Optimus MD-1200 owner manual Using the Preset AUTO-RHYTHMS, Selecting/Playing an Auto-Rhythm

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1.If the SPLIT or LAYER indicator is on, press SPLIT or LAYER to turn it off.

2.Enter the number for the high-end base tone on the keypad.

3.Press SPLIT so the SPLIT indicator appears.

4.Enter the number for the low-end base tone.

5.Press SPLIT so the SPLIT indicator disappears.

6.Press LAYER so the LAYER indica- tor appears.

7.Enter the number of the layered tone for the high-end keys.

8.Press SPLIT. The SPLIT indicator appears.

9.Enter the number of the layered tone for the low-end keys.

10.If desired, hold down SPLIT and press the key where you want the high-end tones to begin.

11.Play the keyboard to hear the selected tones.

To cancel the SPLIT/LAYER combina- tion, press each button so both the SPLIT and LAYER indicators disap- pear.

USING THE PRESET AUTO-RHYTHMS

Your MD-1200 has 100 preset auto- rhythms that provide a steady beat for your music. The name and two-digit

number of each preset auto-rhythm is marked to the left of the MD-1200’s dis- play.

You can play a preset auto-rhythm on the MD-1200 in any of these ways:

Select and play a rhythm. See

“Selecting/Playing an Auto- Rhythm.”

Synchronize the start of a rhythm with your music. See “Using SYN- CHRO” on Page 16.

Start a rhythm with a special intro- duction. See “Using INTRO” on Page 17.

Stop a rhythm with a special ending. See “Using ENDING” on Page 17.

Briefly vary the pattern of a rhythm. See “Using FILL-IN” on Page 17.

Play an alternate version (variation) of a rhythm. See “Using VARIA- TION” on Page 17.

Selecting/Playing an

Auto-Rhythm

1.Press RHYTHM. RHYTHM and the name and number of the current auto-rhythm appear on the display.

Note: The MD-1200 automatically selects the rhythm CLUB POP (No. 00) the first time you turn it on. Each time you turn it on after that, it recalls the last selected rhythm.

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Electronic Keyboard FCC Wants YOU to Know Features Two Built-In Speakers let you hear Contents Setting the Pitch Bend Range Connecting Power Using BatteriesPreparation Connecting Headphones Using AC PowerListening Safely Using the Music Stand Connecting AN External AmplifierBasic Operation Operation Using the Preset Tones Tone Using the Drum Pads Using ReverbUsing Split Using Split and Layer Together Using LayerSelecting/Playing an Auto-Rhythm Using the Preset AUTO-RHYTHMSUsing Synchro Using Ending Using IntroUsing FILL-IN Using VariationSTART/ Stop Adjusting the Accompaniment VolumeConcert Chord Standard Fingering Full-Range Chords Using Free SessionUsing the Mixer Editing the Status of a Channel This chart shows the parts assigned to each channelEditing the Parameter Using the Custom Tone SynthesizerCreating and Storing a User Tone Understanding 1DCO and 2DCO TonesRelease Rate Rel.Rate 1 to Fm Page 27 Tuesday, August 3, 1999 656 AM Deleting a User Tone Hints on Creating a User ToneSpecial Features Tuning the KeyboardChanging Keys Changing Auto Power OFF Using Touch ResponseUsing Pitch Bend Setting the Pitch Bend Range Using a Sustain PedalREAL-TIME Recording Using the MemoryMode Playing Back from Memory To insert an ending or fill in, press Step RecordingSpecifying the Length of a Note Specifying Chords in the Normal ModeRecording Multiple Tracks Correcting MistakesReal-Time Recording Step Recording Editing Memory Contents Editing Techniques Display Contents Deleting Individual DataDeleting All Data in a Specific Track Using Midi About MidiMaking the Midi Connections Midi Data Effect Control Number Changing Midi Settings Dumping Data DUMPING/IMPORTING DataBulkRcv? Importing DataFm Page 47 Tuesday, August 3, 1999 656 AM Trouble Possible Cause Remedy TroubleshootingCare and Maintenance Auto Accompaniment SpecificationsMixer Function Appendix Fm Page 53 Tuesday, August 3, 1999 656 AM Free Session Chord Progression Chart Fm Page 55 Tuesday, August 3, 1999 656 AM Drum Assignment List Fingered Chord Chart Function Transmitted Recognized Remarks Midi Implementation ChartFm Page 59 Tuesday, August 3, 1999 656 AM RadioShack Division of Tandy Corporation Fort Worth, Texas