|
|
|
| Auto Accompaniment | |
FINGERED |
| NOTE | |||
FINGERED provides you with a total of 15 different chord | • | Except for the chords specified in note*1 above, inverted | |||
| fingerings (i.e. playing | ||||
types. The | following describes | the FINGERED |
| ||
| G) will produce the same chords as the standard | ||||
“Accompaniment keyboard” and “Melody keyboard”, and |
| ||||
| fingering. | ||||
tells you how to play a |
| ||||
• | Except for the exception specified in note*2 above, all | ||||
|
|
| |||
FINGERED Accompaniment Keyboard and Melody |
| of the keys that make up a chord must be pressed. | |||
| Failure to press even a single key will not play the desired | ||||
Keyboard |
|
|
| ||
|
|
| FINGERED chord. | ||
|
|
|
| ||
Accompaniment | Melody keyboard |
|
| ||
keyboard |
|
| |||
|
|
|
| ||
|
|
|
| FULL RANGE CHORD | |
|
|
| This accompaniment method provides a total of 38 different | ||
NOTE |
|
| chord types: the 15 chord types available with FINGERED | ||
|
| plus 23 additional types. The keyboard interprets any input | |||
• The accompaniment keyboard can be used for playing | of three or more keys that matches a FULL RANGE CHORD | ||||
chords only. No sound will be produced if you try playing | pattern to be a chord. Any other input (that is not a FULL | ||||
single melody notes on the accompaniment keyboard. | RANGE CHORD pattern) is interpreted as melody play. | ||||
|
|
| Because of this, there is no need for a separate accompaniment | ||
C | Cm | Cdim | keyboard, so the entire keyboard, from end to end, can be | ||
used for both melody and chords. | |||||
|
|
| |||
|
|
| FULL RANGE CHORD Accompaniment Keyboard and | ||
|
|
| Melody Keyboard | ||
Caug *1 | Csus4 | C7 *2 |
| Accompaniment keyboard/Melody keyboard | |
|
|
Cm7 *2 | Cmaj7 *2 | Cm7 5 | < Chords Recognized by This Keyboard > |
|
|
|
|
| ||||||||||||
|
|
| Chord Types |
|
|
| Number of Types |
|
|
| ||||||||||
|
|
| Corresponding | 15 (on this page) |
|
|
|
|
|
|
|
| ||||||||
C7 5 *1 | C7sus4 | Cadd9 *2 | FINGERED Chord |
|
|
|
|
|
|
|
| |||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| ||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |||
|
|
|
| 23 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| The following are examples of chords | ||||||||||||||||
|
|
|
| that use C as the bass note. |
|
|
| |||||||||||||
|
|
|
| C6 • Cm6 • C69 |
|
|
|
|
|
|
|
|
| |||||||
Cmadd9 *2 | CmM7 *2 | Cdim7 *1 | Other Chords | C | • |
| D | • | E |
| • | F |
| • | G |
| • | A | • | B |
|
|
|
|
|
|
| ||||||||||||||
|
|
|
| C |
|
| C |
| C |
|
| C |
|
| C |
|
| C |
| C |
|
|
|
| B | • | C m | • | Dm | • | Fm | • | Gm |
| • | Am | • | B m | |||
|
|
|
| C |
|
| C |
| C |
|
| C |
|
| C |
|
| C |
| C |
See the FINGERED Chord Chart on page |
| Dm7 | 5 | • | A 7 | • | F7 | • | Fm7 | • | Gm7 | • | A add9 |
| ||||||
| C |
| C | C |
| C |
| C |
| C |
|
| ||||||||
|
|
|
|
|
|
|
|
|
|
|
| |||||||||
playing chords with other roots. |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
*1: Inverted fingerings cannot be used. The lowest note is the root.
*2: The same chord can be played without pressing the 5th G.
| ||
37 | 03.10.7, 4:27 PM |