Guided Tour S63 Main Section | Samson S63, S83 manual

Guided Tour - S63 Main Section

4:Ten-Band Graphic Master EQ - These sliders allow you to add ±15 db of boost or attenuation to ten different frequency areas, affecting the main output signal of the S63. When a slider is at its center detented (“0 db”) position, the selected frequency area is unaffected (it is said to be flat). When a slider is moved up (above the “0 db” position, towards the “+15 db” position), the selected frequency area is boosted, and when it is moved down (below the “0 db” posi- tion, towards the “-15 db” position), the selected frequency area is being attenu- ated. For more information, see the “Using Equalization” section in this manual.

5:Main Level (white) - This knob determines the final signal level sent to the speaker output jacks on the rear panel. At the fully counterclockwise (“∞ ”) position, the signal is infinitely attenuated— that is, there is no sound. At the “0” position, the mixer is at unity gain and is providing no attenuation or boost to the output signal. At the fully clockwise (“+10”) position, approximately 10 db of gain is being added by the mixer to the output signal. For more information, see the “Setting Up and Using the S83/S63” section in this manual.

6:Phantom switch - When this switch is pressed in, the S63 delivers 48 volts of phantom power to pins 2 and 3 of all XLR microphone connectors in all six channels. WARNING: Only use this switch with the S63 powered down. Before turning phantom power on, be sure to disconnect all non-microphone signal sources (such as direct injection boxes) from the XLR mic jacks. Although phantom power will have no adverse affect on connected dynamic microphones, it should be used only when one or more condenser microphones are connected to the S63. Refer to the owners manual of your microphone to determine whether or not it requires 48 volts phantom power—we cannot assume responsibility if you damage a mic by incorrectly applying S63 phantom power. If you’re not completely certain that one or more connected mics require 48 volts phantom power, leave this switch off (its out position).

7:Phantom LED - This lights steadily when Phantom power is being supplied to all mic inputs (see #6 above).

8:Peak LED - This warning light indicates an overload situation in the S63

amplifier. To stop it from lighting (and to eliminate the accompanying sonic dis- tortion), turn down one or more channel’s Input Trim knob or reduce the amount of equalization boost in the offending channel(s). See the “Setting Up and Using the S83/S63” and “Using Equalization” sections in this manual for more informa- tion.

9:Protection LED - This lights for approximately five seconds whenever the S63 is powered on and fades slowly when the unit is powered off. It indicates the activity of the built-in protection relay circuitry during which time 0 volts DC are provided to all connected speakers, thus preventing any “thump.”

10:Power LED - This lights steadily whenever the S63 is powered on.

11:CD/Tape In - Use these dual RCA input jacks to connect the output from a CD or tape player to the S63. When connected, the signal is mixed to mono and appears at Channel 6, at unity gain (the Trim control has no effect). From there, it can be equalized if necessary and routed to either of the two Effects sends (for routing to connected external processors, to the internal reverb unit, and/or to the Monitor output).

S63, S83, S83 specifications

The Samson S63 and S83 microphones are notable products in the realm of professional audio equipment, offering high performance and reliability for various sound applications. These microphones cater to a wide range of users, from musicians to broadcast professionals, ensuring superior sound quality in every scenario.

The Samson S63 is a cardioid dynamic microphone renowned for its robust construction and versatility. It is designed to provide excellent sound capture, especially for live performances and studio recordings. One of its main features is its high output level, which enables the microphone to pick up sound effectively while minimizing background noise. The cardioid pattern is particularly useful for isolating the sound source, reducing the interference from other instruments or background sounds. The S63's frequency response spans from 50 Hz to 15 kHz, making it suitable for a variety of vocal ranges and instruments.

On the other hand, the Samson S83 is a boundary microphone that excels in capturing sound from a wider space, making it ideal for conference rooms, boardrooms, and live events. This microphone features a low-profile design that allows for discreet placement on surfaces, ensuring it blends into any environment. The S83 also employs an omnidirectional pickup pattern, allowing it to capture sound equally from all directions, which is essential in group settings or panel discussions. With a frequency response of 40 Hz to 20 kHz, the S83 ensures clarity for both speech and music.

Both the S63 and S83 are built with durability in mind, featuring sturdy metal construction that can withstand the rigors of frequent use. They also come equipped with internal pop filters, which help to reduce plosive sounds when speaking or singing closely into the microphones. Additionally, these microphones are compatible with various audio equipment, including mixers and audio interfaces, making them highly adaptable for different audio setups.

In summary, the Samson S63 and S83 microphones offer distinct advantages tailored to specific use cases. The S63 is perfect for vocalists and performers requiring a reliable dynamic microphone that handles sound isolation with ease. Meanwhile, the S83 serves as an excellent choice for capturing sound in a broader space, ideal for panel discussions and conferences. Together, they exemplify quality sound engineering and effectiveness essential for both live events and studio environments.