Nikon D3 brochure Go the distance more flash power, Soften the light bounce flash

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Original exposure
Normal sync
Direct flash

See what one Nikon Speedlight can do

S p e e d l i g h t

Bright lights, big ideas – with only one Nikon Speedlight, you can:

Go the distance: more flash power

The Speedlights built into Nikon D-SLRs are smart and responsive, but sometimes your subject is far enough away that you simply need

 

 

Built-in Speedlight

 

 

more flash power. Connect a

 

 

Nikon external Speedlight and you can capture sub-

 

 

jects at a much greater distance with more balanced

SB-800 attached

© Joe McNally

illumination.

 

Soften the light: bounce flash

Direct light can be harsh and leave a distracting shadow behind your subject. Try turn- ing the flash head toward a wall or ceiling and you’ll soften the light and get rid of the

shadow, creating a more flattering atmosphere for portraits.

Bounce flash

© Gordon Nash

Nikon’s exclusive i-TTL:

a higher level of accuracy

The real breakthrough is Nikon’s moni- tor pre-flash. It is designed to provide your Nikon D-SLR with consistently accurate feedback information in order to achieve ideal flash output. This level of accuracy is found nowhere else.

i-TTL Balanced Fill-Flash

Speedlight tips: Diffuser

Use a diffuser above the flash to soft- en the light and eliminate harsh shad- ows. This is useful in almost

any flash situation, includ- ing fill flash, for natural looking skin.

Gordon Nash — Wedding photographer (U.S.A.)

I shoot about 50 weddings a month, and nearly half of my images need a Nikon Speedlight. I always have one on my camera, with another ready for side-lighting or other handheld effects. Each Speedlight makes a dramatic difference to the finished image. For the above image, I used one SB-800 for side-lighting and a soft-focus filter on the lens for a dreamy look.

As a professional wedding photographer, I face moving subjects, unpredictable shooting situations and limited prep time, so speed and intuition are vital to my success. That’s why I depend on the Nikon

Creative Lighting System. It’s easy to use and offers so many options, along with consistent exposure and performance. I have to be ready for that special moment at all times. The Creative Lighting System helps me do that.

http://www.gordonnash.com

Camera setting data: Camera and Speedlights: D200 (built-in Speedlight as commander) and

SB-800 (remote unit) Lens: AF 85mm f/1.8D Shutter speed: 1/125 sec. Aperture: f/2.2

Exposure mode: Aperture-Priority Auto

Flash mode: i-TTL

Image quality: RAW

© Gordon Nash

Easy, intelligent, amazing: The Nikon Creative Lighting System

Lighting is a vital component of all images, but the past complexities of flash photography have made many photogra- phers — even seasoned ones — hesitant to explore its full potential. Not any more. Working photographers around the world are discovering how Nikon’s Creative Lighting System brings simplicity and real-world usability to flash photography. The key is Nikon’s breakthrough i-TTL flash control technology. With this at its core, Nikon Speedlights offer consistently accu- rate flash exposures that can adjust to nearly any lighting situa- tions you face. Nikon Speedlights communicate with your Nikon D-SLR to perform all the complex lighting calculations for you. Nikon’s exclusive monitor pre-flash offers precise feedback infor- mation, registering everything from available light and shadows to color temperature and reflective surfaces within the scene. The camera also integrates information from its built-in database of over 30,000 actual scenes to determine the ideal exposure -– all within a millisecond before each shutter release. Whether on top of the camera or used as a wireless remote unit, Nikon’s Creative Lighting System offers the most dependable and con- sistent flash exposure in the business.

Auto FP High-Speed Sync stops the action Shutter speed: 1/3200 sec.

Main subject’s exposure stays the same regardless of any compositional changes.

Capture the action: Auto FP High-Speed Sync

Indispensable to outdoor pho- tography, this enables action- stopping shutter speeds with fill flash. It is also important to portraiture, allowing you to use larger apertures for a more

pleasingly radiant ambient light. Your camera will automatically set itself to this mode if the shutter

© Joe McNally speed rises above the camera’s standard flash sync speed of 1/250 second.

Maintain the exposure: Flash Value (FV) Lock

The FV Lock (Flash Value Lock) maintains the same flash value for correct exposure during a sequence of photographs, allowing you to zoom in on your subject, change the composi-

tion or adjust the aperture, all without altering your intended exposure. That way you can concentrate on

© Joe McNally capturing your subject without worrying about adjust- ing the lighting.

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Contents D300 D200 D80 D60 D40 Nikkor Lenses Coolpix Lineup Steady shots night or day Power when you need it View with clarity and comfortMaintain the exposure Flash Value FV Lock Go the distance more flash powerSoften the light bounce flash Capture the action Auto FP High-Speed SyncWindow Emphasize the dancers shape appropriately Joe McNally Photojournalist U.S.ASpeedlight tips colored gels Bouncing light off the cream-colored wallBrighten your subject for natural beauty Close-up lighting Step-by-stepSpeedlight tips close-up lighting Color Filter Holder Attachment Ring SX-1Speedlight Stand AS-20 Adapter Rings IR Panel for Built-in Flash SG-3IRPhotographer Japan Kenji Miura commercialCamera Control Pro Image Authentication Software Windows onlyBattery packs and power management Remote control accessoriesGPS cable/Wireless transmitters Interchangeable Focusing Screens Viewing attachments Close-up accessoriesViewing Atta Chment p18 TEN-PIN Remote Accessories p17 CLOSE-UP Accessories p19Power Sources p16 Speedlights pp4-12 Focusing Screens p18High performance that satisfies all shooting styles Ultimate in Nikon FX-format performanceUltimate in Nikon DX-format performancer Precision crafted, for the ultimate digital SLR experience