Radio Shack MD-1600 owner manual Standard Fingering

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42-4043.fm Page 20 Tuesday, August 3, 1999 6:51 AM

Standard Fingering

The standard fingering method uses standard formations of 3–4 notes, and lets the experienced musician play a wider variety of accompaniment chords. You can play these 15 chord types on your MD-1600, in any key, using the standard fingering method.

Major (M)

Minor (m)

Augmented

Suspended 4th

Dominant 7th (7)

 

 

(aug)

(sus4)

 

Minor 7th (m7)

Major 7th (M7)

Minor Half-

Major Half

Dominant

 

 

Diminished

Diminished (7-5)

Suspended 4th

 

 

(m7-5)

 

(7sus4)

Major 9th (add9)

Minor 9th

Minor/Major 7th

Diminished

Diminished 7th

 

(madd9)

(mM7)

 

(dim7)

Notes:

To produce a simple variation of a 7, m7, M7, mM7, add9, or madd9 chord, you can omit the finger positions shown in parentheses (on the keys).

When producing an aug, 7-5, or dim7 chord, the lowest note you play determines the root of the chord. Be sure your fingering correctly defines the root you want.

The diagrams above show only one possible fingering position for each chord. It is possible to play a chord using several different positions. For example, these three fingering positions produce the same C chord.

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Contents Electronic Keyboard FCC Wants YOU to Know Features Two Built-In Speakers let you hear Contents Real-Time Recording Step Recording Changing Navigation Track Preparation Connecting PowerUsing Batteries Listening Safely Connecting HeadphonesUsing AC Power Connecting AN External Amplifier Using the Music StandOperation Basic OperationUsing the Preset Tones Tone Using Split Using the Drum PadsUsing Reverb Using Layer Using Split and Layer TogetherUsing the Preset AUTO-RHYTHMS Selecting/Playing an Auto-RhythmUsing Synchro Using IntroUsing Ending Using FILL-INUsing Variation Adjusting the Accompaniment Volume Concert ChordFollow these steps to start concert chord auto accompaniment Standard Fingering Using Free Session Full-Range ChordsUsing the Mixer This chart shows the parts assigned to each channel Editing the Status of a ChannelUsing the Custom Tone Synthesizer Editing the ParameterUnderstanding 1DCO and 2DCO Tones Creating and Storing a User ToneRelease Rate Rel.Rate 1 to Hints on Creating a User Tone Fm Page 28 Tuesday, August 3, 1999 651 AM Changing Keys Special FeaturesTuning the Keyboard Using Pitch Bend Changing Auto Power OFFUsing Touch Response Using a Sustain Pedal Setting the Pitch Bend RangeUsing the Memory REAL-TIME RecordingMode Playing Back from Memory Step Recording Specifying Chords in the Normal Mode Specifying the Length of a NoteReal-Time Recording Recording Multiple TracksCorrecting Mistakes Step Recording Editing Memory Contents Deleting All Data in a Specific Track Editing Techniques and Display ContentsDeleting Individual Data About Midi Using MidiMaking the Midi Connections Midi Data Effect Control NumberFm Page 43 Tuesday, August 3, 1999 651 AM Changing Midi Settings Dumping Data DUMPING/IMPORTING DataImporting Data Fm Page 46 Tuesday, August 3, 1999 651 AM Fm Page 47 Tuesday, August 3, 1999 651 AM Troubleshooting Trouble Possible Cause RemedyCare and Maintenance Specifications Auto AccompanimentMixer Function Appendix Fm Page 53 Tuesday, August 3, 1999 651 AM Free Session Chord Progression Chart Fm Page 55 Tuesday, August 3, 1999 651 AM Drum Assignment List Standard Fingering Chord Charts Midi Implementation Chart Function Transmitted Recognized RemarksFm Page 59 Tuesday, August 3, 1999 651 AM RadioShack Division of Tandy Corporation Fort Worth, Texas