Optimus MD-1200 owner manual Using the Custom Tone Synthesizer, Editing the Parameter

Page 24

42-4041.fm Page 24 Tuesday, August 3, 1999 6:56 AM

5.To edit other channels, press or to return to the channel selection screen and repeat Steps 2–4.

To exit the edit mode, press MIXER. The display shows the performance status of the channels as edited.

Editing the Parameter

You can change the settings of six pa- rameters such as tone, volume, and pan (relative position of the tone between the left and right speaker channels) for the selected channel.

Follow these steps to edit the parame- ters.

1.Select the channel you want to edit as described in Steps 1 and 2 of “Editing the Status of a Channel” on Page 23.

2.Press (ENTER) to enter the parameter edit mode.

3.Repeatedly press or (CURSOR) to select the parameter you want to change.

Program Change Number (000 to

199)— sets the tone assigned to the channel.

Note: Channel 10 is reserved for percussion, so only tone numbers 160 (DRUM SET1) through 167 (DRUM SET 8) can be set for Chan- nel 10.

Volume (000 to 127) — controls the volume of the selected channel.

24

Pan (000 to 127) — controls the pan. 000 is fully left, 64 is the center position, and 127 is fully right.

Fine Tune (–50 to +50) — fine tunes the pitch of the selected chan- nel in cent units. A cent is one hun- dredth of a semitone. There are 12 semitones per octave.

C (Coarse) Tune (–12 to +12) — coarsely tunes the pitch of the selected channel in semitone units.

Express (Expression) (000 to 127)

— controls the volume of the selected channel. Similar to the vol- ume setting, this is often used to control crescendo/decrescendo.

4.Use the number buttons or + or to change the parameter setting.

5.To edit other channels, press to return to the channel selection dis- play, select the channel, then repeat Steps 2–4.

6.To exit the parameter edit mode, press MIXER.

USING THE CUSTOM TONE SYNTHESIZER

The MD-1200’s custom tone synthesizer lets you create up to 32 of your own original tones. To create a “user” tone, you simply select one of the keyboard’s 200 preset tones, change its parame- ters, then store the new tone in any memory location from 168–199. You select and use a user tone the same as a preset tone.

Image 24 Contents
Electronic Keyboard FCC Wants YOU to Know Features Two Built-In Speakers let you hear Contents Setting the Pitch Bend Range Connecting Power Using BatteriesPreparation Connecting Headphones Using AC PowerListening Safely Connecting AN External Amplifier Using the Music StandOperation Basic OperationUsing the Preset Tones Tone Using the Drum Pads Using ReverbUsing Split Using Layer Using Split and Layer TogetherUsing the Preset AUTO-RHYTHMS Selecting/Playing an Auto-RhythmUsing Synchro Using Intro Using FILL-INUsing Variation Using EndingAdjusting the Accompaniment Volume START/ StopConcert Chord Standard Fingering Using Free Session Full-Range ChordsUsing the Mixer This chart shows the parts assigned to each channel Editing the Status of a ChannelUsing the Custom Tone Synthesizer Editing the ParameterUnderstanding 1DCO and 2DCO Tones Creating and Storing a User ToneRelease Rate Rel.Rate 1 to Fm Page 27 Tuesday, August 3, 1999 656 AM Hints on Creating a User Tone Deleting a User ToneSpecial Features Tuning the KeyboardChanging Keys Changing Auto Power OFF Using Touch ResponseUsing Pitch Bend Using a Sustain Pedal Setting the Pitch Bend RangeUsing the Memory REAL-TIME RecordingMode Playing Back from Memory Step Recording To insert an ending or fill in, pressSpecifying Chords in the Normal Mode Specifying the Length of a NoteRecording Multiple Tracks Correcting MistakesReal-Time Recording Step Recording Editing Memory Contents Editing Techniques Display Contents Deleting Individual DataDeleting All Data in a Specific Track Using Midi About MidiMaking the Midi Connections Midi Data Effect Control Number Changing Midi Settings DUMPING/IMPORTING Data Dumping DataImporting Data BulkRcv?Fm Page 47 Tuesday, August 3, 1999 656 AM Troubleshooting Trouble Possible Cause RemedyCare and Maintenance Specifications Auto AccompanimentMixer Function Appendix Fm Page 53 Tuesday, August 3, 1999 656 AM Free Session Chord Progression Chart Fm Page 55 Tuesday, August 3, 1999 656 AM Drum Assignment List Fingered Chord Chart Midi Implementation Chart Function Transmitted Recognized RemarksFm Page 59 Tuesday, August 3, 1999 656 AM RadioShack Division of Tandy Corporation Fort Worth, Texas