S83/S63 Features

The Samson S83/S63 utilizes state-of-the-art technology in integrated mixer/amplifier design. Here are some of its main features:

•Standard 19” rack-mount design (taking just four rack spaces) allows the S83 and S63 to be easily integrated into any setup.

•Multiple channels (eight in the S83; six in the S63) and mic and line inputs for each channel allow you to blend together a variety of source signals, including dynamic or condenser microphones, keyboards, CD/tape players, etc. Standard XLR mic connectors (for microphone inputs) and electronical- ly

balanced 1/4” jacks (for line-level inputs) are provided for each channel; in addition, there is a dedicated CD/Tape input that provides dual phono (RCA) jacks.

•Power to spare—both units include a clean, high-quality amplifier, delivering 300 watts (in the case of the S83) or 210 watts (in the case of the S63) into four ohms. Any standard speaker cabinets (two, four, eight, or sixteen ohms) can be connected to the rear-panel 1/4” speaker output jacks.

•A built-in three-spring reverb unit allows you to add reverberation effects to your vocals or instruments without having to use an expensive external signal processor. A front-panel reverb master volume control allows you to precisely define the amount of reverb to be added to the signal.

•Each channel provides independent equalization controls (four-band in the S83; three-band in the S63), enabling you to shape the sound of your input signal sources. In addition, a ten-band graphic master equalizer allows you to “tune” the output of the S83/S63 to the particular room environment you are in. This can be particularly useful for eliminating ringing or feedback problems.

•In the S83, Peak LEDs for each channel show you at a glance when an input signal is on the verge of overloading. In the S63, a master Peak LED shows you at a glance when the internal amplifier is overloading. In both units, other front-panel LEDs show the current status of the amplifier’s pro- tection relay circuitry and whether or not phantom power is being applied.

•Independent input Trim controls for each channel that allows you to precise- ly set the correct input gain.

•Two Effects sends per channel (one pre-fade and the other post-fade) allow you to route multiple signals to the internal reverb unit or to external signal processors. The pre-fade send (Effects send 1) can be used as a Monitor control, allowing you to set up an onstage monitor mix that is independent of the main house mix. A separate Monitor level control is provided on the front panel.

•In the S83, four Effects returns give you the ability to blend in the return sig- nal from external signal processors or other line-level devices without having to utilize input channels. Two front-panel Effects return level controls (one for Effects returns 1-2 and the other for Effects returns 3-4) allow you to bring in stereo signals, which are then automatically mixed together in mono. In the S63, two Effects returns are provided, with a single front-panel control for the two.

S63, S83, S83 specifications

The Samson S63 and S83 microphones are notable products in the realm of professional audio equipment, offering high performance and reliability for various sound applications. These microphones cater to a wide range of users, from musicians to broadcast professionals, ensuring superior sound quality in every scenario.

The Samson S63 is a cardioid dynamic microphone renowned for its robust construction and versatility. It is designed to provide excellent sound capture, especially for live performances and studio recordings. One of its main features is its high output level, which enables the microphone to pick up sound effectively while minimizing background noise. The cardioid pattern is particularly useful for isolating the sound source, reducing the interference from other instruments or background sounds. The S63's frequency response spans from 50 Hz to 15 kHz, making it suitable for a variety of vocal ranges and instruments.

On the other hand, the Samson S83 is a boundary microphone that excels in capturing sound from a wider space, making it ideal for conference rooms, boardrooms, and live events. This microphone features a low-profile design that allows for discreet placement on surfaces, ensuring it blends into any environment. The S83 also employs an omnidirectional pickup pattern, allowing it to capture sound equally from all directions, which is essential in group settings or panel discussions. With a frequency response of 40 Hz to 20 kHz, the S83 ensures clarity for both speech and music.

Both the S63 and S83 are built with durability in mind, featuring sturdy metal construction that can withstand the rigors of frequent use. They also come equipped with internal pop filters, which help to reduce plosive sounds when speaking or singing closely into the microphones. Additionally, these microphones are compatible with various audio equipment, including mixers and audio interfaces, making them highly adaptable for different audio setups.

In summary, the Samson S63 and S83 microphones offer distinct advantages tailored to specific use cases. The S63 is perfect for vocalists and performers requiring a reliable dynamic microphone that handles sound isolation with ease. Meanwhile, the S83 serves as an excellent choice for capturing sound in a broader space, ideal for panel discussions and conferences. Together, they exemplify quality sound engineering and effectiveness essential for both live events and studio environments.