features Precautions & Warnings Front View Lone Star Helpful Hints Helpful Hints Front Panel Controls & Features That will be introduced into the circuitDrive / Clean By itself the Gain control has basically three tonal regions For further tweaking Is still passed on to the Middle and Bass controlsBecome dominant To dedicate to each of your two channels Lone Star With the Drive bypassed They could be worth their weight in gold someday Rear PanelRear Panel Channel & Solo External Switch Ports Appearance of your Lone Star Stunning resultsRest Area Factory Sample Settings Sample # 6 Barbeque Personal Settings Sheet Setting # Page Page 6L6 More Page Your amp needed biasing Speaker Impedance Matching & HOOK-UP Guide Speaker Impedance Matching & HOOK-UP Guide A resistance on the amplifi erWiring SCHEMES...Amplifier to Speaker Cabinets Wiring SCHEMES...Amplifier to Speaker Cabinets Wiring SCHEMES...Amplifier to Speaker Cabinets 16 Ohm On TRIODES, Pentodes & Irishmen Page Page Rear View Mesa Oogie Spirit of Art in Technology

LoneStar Amplifier specifications

The Mesa/Boogie LoneStar Amplifier is a standout choice for guitarists seeking a high-quality, versatile tube amplifier that excels in both clean and overdriven tones. Designed for performers who require reliability and tonal variety, the LoneStar is a blend of vintage warmth and modern performance, making it ideal for various musical genres, from blues to rock to country.

One of the main features of the LoneStar is its dual-channel configuration, allowing players to toggle between pristine clean tones and rich, dynamic overdrives. Each channel offers independent tone controls, including bass, mid, treble, and presence, enabling precise sound shaping. The amplifier also includes a unique "Boost" feature on the overdrive channel, which provides an additional gain stage for solos or dynamic passages.

The LoneStar is powered by a quartet of EL84 power tubes, which deliver a sweet, harmonically rich output. This choice of tubes contributes to the amp's tonal character; the EL84s are known for their smooth breakup and dynamic response. Additionally, the amplifier can operate in either 30-watt or 15-watt modes, offering flexibility for both stage and studio environments.

A hallmark characteristic of the LoneStar is its use of the "CabClone" technology, which gives players the ability to silently record or practice by sending a speaker-emulated signal directly to a mixing console or recording interface. This innovation means you can achieve high-quality recordings without the need for a mic'd cabinet.

The amplifier also features a rugged design, with a sturdy chassis and durable tolex covering, ensuring it withstands the rigors of touring. Its aesthetic appeal, paired with its functional controls and footswitch capabilities, makes it a favorite among professional musicians.

With its distinctive tone, versatility, and advanced features, the Mesa/Boogie LoneStar Amplifier has established itself as a modern classic in the amplification world. Whether you are seeking lush clean sounds, soaring leads, or earthy mid-range overdrive, the LoneStar provides all the tools you need to shape your signature sound effectively. For players who appreciate quality craftsmanship and performance, this amplifier is an investment that pays dividends in tonal richness and reliability.