Appen dices
Troubleshooting
If you think there’s a problem, read this first.
Case | Cause/Remedy | |
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| |
The power doesn’t | Is the power cord connected and plugged in | |
come on | correctly? (p. 10) | |
|
| |
The button doesn’t | Is the panel locked? (p. 35) | |
work | Turn the power off, then back on. | |
|
| |
| Is the volume level of the | |
| way down? (p. 12) | |
|
| |
| Are headphones plugged in? (p. 11) | |
| Has a plug remained connected to the Phones | |
| jack? | |
No sound is heard | When headphones are connected, the key- | |
| board’s speaker stops playing. | |
|
| |
| Is Local Off selected? | |
| When Local Control is set to OFF, no sound is | |
| produced by playing the keyboard. Set Local | |
| Control to “ON” (p. 38) | |
|
| |
| Have all devices been switched on? | |
No sound is heard |
| |
Are the MIDI cables connected correctly? | ||
(when a MIDI instru- | ||
| ||
Does the MIDI channel match the connected in- | ||
ment is connected) | ||
| strument? (p. 38) | |
|
| |
Sounds are heard | Is the | |
| ||
When the | ||
twice (doubled) | ||
sequencer, set it to the Local OFF mode (p. 38). | ||
when the keyboard | ||
Alternatively, the sequencer could be set so its | ||
is played | ||
MIDI Thru feature is OFF. | ||
| ||
|
| |
| If you use Dual performance or Split perfor- | |
| mance with a Tone button for which tone num- | |
The tone has | ber 3 or 4 is selected, tone number 1 will be | |
changed in the Split | selected for that Tone button (p. 15). | |
or Dual perfor- |
| |
Some tones assign the tone that had been se- | ||
mance | lected before you pressed the [Split] button to | |
| the left hand area of the keyboard. Please refer | |
| to “Tone List” (p. 41). | |
|
| |
| Is the panel locked? (p. 35) | |
| Turn the power off, then back on. | |
|
| |
Tone doesn’t | Are the indicators for the [Game] and [Key | |
Touch] buttons flashing? | ||
change | ||
Setting of functions is in progress. Press the | ||
| ||
| [Game] or [Key Touch] button to exit function | |
| mode (p. 33, p. 37). | |
|
| |
| The maximum number of notes that the | |
| 3 can play simultaneously is 64. | |
Not all played notes | Frequent use of the damper pedal when play- | |
are sounded | ing along with a song may result in perfor- | |
| mance data with too many notes, causing some | |
| notes to drop out. | |
|
|
Case | Cause/Remedy | |
|
| |
| Have you set Transpose? (p. 22) | |
The tuning or pitch |
| |
Are the settings for the “Temperament” and | ||
of the keyboard or | “Stretch Tuning” correct? (p. 34) | |
song is off |
| |
Is the setting for the “Master Tuning” correct? | ||
| ||
| (p. 34) | |
|
| |
Song doesn’t play | Are the indicator for the Track buttons ([1] and | |
back/ Only the | [2] buttons) extinguished? (p. 26) | |
sound of a particular | If the button indicator is out, the music on that | |
instrument in a song | track is not heard. Press the track button so the | |
does not play | indicator is illuminated. | |
|
| |
| It is not possible to sound the rhythm while a | |
Rhythm doesn’t | ||
| ||
A performance that was recorded without us- | ||
sound | ||
ing rhythm cannot be played back with the | ||
| ||
| rhythm. | |
|
| |
Metronome doesn’t | A performance you’ve recorded using rhythm | |
sound | cannot be played back with the metronome. | |
|
| |
Can’t record | Has one of the track buttons for recording been | |
selected? (p. | ||
| ||
|
| |
| If you select an | |
| po changes during the song, and then record, | |
| the tempo will change in the same way for the | |
Tempo of recorded | performances. The tempo of the metronome | |
will also change in the same way. | ||
song or metronome | ||
| ||
If you record additional material without eras- | ||
is off | ||
ing the previously recorded song, the song will | ||
| ||
| be recorded at the | |
| erase the previously recorded song before you | |
| ||
|
| |
The recorded per- | Any performance that has been recorded is de- | |
leted when the power to the | ||
formance has dis- | ||
off. A performance cannot be restored once it’s | ||
appeared | ||
been deleted. | ||
| ||
|
| |
Depressing a pedal | Is the pedal connected correctly? | |
has no effect, or the | Make sure the pedal cord extending from the | |
pedal effect doesn’t | stand is securely connected to the pedal jack on | |
stop | the rear of the unit (p. 10). | |
|
| |
| Adjust the adjuster underneath the pedal so | |
The pedal rattles | that the pedal presses firmly against the floor | |
| surface (p. 12). | |
|
| |
| Since the | |
Reverberation still | produce the sense of spaciousness and reverber- | |
audible even with | ation of an actual acoustic piano’s sound, a | |
Reverb turned off | certain amount of reverberation is still percepti- | |
| ble, even with the reverb effect deactivated. | |
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