Kodak 5205, 7205 manual 250D, W . k o d a k . c o m / g o / m o t i o n

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250D

5205 / 7205

Give your story more detail—in any light.

KODAK VISION2 250D Color Negative Film 5205 / 7205 is an advanced, medium-speed film that delivers superior imaging in natural daylight, artificial daylight, and a variety of mixed lighting situations. Expect beautiful fleshtones, accurate color reproduction, and—thanks to its wider latitude—increased detail in shadow and highlight areas. Add seamless intercutting with other KODAK VISION2 Films and you have a versatile addition to your storytelling toolkit.

The VISION2 Film family is the first line of products created specifically for both film and digital postproduction. What’s more, all VISION2 Films provide excellent tone scale and flesh-to-neutral reproduction. With superior shadow and highlight detail and very fine grain. VISION2 Films also maintain neutrality through the full range of exposure. So you can convey exactly the look you intended all the way from capture to post.

KODAK VISION2 250D Color Negative Film 5205 / 7205

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Contents W . k o d a k . c o m / g o / m o t i o n 250DDaylight 5500 K None 250 Tungsten 3000 K Light Source Kodak Filters on Camera Exposure IndexTungsten 3200 K Tungsten Photoflood 3400 KMODULATION-TRANSFER Curves Sensitometric CurvesDiffuse RMS Granularity Curves SPECTRAL-SENSITIVITY CurvesNew York, New York China Peoples Republic

7205, 5205 specifications

Kodak 5205 and 7205 are two notable films in the suite of motion picture film stocks offered by Kodak, renowned for their performance in a variety of cinematic applications. Both films are primarily designed for motion picture photography, catering to filmmakers who seek high-resolution images with rich color reproduction and fine grain.

Kodak 5205, also known as Vision3 250D, is a daylight-balanced film designed for use in well-lit environments. One of its main features is its ISO rating of 250, which allows for a versatile capture range. This film is particularly lauded for its ability to render colors with high fidelity and dynamic range, making it an ideal choice for projects aiming to achieve a vibrant, lifelike aesthetic. The film's fine grain structure results in images that are not only sharp but also exhibit a pleasing texture, contributing to the overall quality of the cinematography.

On the other hand, Kodak 7205, known as Vision3 500T, is designed for use in tungsten light. With an ISO sensitivity of 500, this film excels in low-light conditions, making it a go-to choice for filmmakers shooting in dimly lit environments or during nighttime scenes. One of the standout characteristics of 7205 is its exceptional latitude, allowing filmmakers to push the exposure without compromising image quality. This feature is particularly advantageous for capturing highlights and shadow details, resulting in a rich visual narrative.

Both films utilize Kodak's advanced emulsion technology, which incorporates features such as improved color stability, reduced contrast, and an expanded exposure latitude. These innovations allow for greater flexibility in post-production, ensuring that filmmakers can manipulate their imagery to achieve the desired artistic vision.

In addition to their individual characteristics, both the 5205 and 7205 films benefit from improved performance in terms of scanning and digital conversion. This is crucial in an industry where digital workflows are increasingly prevalent. The scans retain the rich color and detail initially captured on film, allowing filmmakers to take full advantage of contemporary editing techniques.

In summary, Kodak 5205 and 7205 are two powerful tools for filmmakers, combining advanced technology with artistic flexibility. Whether shooting in daylight or tungsten lighting, both films offer unique features that cater to the various demands of motion picture photography. Their rich colors, fine grain, and exceptional latitude help filmmakers create compelling visual stories that stand the test of time.