Roland SH-201 specifications Holding this button, Press Write again

Page 8

The Function of Controls 3

Chapter4 AMP

The sound signal generated in OSC and processed through the FILTER is amplified here. The AMP also controls the attack and decay of sounds.

T urn the [LEVEL] knob left

A dditionally, to create a classic synth sound (analog

lead sound), set it up to play monophonically (single note at a time) by pressing the [SOLO] button.

I n this set up, when you play a key

SOLO+LEGATO

Press this button

SOLO

and right. Listen to the change

Turn this knob

in the sound levels (volume).

to change the volume

 

T he Attack and decay of sounds are controlled by the ENV (Envelope Generator).

volume

 

Key-off

Move these sliders up

 

 

 

 

 

or down to create an ENV

 

 

S

 

 

 

 

A

D

time

Key-on

R

 

 

 

Think about playing a piano for a moment.

while playing another key, timbre will remain unchanged but the pitch will change (SOLO+LEGATO). This effect is similar to the trill technique used

Key-on

Other key-on Key-off

Key-on

Other key-on Key-off

in string instruments.

 

 

 

M oving right along, let’s set the portamento control.

 

 

The portamento is an effect where the transition between two

 

 

consecutively played notes is smooth and gradual in pitch.

Press this

 

This effect is unique to synthesizers, and creates an effect

button

 

similar to the slide (glissando) technique used in violins.

 

 

You can control the speed of the portamento effect by pressing the NUMBER button

[1]through [8], while pressing the [PORTAMENTO] button down. Try various settings.

Chapter

4

When the key is struck,

the hammer pounds on the sound source (string) and the vibration of the string reaches a peak immediately. Afterward, even

if the key is held down, the sound will gradually become weaker and softer. When the hand is released from the key, the sound will begin to die at that instant.

volume

time

ADR

Holding this button...

...press [1]–[8]

Y ou were able to create a basic analog lead-synthesizer sound through the previous steps.

If you power the unit off right now, this timbre will be lost. Since you worked hard to program this timbre, let’s store it safely.

The Function of Controls

Next, think about playing an organ.

When the key is struck, sound generates immediately. As long as you hold down the key, there will be no change in volume. When the hand is released from the key, the sound will stop at that instant.

volume

S

time

Key-onKey-off

Press the [WRITE] button and select the location in which you want to store the timbre.

Store it in the USER D-8 location by first pressing the BANK [D] button and then pressing the NUMBER

[8] button. Press the [WRITE] button once again and ta-da!! You have stored it!

2 Press [D]

3 Press [8]

1 Press [WRITE]

Move these [A], [D], [S], and [R] sliders up and down, and listen to how it affects the sound. Afterward, to leave some lingering sound after releasing the hand, leave the [R] slider at the mid-high position.

4 Press [WRITE] again

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Image 8
Contents Creating Sounds with Fun and Ease Top Panel P17Synth Synth XTJP-8000 JD-800Basic Structure of a Synthesizer Analog Synthesizer Sound Programming for Thought 3,4,5,6,7,8These knobs specify the pitch EnvelopePress D Turn this knob as you play Press this button to select LPFOne o’clock position Two o’clock positionHolding this button Press Write againPress these buttons to select the destination PCM SynthesizerPress this button to select PITCH1 How you use the EXT Turn these knobs as you play1Synth Bass Synth Pad Three Elements of Sound Voice from the Artist Creating Sounds with Fun and Ease