Kodak 400VC, 800, 400UC Judging Negative Exposures, Retouching, Printing Negatives, Digital Files

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JUDGING NEGATIVE EXPOSURES

You can check the exposure level with a suitable electronic densitometer equipped with a filter such as a KODAK WRATTEN Gelatin Filter No. 92 or the red filter for Status M densitometry. Depending on the subject and the light source used for exposure, a normally exposed and processed color negative measured through the red filter should have the approximate densities listed below.

Because of the extreme range in skin color, use these red density values for a normally lit forehead only as a guide. For best results, use a KODAK Gray Card (gray side).

 

 

 

Density Reading

 

Area Measured

 

 

 

 

 

 

 

 

160NC and

 

160VC and

 

 

 

400NC FIlms

 

400VC Films

 

 

 

 

 

 

 

 

 

 

 

KODAK Gray Card (gray

 

 

 

 

 

 

 

 

side) receiving same

 

0.77 to 0.87

 

0.81 to 0.93

 

illumination as subject

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Lightest step (darkest in the

 

 

 

 

 

 

 

 

negative) of a KODAK Paper

1.13 to 1.23

 

1.22 to 1.34

 

Gray Scale receiving same

 

 

 

 

 

 

 

 

 

 

illumination as subject

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Highest diffuse density on

 

 

 

 

 

 

 

 

normally lighted forehead

 

 

 

 

 

 

 

 

—light complexion

 

1.08 to 1.18

 

1.16 to 1.28

 

—dark complexion

 

0.93 to 1.03

 

0.98 to 1.10

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

400UC Film

 

Area Measured

 

 

Density Reading

 

 

 

 

 

 

 

 

 

 

 

 

EI 400

 

 

 

 

EI 800

 

 

 

 

 

(Push 1)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

KODAK Gray Card (gray

 

 

 

 

 

 

 

 

side) receiving same

 

0.80 to 1.00

 

1.00 to 1.20

 

illumination as subject

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Lightest step (darkest in the

 

 

 

 

 

 

 

 

negative) of a KODAK Paper

1.25 to 1.45

 

 

1.40 to 1.60

 

Gray Scale receiving same

 

 

 

 

 

 

 

 

 

 

illumination as subject

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Highest diffuse density on

 

 

 

 

 

 

 

 

normally lighted forehead

 

 

 

 

 

 

 

 

—light complexion

 

1.00 to 1.30

 

1.20 to 1.50

 

—dark complexion

 

0.80 to 1.15

 

0.95 to 1.30

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

800 Film

 

 

 

 

Area Measured

 

Density Reading

 

 

 

 

 

 

 

 

 

 

EI 800

EI 1600

 

 

EI 3200

 

(Push 1)

 

 

(Push 2)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

KODAK Gray Card

 

 

 

 

 

 

 

 

 

(gray side) receiving

0.80 to 1.00

0.75 to 0.95

 

0.70 to 0.90

same illumination as

 

 

 

 

 

 

 

 

 

 

subject

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Lightest step (darkest

 

 

 

 

 

 

 

 

 

in the negative) of a

 

 

 

 

 

 

 

 

 

KODAK Paper Gray

1.15 to 1.35

1.15 to 1.35

 

1.15 to 1.35

Scale receiving same

 

 

 

 

 

 

 

 

 

illumination as subject

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Highest diffuse

 

 

 

 

 

 

 

 

 

density on normally

 

 

 

 

 

 

 

 

 

lighted forehead

 

 

 

 

 

 

 

 

 

—light complexion

1.08 to 1.18

0.85 to 1.20

 

0.80 to 1.15

—dark complexion

0.93 to 1.03

0.60 to 0.95

 

0.55 to 0.90

 

 

 

 

 

 

 

 

 

 

RETOUCHING

You can retouch the sheet and 120 / 220 sizes on both the base side and the emulsion side. Retouch only the emulsion side on the 135 size.

For information on retouching equipment, supplies, and techniques, see KODAK Publication No. E-71, Retouching Color Negatives.

PRINTING NEGATIVES

This film is optimized for printing on KODAK PROFESSIONAL PORTRA ENDURA, SUPRA ENDURA and ULTRA ENDURA Papers, KODAK PROFESSIONAL DURAFLEX Plus Digital Display Material, and on KODAK PROFESSIONAL ENDURA Metallic Paper.

Make color slides and transparencies by printing the negatives on KODAK PROFESSIONAL ENDURA Transparency Optical Display Material or KODAK PROFESSIONAL ENDURA Clear Optical Display Material.

Make black-and-white prints on KODAK PANALURE SELECT RC Paper for conventional black-and-white processing, or KODAK PROFESSIONAL PORTRA Black

&White Paper for Process RA-4.

To set up a color printer or negative analyzer, use the

following control negatives.

KODAK PROFESSIONAL PORTRA

CAT No.

Printer Control Negative

 

 

 

Set / Size 135*

179 8511

Normal / Size 120

846 0958

 

 

Very Under / Size 120

107 1398

 

 

Under / Size 120

841 1902

 

 

Over / Size 120

177 1302

 

 

Very Over / Size 120

144 5741

 

 

*This set includes one each: very under, under, normal, over, and very over negatives.

Digital Files

You can scan your image to a file and print digitally to — KODAK PROFESSIONAL PORTRA ENDURA Paper

KODAK PROFESSIONAL SUPRA ENDURA Paper

KODAK PROFESSIONAL ULTRA ENDURA Paper

KODAK PROFESSIONAL ENDURA Transparency Digital Display Material

KODAK PROFESSIONAL ENDURA Clear Digital Display Material

KODAK PROFESSIONAL DURAFLEX Plus Digital Display Material

KODAK PROFESSIONAL Day/Night Digital Display Material

KODAK PROFESSIONAL ENDURA Metallic Paper

KODAK PROFESSIONAL PORTRA 160NC, 160VC, 400NC, 400VC, 400UC, and 800 Films • E-190

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Contents Technical Data / Color Negative Film Kodak Professional Portra 160VC Film FeaturesbenefitsSizes Available Kodak Professional Portra 160NC FilmKodak Professional Portra 400UC Film Storage and HandlingDarkroom Recommendations Kodak Professional Portra 400VC FilmElectronic Flash ExposureFilm Speed DaylightFluorescent and High-Intensity Discharge Lamps Adjustments for Long and Short ExposuresReplenishment and Wash Rates / Portra 160NC and 160VC Films ProcessingReplenishment and Wash Rates / Portra 800 Film Digital Files Judging Negative ExposuresRetouching Printing NegativesImage Structure Scanning NegativesPrint Grain Index Kodak Professional Portra 160NC Film CurvesKodak Professional Portra 160VC Film Kodak Professional Portra 400NC Film Kodak Professional Portra 400VC Film Characteristic Curves, EI 800 Push Characteristic Curves, EIKodak Professional Portra 400UC Film Kodak Professional Portra 800 Film Characteristic Curves, EI 3200 PushEffective Exposure1/200 second Densitometry Status M Kodak Professional Panalure More Information

160NC, 160VC, 400UC, 400VC, 800 specifications

Kodak film has long been synonymous with quality, performance, and innovation, and its color negative films Kodak 400NC, 800, 400VC, 400UC, and 160VC exemplify these traits. Each of these films offers unique characteristics, catering to various photographic needs and artistic preferences.

Kodak 400NC, known as "Natural Color," is designed for shooting in available light conditions. Its balanced color rendition and fine grain structure make it ideal for portrait and landscape photography. The film's ISO 400 sensitivity ensures versatility, allowing photographers to capture images in a range of lighting situations, from bright daylight to dim indoor settings. The advanced emulsion technology used in 400NC helps achieve realistic skin tones and vibrant yet true-to-life colors, making it a popular choice among enthusiasts and professionals alike.

Kodak 800 film takes sensitivity a step further with its ISO 800 rating. This film is perfect for low-light environments where capturing quick moments is essential. Its extended sensitivity allows for faster shutter speeds while maintaining overall image quality. Kodak 800 provides rich colors and smooth transitions in shadows and highlights, making it suitable for events like concerts or evening gatherings. However, it is essential to note that while 800 film excels in low light, it can exhibit a slightly more pronounced grain compared to its 400 counterparts.

The Kodak 400VC, or "Vivid Color," variant is engineered to deliver dynamic color saturation and increased contrast. It’s particularly favored by photographers looking to add a punchy aesthetic to their work. The film maintains a similar ISO 400 sensitivity as the NC version but stands out for its ability to produce more vibrant hues. This makes it ideal for subjects like landscapes and street photography, where enhanced color can significantly impact the final image.

Kodak 400UC, or "Ultra Color," is another ISO 400 option that focuses on impressive color depth and detail. It achieves this through advanced grain technology and improved sensitivity. Photographers often choose 400UC for its tonal range and ability to retain detail in both highlights and shadows, making it a reliable choice for a variety of scenes, from portraits to still life compositions.

Finally, Kodak 160VC offers a unique proposition with its ISO 160 rating, ideal for those who prioritize finer grain and detail over higher speed. This film shines in controlled lighting and outdoor environments, producing stunning, true-to-life colors with exceptional clarity. It is particularly favored in portrait photography and fashion shoots where the artist wants to capture vivid colors with a soft yet sharp finish.

In conclusion, each Kodak film variant has distinct features catering to different photographic styles and needs. From the versatility of 400NC to the vividness of 400VC and the detail of 160VC, Kodak continues to be a leader in film photography, offering options that enhance creativity and capture moments vividly.
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