Samson S63, S83 manual Using The Effects Sends and Returns, Effects Send knobs

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Using The Effects Sends and Returns

The two Effects sends provided by the S83 and S63 allow you to combine the signal from multiple channels and send the resulting mix to the rear panel Monitor output jack, to the internal reverb unit, or to external devices such as effects processors.

When an Effects send knob is at the “0” position, the signal is routed with unity gain (that is, no boost or attenuation). As it is turned clockwise from the 0 posi- tion, the signal is boosted; as it is turned counterclockwise from the 0 position, it is attenuated. Effects send 1 (Monitor) is pre-fade; that is, the level of the signal is determined solely by the input trim and is unaffected by the EQ settings or the position of the channel level control. In contrast, Effects send 2 (Reverb) is post- fade; that is, the level of the signal is determined by the input trim, the EQ set- tings, and the position of the channel level control (raising or lowering the level of the channel will affect the send level as well). It is particularly important to keep this distinction in mind when you connect external signal processors to the S83/S63 via either or both of the two Effects Send jacks on the rear panel.

0

−∞ +10

EFF1 MON

0

−∞ +10

EFF2 REV

Effects Send knobs

1 +4dB

600

2

In addition, both the S83 and S63 offer a number of Effects returns (the S83 pro- vides four while the S63 provides two). These allow you to return signal from outboard devices, either in stereo pairs or monophonically (many popular effects processors provide a single mono input but two stereo outputs). In practice, you’ll probably want to use the Effects returns to bring in signal from connected effects processors. Because both the S83 and S63 are monophonic devices, the signal returned to the Effects return pair (1-2 in the S63) or pairs (1-2 and 3-4 in the S83) are automatically mixed down to mono. The front panel Effects return knob controls the input level of both signals mixed together.

Effects Send jacks

+4dB

1

2

47K

 

 

34

S83 Effects Return jacks

+4dB

1 47K2

S63 Effects Return jacks

 

0

 

0

−∞

+10

−∞

+10

RETURN 1-2

RETURN 3-4

S83 Effects Return knobs

0

−∞ +10

RETURN 1-2

S63 Effects Return knob

25

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Contents Mixer Introduction S83/S63 Features Guided Tour S83 Introduction S83/S63 Features S83/S63 Features Channel Guided Tour S83 OverviewGuided Tour S83 Channel Guided Tour S83 Main Section Channel Mixer 300 Watt Amplifier Phantom Protection PowerGuided Tour S83 Main Section Esuf Guided Tour S83 Rear PanelGuided Tour S83 Rear Panel S6 Mixer Amplifier Guided Tour S63 OverviewGuided Tour S63 Channel Guided Tour S63 Main Section Guided Tour S63 Main Section S6 Mixer Amplifier Guided Tour S63 Rear PanelGuided Tour S63 Rear Panel + Signal Ground Connecting The S83/S63 General SuggestionsSetting Up and Using the S83/S63 Setting the Correct Gain Structure PM EST Amplifier Suggested Performance Application S83S6 Mixer Amplifier Suggested Performance Application S63Grounding Techniques S83 EQ section Using EqualizationUsing Equalization Effects Send knobs Using The Effects Sends and ReturnsUsing the Monitor Output Using the Monitor Output and Internal ReverbMixer / Pre Amp Section Specifications

S63, S83, S83 specifications

The Samson S63 and S83 microphones are notable products in the realm of professional audio equipment, offering high performance and reliability for various sound applications. These microphones cater to a wide range of users, from musicians to broadcast professionals, ensuring superior sound quality in every scenario.

The Samson S63 is a cardioid dynamic microphone renowned for its robust construction and versatility. It is designed to provide excellent sound capture, especially for live performances and studio recordings. One of its main features is its high output level, which enables the microphone to pick up sound effectively while minimizing background noise. The cardioid pattern is particularly useful for isolating the sound source, reducing the interference from other instruments or background sounds. The S63's frequency response spans from 50 Hz to 15 kHz, making it suitable for a variety of vocal ranges and instruments.

On the other hand, the Samson S83 is a boundary microphone that excels in capturing sound from a wider space, making it ideal for conference rooms, boardrooms, and live events. This microphone features a low-profile design that allows for discreet placement on surfaces, ensuring it blends into any environment. The S83 also employs an omnidirectional pickup pattern, allowing it to capture sound equally from all directions, which is essential in group settings or panel discussions. With a frequency response of 40 Hz to 20 kHz, the S83 ensures clarity for both speech and music.

Both the S63 and S83 are built with durability in mind, featuring sturdy metal construction that can withstand the rigors of frequent use. They also come equipped with internal pop filters, which help to reduce plosive sounds when speaking or singing closely into the microphones. Additionally, these microphones are compatible with various audio equipment, including mixers and audio interfaces, making them highly adaptable for different audio setups.

In summary, the Samson S63 and S83 microphones offer distinct advantages tailored to specific use cases. The S63 is perfect for vocalists and performers requiring a reliable dynamic microphone that handles sound isolation with ease. Meanwhile, the S83 serves as an excellent choice for capturing sound in a broader space, ideal for panel discussions and conferences. Together, they exemplify quality sound engineering and effectiveness essential for both live events and studio environments.