NAD 163AV DTS-ES Expanded Surround DTS ES, DTS-ES Discrete, DTS-ES Matrix, DTS NEO 6 Surround

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USING THE T 163

ABOUT DTS AND DOLBY DIGITAL SURROUND MODES

DTS DIGITAL SURROUND

The Digital Theater System Digital Surround (simply called DTS) is a multichannel digital signal format that can process higher data rates than with Dolby Digital. Although both Dolby Digital and DTS are 5.1 channel media formats, discs bearing the “DTS” symbol are thought to provide better sound quality due to the lower audio compression required.

It also offers a broader dynamic, producing magnificent sound quality.

DTS-ES EXPANDED SURROUND ™ (DTS ES)

This is a new multichannel digital format which greatly improves the 360° spatial sensation of the Surround impression thanks to the greater space expansion of the surround signals, providing high compatibility with the conventional DTS format.

In addition to the 5.1 channels, the expanded DTS-ES Surround also offers the back surround (also sometimes called the “surround centre”) in reproduction, providing a total of 6.1 channels. The expanded DTS-ES Surround includes two formats, with two different methods of surround signal recording, as follows:

DTS-ES™ DISCRETE 6.1

Since the signals of the 6.1 Surround channels (including the back channel) are completely independent, it is possible to achieve the sensation that the acoustic image is moving about freely among the background sounds, 360 degrees surrounding the listener.

Although maximum quality is achieved with sound tracks recorded using this system and reproduced using the DTS-ES decoder, when played with a conventional DTS decoder, the back surround channel is automati- cally downmixed in the surround right and surround left channels of the surround system, in such a way that none of the signal components are lost.

DTS-ES™ MATRIX 6.1

In this format, the additional signals of the back channel receive a matrix encoding and are inputted into the right and left surround channels. During reproduction they are decoded to the right, left and back surround channels.

Since this bit-stream format is 100% compatible with conventional DTS signals, the DTS-ES Matrix 6.1 format effect can also be achieved from sources with DTS-ES 5.1 signals.

Naturally, it is also possible to reproduce from a DTS 5.1 channel decoder, signals recorded in DTS-ES 6.1. When a DTS-ES decoder processes decodes a discrete DTS-ES 6.1 or in Matrix 6.1, these formats are automatically detected and the Optimum Surround mode is selected.

However, some DTS-ES Matrix 6.1 sources may be detected as DTS. In this case the DTS-ES Matrix mode should be selected manually in order to reproduce them.

DTS NEO: 6™ SURROUND

This mode applies the conventional 2-channel signals such as digital PCM or analog stereo signals to the high precision digital matrix decoder used for DTS-ES Matrix 6.1, to achieve 6.1-channel surround playback. DTS Neo: 6 surround includes two modes for selecting the optimum decoding of the signal sources:

DTS NEO: 6 CINEMA

This method is ideal for the reproduction of movies. The decoding takes place by emphasising the separation in order to achieve the same atmosphere with 2-channel, as with 6.1-channel sources.

DTS NEO: 6 MUSIC

Mainly recommended for music reproduction. The right and left front channels do not pass through the decoder and are reproduced directly so there is no loss in sound quality, and the effects of the right surround, left surround, central and back surround channels add a natural sensation of expansion of the sound field.

“DTS”, “DTS-ES Extended Surround” and “Neo: 6” are registered trademarks of Digital Theater Systems, Inc.

DOLBY DIGITAL

Dolby Digital is the multi-channel digital signal format developed in the Dolby laboratories. Discs bearing the “DOLBY/Digital” symbol were recorded with up to 5.1 channels of digital signals, reproducing a much better sound quality, with dynamic and spatial sound sensations that are much better than in the previous Dolby Surround.

DOLBY DIGITAL EX

Using a Matrix decoder this method creates the back channel (sometimes also called the “surround center”) by means of signals on the left and right surround channels recorded in Dolby Digital 5.1, reproduction being provided in Surround 6.1. This method should be selected with sources bearing the “DOLBY/Digital -EX” symbol, recorded in Dolby Digital Surround EX. With this additional channel you will experience improved dynamics and a better sensation of movement within the sound field.

If media sources recorded in Dolby Digital EX are decoded with a Digital EX decoder, the format is detected automatically, and the Dolby Digital EX mode is selected.

However, some media sources recorded in Dolby Digital EX can be detected as simple Dolby Digital media sources. In this case Dolby Digital EX should be selected manually.

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Contents 163 Precautions Safety InformationExplanation of Graphical Symbols InstallationDamage Requiring Service Electric PowerMaintenance Do not Attempt to Service the Unit Yourself OWNER’S RecordTable of Contents Troubleshooting Specifications Using the HTR 2 Remote ControlGetting the Most from the NAD T WHAT’S in the BOX Unpacking and SetupConnecting AM Antenna Choosing a LocationEase of USE About the TR.S., Matrix and Digital Surround IntegrationUpgradability About the HTR 2 System Remote Control Quickstart Play a DVD MovieFront Panel SearchDigital Input Jack Rear Panel Rear Panel Connecting the T 163 to a MULTI-CHANNEL Amplifier Getting Started Setting UP the TDealing with HUM and Noise About the ON-SCREEN Displays OSD and FRONT-PANEL Readout Input SetupInput Settings Display the OSDListening Mode Speaker SetupSpeaker Settings Front L/RSetting Channel Balance CHANNEL-BALANCE Test SetupUsing AN SPL Meter Setting Speaker DistanceCreating Presets Recalling PresetsUsing the T Selecting Radio Presets Tuning StationsSetting Radio Presets Choosing the FM Mute / ModeDTS-ES Matrix DTS-ES Expanded Surround DTS ESDTS-ES Discrete DTS NEO 6 SurroundDolby PRO Logic II Movie Dolby PRO LogicDolby PRO Logic II Surround Dolby PRO Logic II MusicSelecting Listening Modes Displaying the Signal ModeDTS Adjusting Listening Modes To Adjust Channel Levels Surround Sound Channel ChartAdjusting Channel Levels on the FLY Adjusting the Tone ControlsControlling the T Using the HTR 2 Remote ControlSpecifications Learning Codes from Other RemotesPUNCH-THROUGH Copy a Command from Another KEYMacro Commands Recording MacrosDelete Mode KEY-ILLUMINATION TimeoutFactory Reset Loading CODE-LIBRARIESSummary of HTR 2 Modes Using the ZR 2 Remote ControlTrigger Setup Assigning the Trigger OutputCondition Possible Causes Possible Solutionss AV Tuner Preamplifier SpecificationsPhysical Specifications PRE-AMP SectionNAD