Sony OXF-R3 operation manual Multitrack, Routing for Multitrack, Super Send, MULTI-FORMAT Buttons

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3-6 Multitrack, Routing for Multitrack, Super Send

3-6 Multitrack,GroupsRoutingandforMultiltitrack,-FormatSub-Groups and Multi-Format

Chapter 3 Getting Started

MULTI-FORMAT

L

L

C

R

R

C

C

 

 

SUB

 

 

L-S

MONO R-S

 

ROUTING

ROUTE TO TRACKS

1

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48

1

MULTITRACK

2

SSGs 1-8

SSGs 9-16

1 9

2 10

3 11

4 12

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6 14

7 15

8 16

 

 

STEMS

 

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B

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H

 

 

BOUNCE

 

MULTITRACK

GROUP

 

 

 

TRIM

 

 

 

AFL

 

 

 

 

 

SOURCE

 

 

 

INSERT

 

 

 

IN

 

 

 

 

ACCESS

 

 

 

 

 

DIV

 

 

 

SUR.

 

 

 

 

L/R

 

 

 

PAN

L

 

R

 

IN

 

 

 

LEVEL

 

 

 

 

 

 

 

0

 

 

 

+10

 

AFL

 

CUT

Routing for Multitrack, Super Send Groups & Multi-Format

and Multitrack panels

MULTI-FORMAT Buttons

These routing buttons have a layout matching a set of

7.1surround LS. Their function depends on what is selected to the faders at the SELECT TO FADERS panel. In other words, they set the destinations for the signals currently passing through the faders.

ROUTING Buttons 1-48, {GRP} & {DIR}

Two sets of buttons on each side of the console allow channel sources to be assigned to Multitrack Group Busses 1-48 ({GRP} - default) or Direct Outputs ({DIR} ). The routing for 48 channels can be displayed simultaneously by showing 8 channels on each of the associated six channel screens, three per side. The screens display further channels automatically, consistent with fader paging.

SSGs 1-8 & SSGs 9-16

These buttons allow post channel fader and pan feeds to Super Send Groups 1-16. They are paged and legends lit depending on whether {SUPERSGs1-8} or {SUPERSGs9-16} is selected in the centre section.

STEM Selectors {ÊAÊ} - {ÊHÊ}

These buttons are operational in Multi-Format Mode to assign channel outputs to stems set up on the multitrack busses.

{BOUNCE} Push-Button

Redirects the output of a channel from the Main Output Bus to the multitrack routing buttons in the MULTITRACK section for bounce-down purposes. One of the stems A-H must be selected to bounce down a surround source or a signal with surround panning.

MULTITRACK

This panel contains controls related to the multitrack except individual track remotes and monitor switching. These are above the pan controls in line with their equivalent number channel faders. All level controls can be assigned to faders. Surround panning is available at this panel in parallel with the joysticks and individual pans above the faders. These pan controls are operational on what is selected to the faders at the SELECT TO FADERS panel.

The OXF-R3 allows the multitrack to be used ‘in-line’ for normal record/remix work or ‘on-the-side’ where a live mix requires a multitrack backup. A separate stereo monitor bus is included specifically for monitoring the multitrack when used in parallel with a live mix.

3-12Chapter 3 Getting Started

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Contents OXF-R3 For customers in the U.S.A Spitzenstrom Peak Inrush CurrentAppel de Courant de Crête Do not USE ANY Other Power Cord OXF-CP3048PS onlyTable of Contents Table of Contents Chapter Technical Descriptions Session Management Chapter Session Management Appendixes About This Manual Purpose and intended readersAbout This Manual Conventions used in this manual Related manuals Glossary of Terms About This ManualContents OverviewOverview1 Overview Control Console Data Flow OverviewStudio Machine Room Signal Flow OverviewCUE & Auxiliary Sends Page Powering The OXF-R3 OXF1-OXFR3 Start-R3-UpStartProcedure-Up Start-Up ProcedurePowering The OXF-R3 Powering the OXF-R3 OXF2OXF-R3 Shutdown-R3 ShutdownProcedure Shutdown ProcedurePowering the OXF-R3 Page Getting Started Multitrack, Routing for Multitrack, Super Send GroupsThe1 TheControlControlSurface Surface Control Surface Elements Control Surface Getting Started OXF-R3 panel locations Getting Started Fader2 FaderPagingPaging Channel IN-LINE ConsoleAssignable Channel Processing Input Channel & Inserts Free5 FreeAssignAssignArea and DynamicsArea and Dynamics Multitrack, Routing for Multitrack, Super Send MULTI-FORMAT ButtonsSends7 Sends Select8 SelectTo FadersTo Faders SendChans Têsend Select To Faders Select9 SelectTo PansTo Pans 310-10BasicBasicConsoleConsoleOperationsOperations GeneralTo Route a Mic or Line Input to the Main Output Bus To a Super Send Group SSG To Send Signals to Tracks on Tape Basic Console Operations To Monitor Signals To and From Tape To Set Up a Stereo Headphone Mix for Foldback 1 O/P 24Chapter 3 Getting Started To Equalise Monitor Signal Post Multitrack At the same panel, select ‘DYN’ in a window To Insert Dynamics Post Multitrack Return Basic Console Operations To Bounce TracksTo Set Up Super Send Groups from Multitrack ‘DYN’ in one of the eight windows. Do this using To Link Compressor Side-Chains in a Group On the LCD screen above the dynamics controls Getting Started

OXF-R3 specifications

The Sony OXF-R3 is a state-of-the-art digital mixing console that combines advanced technology with user-friendly design, catering to the needs of modern audio professionals. Launched as part of Sony's renowned OXF product line, this console is engineered for high-end live sound, broadcast mixing, and studio applications, delivering exceptional audio quality and flexibility.

One of the standout features of the OXF-R3 is its extensive number of input channels, which provides audio engineers with ample flexibility for managing complex mixing tasks. It supports up to 96 simultaneous inputs, making it suitable for large-scale productions. Each channel is equipped with high-resolution 24-bit/192kHz audio processing, ensuring crystal-clear sound reproduction across the entire frequency spectrum.

The OXF-R3 integrates advanced digital signal processing technologies, allowing for intricate sound shaping and manipulation. It features a comprehensive suite of onboard effects, including reverb, compression, and equalization, all of which can be applied in real-time. This versatility makes it an ideal choice for both live performance and studio recording environments.

One of the key characteristics of the OXF-R3 is its intuitive user interface. The console is equipped with a large touch-screen display that provides easy access to settings and parameters, simplifying the mixing process even in high-pressure situations. Additionally, the OXF-R3 offers various physical controls, including faders, knobs, and buttons, allowing for tactile mixing experiences that many audio professionals prefer.

In terms of connectivity, the OXF-R3 shines with numerous input and output options, including analog, digital, and even multi-channel network audio interfaces. This flexibility ensures compatibility with a wide range of audio equipment and systems, enhancing its usability across different scenarios.

The console also embraces the latest advancements in remote control and automation technologies. Users can operate the OXF-R3 from a distance using compatible devices, facilitating seamless adjustments during live performances and recordings.

The build quality of the OXF-R3 reflects Sony’s commitment to durability and reliability. Constructed from robust materials, it is designed to withstand the rigors of both studio and live environments, ensuring longevity and consistent performance over time.

In conclusion, the Sony OXF-R3 is a powerful digital mixing console that delivers a blend of advanced features, exceptional audio quality, and user-friendly design. Its versatility makes it an invaluable tool for sound engineers and producers alike, solidifying its place in the audio technology landscape. With its innovative technologies and robust construction, the OXF-R3 continues to set a high standard in the world of professional audio mixing.