| The Function of Controls 5 |
Chapter | EXT IN (External In) |
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The newest feature of the
T o make the portable digital music player will sound | Press this button to select the EXT IN |
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only when the keyboard is played, press the [WAVE] |
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button on the OSC1 (oscillator 1) and select |
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the waveform to EXT IN. |
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S et the portable digital music player to Play mode. Turn the [INPUT VOL] knob to adjust the volume level. You can delete centrally panned sounds, such as vocal or bass, by pressing
the [CENTER CANCEL] button.
Next, press the [FILTER ON]
button. Press the [TYPE] button, and select LPF(*1). The LPF filters out
the
of high frequencies that pass through. This has no effect on the low frequencies.
T urn the [CUTOFF] and [RESONANCE] knobs gradually left or right, and hear how the sound changes. Afterward, turn the [CUTOFF] knob all the way left to (MIN). The sound now will be inaudible, as most
of the frequency range is blocked.
Portable digital music player
Turn this knob to adjust the volume
Press this button
Press this button
Press this button to select the LPF
Turn these knobs as you play
T o cause silence when your hand is | volume |
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released from the keyboard, lower the [R] |
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slider of the AMP ENV all the way down. | S | ||
time | |||
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E xperiment with the [TYPE], [CUTOFF], and [RESONANCE] controls as you play
the keyboard. Just as the sawtooth |
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and square waves were processed |
| TheFunction ofControls | |
with effects, your portable digital music |
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player’s music is processed with effects now. | Use these controllers as you play | ||
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I t doesn’t really matter which keys you play, the portable |
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digital music player’s music will play in the original pitch |
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unchanged. If you press too many keys simultaneously, | Press this | ||
however, it may cause the sound to distort, |
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so select the [SOLO] button and play monophonically (a single note at a time).
Next, let’s create sounds and experience them!
How you use the EXT IN
How you use the EXT IN is completely up to you! You can play the keyboard along with the rhythm of the music, or play fast riffs on the keyboard to achieve the effect of the
(*1) External In (*2) Low Pass Filter
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