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3. Controls and connections |
Fig. 3.1: Top view of the UMA25S | ||||||
The keyboard of the UMA25S has 25 |
| The PITCH BEND wheel, the modulation wheel and | ||||
| the VOLUME slider are not restricted to their | |||||
The OCT </> push buttons allow you to shift the keyboard |
| preconfigured functions, but can also have other | ||||
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range up to 4 octaves up or down. These push buttons are |
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also used for transposition (see Chapter 5.2.2). |
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| The push buttons E1 – E8 can have any MIDI functions | |||
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Press the MMC push button to use the default MMC (MIDI |
| assigned to them. By pressing the MMC push button |
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| once, these push buttons use the preconfigured transport | |||||
Machine Control) functions of the control elements E1 to |
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| control functions (see Chapter 5.5.7). | |||||
E8. The MMC functions are printed on these control |
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elements. |
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Press the MUTE push button to suppress sending MIDI |
| Continuous Controller messages. In Edit Mode, the rotary | ||||
| knobs can be assigned to any controller number. | |||||
messages. This allows you to move control elements |
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without changing the parameter values. |
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Press the PRESET push button to load a preset.
Press the EDIT/EXIT push button once to switch to Edit
Mode. By pressing the button a second time, you exit Edit
Mode without having accepted any changes.
The |
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buttons at the same time to silence stuck MIDI notes (PANIC). |
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| Fig. 3.2: Audio connectors on the rear panel | ||||||||||||||
The |
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firmware version when the keyboard is switched on, after |
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which the selected preset number is displayed. In Play |
| balance between the recording signal and the playback | |||||||||||||||||
Mode, the display shows the value changes in real time |
| signal. | |||||||||||||||||
when operating the control elements. In Edit Mode, the |
| The MONITOR ON/OFF switch activates the Direct | |||||||||||||||||
display shows the MIDI commands, program and channel |
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numbers as well as parameter values. |
| Monitor function. The recording signal found at the MIC or | |||||||||||||||||
The PITCH BEND wheel (E17) lets you change the pitch in |
| LINE input is fed to the output connectors LINE OUT and | |||||||||||||||||
| PHONES in order to avoid latency and the resulting timing | ||||||||||||||||||
real time. This way a tone can be bent several semitones |
| problems while recording. | |||||||||||||||||
up or down while playing. The desired pitch interval is |
| The LEVEL control lets you adjust the volume level of the | |||||||||||||||||
adjusted on the controlled device. The PITCH BEND wheel |
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returns to the center position as soon as you let go of it. |
| headphone signal. Turn the control completely to the left | |||||||||||||||||
The MOD WHEEL (E18) works like a typical modulation |
| before plugging in the headphones to avoid damage due to | |||||||||||||||||
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wheel (MIDI CC 1). When you let go of the modulation wheel, |
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it keeps the set value. |
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| Plug the green headphone connector of the supplied headset | ||||||||||||||||
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The VOLUME slider (E19) controls the volume (MIDI |
| into the PHONES connector. | |||||||||||||||||
| Plug the red connector of the headset or any dynamic | ||||||||||||||||||
Controller 07). |
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| microphone into the MIC IN connector. |
3. Controls and connections | 9 |