Panasonic AG-HPX255 Variable Frame Rate Also Supported in 1080p Mode, Shot Marker and Text Memo*1

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Variable Frame Rate Function Enhances the Image Expression

Variable Frame Rate — Also Supported in 1080p Mode

The Variable Frame Rate (VFR) function was inherited from the Panasonic VariCam, which is widely used for producing movies, TV series, and TV commercials. It creates a wide range of film-camera-like images, such as overcranking for slow-motion and undercranking for quick-motion effects.

Image Modes and Variable Frame Rates

1080/59.94i, 23.98p, 29.97p: 1/2/4/6/9/12/15/18/20/21/22/24/25/26/27/ 28/30 fps (frames per second)

1080/50i, 25p:1/2/4/6/9/12/15/18/20/21/22/23/24/25 fps

720/59.94p, 23.98p, 29.97p: 1/2/4/6/9/12/15/18/20/21/22/24/25/26/ 27/28/30/32/34/36/40/44/48/54/60 fps

720/50p, 25p:1/2/4/6/9/12/15/18/20/21/22/23/24/25/ 26/27/28/30/32/34/37/42/45/48/50 fps

Normal cinematic shooting (at 24 fps, 25 fps or 30 fps) refers to the same rate as used in film cameras. The AG-HPX255/HPX250 can record in 24 fps. Note that 25 fps and 30 fps are the standard frame rates used in the production of TV commercials, music clips and video media.

Overcranking (higher-speed shooting) produces a slow-motion effect. This is especially effective for high-action scenes like car chases or crashes, or to create a dramatic impact in a scene. For example, when a scene is shot at 48 fps and played at 24 fps, a slow-motion effect of 1/2x is attained.

Undercranking (lower-speed shooting) gives you a quick-motion effect. This technique can be combined with a warp-speed effect to give special emphasis to flowing water, fast-moving clouds, etc. For example, when a scene is shot at 12 fps and played at 24 fps, a quick-motion effect of 2x is attained.

Undercranking (lower-speed shooting)

Overcranking (higher-speed shooting)

Versatile Recording Functions Enabled by File-Based Recording

Clip Thumbnail Display and Clip Editing

Recorded clips are automatically allocated a thumbnail image and metadata. This lets you display the thumbnail images on the LCD monitor, delete clips, and confirm or edit metadata (using the built-in Software Keyboard function).

Last clip delete: The clip that was most recently recorded is deleted with a single touch.

Rec check: The beginning and ending of the clip that was most recently recorded are checked with a single touch.

Shot Marker and Text Memo*1

Shot marker: Clips can be marked during or after recording. When mounted to a PC,*2 the user can display only the marked clips if desired.

Text memo: This lets you post a memo on any scene of any clip, up to 100 memos in all, similar to a sticky note.

*1: Shot marker and text memo cannot be used in loop rec, interval rec, or one-shot rec.

*2: When using P2 viewer, a Windows PC viewing application that can be downloaded free of charge by P2 users. See the following website for details. http://pro-av.panasonic.net/en/sales_o/p2/index.html

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One-Clip Rec Mode

Whereas normal Rec mode produces a clip for each Rec start/stop cut, One-Clip Rec mode records up to 99 consecutive cuts as a single clip, which greatly improves the nonlinear editing work that follows. A text memo is automatically attached when recording begins, making it easy to find desired cuts within the clip.

REC STARTREC STARTREC STARTREC START

 

 

 

 

 

 

 

 

 

 

 

…………max. 99

 

 

 

 

 

 

 

 

 

 

 

 

consecutive cuts

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

REC STOP

REC STOP

REC STOP

 

 

 

 

Single Clip

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

TEXT MEMO 1

TEXT MEMO 2

TEXT MEMO 3

TEXT MEMO 4

 

Recording Modes That Meet a Wide Variety of Needs

Loop rec: This repeatedly re-records a particular recurring time slot, always maintaining a recording of the most recent period.

Pre-rec*:While in standby mode, you can continuously store, and subsequently record, up to 3 seconds in HD (7 seconds in SD). This will help you to get the shot you want every time.

Interval rec*: This gives you automatic intermittent recording based on a set interval and recording time.

One-shot rec*: This frame-shot recording function is useful for producing animations.

Time stamp: The date and time can be stamped onto recorded images. Commonly used for evidential images.

* These functions cannot be used during Variable Frame Rate recording.

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Contents AG-HPX255 AG-HPX250 Mm equivalent Optical Image Stabilizer, Digital Zoom, and ND Filter Packed with Panasonic Optical TechnologyThree Manual Rings Zoom, Focus and Iris Flash Band CompensationOther Camera Image Settings Bit Digital Signal ProcessorSeven Mode Gamma for Richer Gradation Dynamic Range Stretch DRSDouble Slot System with Two P2 Card Slots Full-Pixel, Full-Sample AVC-Intra RecordingHigh Quality/16 bit, Four Channel Digital Audio Versatile MXF File-Based RecordingClip Thumbnail Display and Clip Editing Variable Frame Rate Also Supported in 1080p ModeOne-Clip Rec Mode Shot Marker and Text Memo*1Specifications Tentative, as of June Proxy Recorder Manufactured by VitecFS-P250 Recording Format New 10-pin Remote Terminal High Resolution and High Brightness Color Viewfinder LCDHigh Resolution LCD Monitor Simplified Waveform and Vectorscope DisplayNew, Stylish Design Boosts Mobility Digital A/V Output with SDI and HdmiOther Interfaces Low-Angle Shots and InterviewsWorkflow Using the AG-MSU10 Mobile Storage Unit With a Portable HDD or Notebook PCFlash Reports, and Data Transmission AG-B25 Optional Accessories and P2HD Series Equipment As of JuneCGA-D54/CGA-D54s P2 ViewerDigital Audio Specification General SpecificationDigital Video Specification Included AccessoriesAG-HPX255/HPX250 Details Http//pro-av.panasonic.net
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AG-HPX250, AG-HPX255 specifications

The Panasonic AG-HPX250 is a professional handheld camcorder that embodies the latest advancements in video technology, making it a preferred choice for broadcasters, filmmakers, and independent content creators alike. This camcorder is designed to seamlessly capture high-quality images while offering versatility and a range of features to enhance the shooting experience.

One of the standout features of the AG-HPX250 is its advanced 1/3-inch 3MOS image sensor technology. This configuration improves color accuracy and sensitivity, allowing for superior low-light performance and rich, vibrant colors. With native 1920 x 1080 resolution, the camera delivers true HD imagery alongside a range of progressive and interlaced recording formats to accommodate various production needs.

The AG-HPX250 offers dual codec recording capabilities, enabling users to record in both AVC-Intra and DVCPRO HD formats. This flexibility allows for high-quality master recordings while also providing the option for efficient proxy recording, streamlining the post-production process. The incorporation of the P2 card system further enhances this camcorder's utility, offering removable storage that supports multiple recording formats and data rates.

Another compelling aspect of the AG-HPX250 is its ease of use and ergonomic design. A lightweight body paired with well-placed controls ensures that operators can capture footage comfortably for extended periods. The intuitive user interface includes a high-resolution LCD monitor and a viewfinder, both designed to facilitate precise focusing and framing while shooting.

The camcorder also features a wide dynamic range and adjustable frame rates, offering creative options for filmmakers looking to achieve sophisticated visual effects. The ability to shoot at frame rates up to 60 fps in 720p enhances slow-motion capabilities, which is particularly useful in action shots or for dynamic storytelling.

Overall, the Panasonic AG-HPX250 is an exceptional choice for those seeking robust performance, professional video quality, and a comprehensive feature set. Its combination of advanced imaging technologies, flexible recording options, and practical ergonomics makes it an invaluable tool for a variety of video production applications, ensuring that content creators can effectively bring their visions to life.