Roland MP-500 owner manual Profiles of Composers, John Maul, Naoki Nishi

Page 15

Listening to the Demo Songs

■List of Demo Songs

No.

Title

 

Composer

Copyright

 

 

 

 

 

 

 

 

 

 

 

 

1-1

Intro

J. Maul

© 1991, 1999 Roland UK

 

 

 

 

 

 

1-2

Je Te Veux

E. Satie

© 1997 Roland Corporation

 

 

 

 

 

 

1-3

Golliwog’s Cakewalk

C. Debussy

© 1996 Roland Corporation

 

 

 

 

 

 

1-4

“Fröhlicher Landmann” from “Album Für Die Jugend” Op. 68

R. Schumann

© 1996 Roland Corporation

 

 

 

 

 

 

2-1

Bagatelle “Für Elise” WoO. 59

L. v. Beethoven

© 1994 Roland Corporation

 

 

 

 

 

 

2-2

Arabesque No. 1 in E-Major

C. Debussy

© 1994 Roland Corporation

 

 

 

 

 

 

2-3

Salut D’Amour Op. 12

E. Elgar

© 1996 Roland Corporation

 

 

 

 

 

 

2-4

“Troika Drive: November” from “The Seasons,” Op. 37

P. Tchaikovsky

© 1996 Roland Corporation

 

 

 

 

 

 

3-1

A Maiden's Prayer

T. Badarzewska

© 1996 Roland Corporation

 

 

 

 

 

 

3-2

“Promenade” from “Tableaux d’une exposition”

M. Musorgsky

© 1995 Roland Corporation

 

 

 

 

 

 

3-3

On Wings Of Song

F. Mendelssohn

© 1996 Roland Corporation

 

 

 

 

 

 

3-4

Moment musicaux No. 3, Op. 94-3

F. Schubert

© 1994 Roland Corporation

 

 

 

 

 

 

4-1

No. 14 “La Styrienne” from “25 Easy Studies” Op. 100"

F. Burgmüller

© 1992 Roland Corporation

 

 

 

 

 

 

4-2

Turkisch March (Piano Sonate No. 11 in A Major, 3rd Movement “Alla Turca”)

W. A. Mozart

© 1994 Roland Corporation

 

 

 

 

 

 

4-3

Rondo Brillante “Aufforderung Zum Tanz” in D-flat Major, Op. 65"

C. M. v. Weber

© 1994 Roland Corporation

 

 

 

 

 

 

4-4

“Frühlingslied” from “Lieder Ohne Worte Heft 5,” Op. 62-6

F. Mendelssohn

© 1996 Roland Corporation

 

 

 

 

 

 

5-1

Cantata BWV. 147 (Jazz Arranged)

 

J. S. Bach /

© 1993 Roland Corporation

 

Naoki Nishi

 

 

 

 

 

 

 

 

 

 

5-2

Gymnopedie No. 1

E. Satie

© 1997 Roland Corporation

 

 

 

 

 

 

5-3

Fantasie-Impromptu Op.66

F. Chopin

© 1994 Roland Corporation

 

 

 

 

 

 

5-4

Etude No. 5 in G-flat Major “Black Keys,” Op. 10-5

F. Chopin

© 1990 Roland Corporation

 

 

 

 

 

 

6-1

Etude No.3 in E Major “Chanson De L’Adieu,” Op. 10-3

F. Chopin

© 1992 Roland Corporation

 

 

 

 

 

 

6-2

Mazurka No.5 in B-flat Major, Op. 7-1

F. Chopin

© 1995 Roland Corporation

 

 

 

 

 

 

6-3

Valse No. 6 in D-flat Major, Op. 64-1 “Petit Chien”

F. Chopin

© 1990 Roland Corporation

 

 

 

 

 

 

6-4

Nocturne No. 2 in E-flat Major, Op. 9-2

F. Chopin

© 1993 Roland Corporation

 

 

 

 

 

 

7-1

Fly Free

J. Maul

© 1992 Roland Corporation

 

 

 

 

 

 

7-2

Piano Sonata No. 14 in C-sharp Minor, “Moonlight” 1st Movement

L. v. Beethoven

© 1998 Roland Corporation

 

 

 

 

 

 

7-3

“Berceuse” from “Dolly,” Op. 56

G. Fauré

© 1995 Roland Corporation

 

 

 

 

 

 

7-4

Slavonic Dance No. 10, Op. 72-2

 

 

© 1998 Roland Corporation

 

A. Dvoräk

 

 

 

 

 

 

 

8-1

Mood/Ending

J. Maul

© 1991, 1999 Roland UK

 

 

 

 

 

 

8-2

3-Romances Sans Paroles No. 3, Op. 17

G. Fauré

© 1996 Roland Corporation

 

 

 

 

 

 

8-3

“Clair de lune” from “Suite Bergamasque”

C. Debussy

© 1990 Roland Corporation

 

 

 

 

 

 

8-4

“Träumerei” from “Scenes From Childhood” Op. 15

R. Schumann

© 1997 Roland Corporation

 

 

 

 

 

 

*All rights reserved. Unauthorized use of this material for purposes other than private, personal enjoyment is a violation of applicable laws.

*No data for the music that is played will be output from MIDI OUT.

Profiles of Composers

John Maul

John Maul is a musician, composer and arranger having graduated from the Royal Academy of Music in London. John’s work encompasses studio recordings and live performances including work with top UK Jazz artists. His writing credits include commercial music for BBC radio and television, as well as scoring jazz and classical works.

Having been a product specialist for Roland U.K., John is now actively involved in music software composing/programming for both Roland Japan and various music publishers. Quite recently his “Musical Picture Book,” a volume of original piano music encompassing all standards of musical ability, which included the piano and orchestral accompaniment data in SMF format, was published and printed.

Naoki Nishi

Born in 1958 in Hiroshima, Japan. Began working professionaly at the age of 21. Has so far released 9 albums on which he is featured. He has also taken part in numerous other albums. His broad range of activities have included appearances at a number of jazz festivals in Japan and other parts of the world. In addition to his duties as an instructor at the Tokyo Conservatoire Shoubi, he has provided his services as a demonstrator for Roland since 1990. He is considered to be one of Japan’s finest jazz pianist.

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Contents Try Recording Your Performance Connecting to Midi DevicesListening to the Demo Songs Playing the KeyboardPage Important Safety Instructions Use only the attached power-supply cord Protect the unit from strong impact. Do not drop it Additional Precautions Power SupplyPlacement MaintenanceMain Features of the MP-500 Captures the brilliant resonanceReproduces the extended high-frequency response Button Descriptions Metronome On/Off Button Metronome Tempo SliderMetronome Beat Slider Metronome Sound ButtonAbout the Pedals Connecting the Power CordGetting Started Opening and Closing the LidTurning off the power Adjusting the VolumeSetting the Music Stand Turning on the powerPrecautions to take when using headphones Connecting HeadphonesPlaying/Stopping the Demo Songs Listening to the Demo SongsListening to the Demo Songs Selecting a Song for PlaybackProfiles of Composers John MaulNaoki Nishi Playing with Various Sounds Press any Tone button and confirm that its indicator is litTo cancel the Dual Play, press any Tone button Playing the Keyboard20-1 Changing the Split PointAdding Reverberation to the Sound-Reverb Effect Press the Reverb button to turn on the indicatorAdding Breadth to the Sound-Chorus Effect Press the Chorus button to turn on the indicatorOn / OffOn / Off Sounding the MetronomePress and hold the Metronome On/Off button Metronome tempo is adjusted by the Metronome Tempo sliderPress the Metronome On/Off button to turn on the indicator Try Recording Your PerformanceRecording Recording will begin when you play a note on the keyboard Press the Rec button to turn on the indicatorWhile pressing the Play button, also press the Rec button Press the Play button to make the indicator lightListening to the Recorded Performance Deleting Recorded SongsWhile holding down the Demo Song/Key Convenient FunctionsChanging Keyboard Touch Sensitivity Transposing without Changing Your Fingering -Key TransposeAdjusting the Pitch of the Sound-Master Tuning Setting the Reference Pitch to 442.0 HzSounding a reference tone while you adjust the pitch Checking the depth of the Reverb Effect Changing the Volume Balance in Dual PlayChanging the Depth of the Reverb Changing the Depth of the ChorusPress and hold the Reverb and Chorus Buttons Playing Songs Using Tunings from Classical MusicChanging the Damper Pedal’s Resonance Checking the Resonance levelKey Temperament Description Changing Tuning CurvesBefore switching the power on, turn Volume all the way down Adjust the volumePanel Lock with the metronome enabled Midi Out Connector Connecting to Midi DevicesAbout the Midi Connectors Midi In ConnectorSwitching Local On/Off This sets it to Local OnThis sets it to Local Off Switching Omni On/Off Set the Midi ChannelReceiving on all Midi channels- Omni On/Off Program Number Tone Transmitting/Receiving Sound Selection Data Program ChangeTransmitting Performance Data from Midi Out Turning Transmission Reception of Control Changes On/OffOutput Jacks Connecting to Audio EquipmentConnectors Making the ConnectionsWhen the MP-500 is connected to an external device TroubleshootingFunctions for Midi Functions Assigned to the KeyboardConvenient Functions Functions for TemperamentMidi Implementation Chart MP-500 Roland Digital Piano Specifications13-15 IndexInformation Avis Contents Name Qty

MP-500 specifications

The Roland MP-500 is a powerful and versatile digital piano tailored for both professional musicians and passionate hobbyists. Renowned for its rich sound palette and exceptional playing experience, the MP-500 combines advanced technologies with user-friendly features.

One of the standout features of the Roland MP-500 is its SuperNATURAL Piano technology. This innovative sound engine mimics the nuances of an acoustic piano, providing a highly authentic experience. Musicians can appreciate the natural decay of notes, responsive touch sensitivity, and dynamic range that reflects the subtleties of an experienced player. This technology also extends to a variety of other instrument sounds, creating a diverse sonic landscape for users to explore.

The keyboard action of the MP-500 is another remarkable characteristic. It boasts a PHA-4 standard keyboard with escapement, offering a weighted feel that emulates the touch of an acoustic piano. Each key is designed to respond dynamically to the player's touch, allowing for expressive playing whether performing delicate passages or powerful chords. This attention to tactile feedback makes the MP-500 an excellent choice for those who prioritize authenticity in their instrument.

Connectivity is a critical aspect of the Roland MP-500. It features a host of inputs and outputs, including USB, MIDI, and audio connections, which facilitate integration with music production software, recording devices, and external sound modules. The USB capability also allows for direct connection to computers, enhancing the versatility of the instrument for digital compositions.

In addition to its acoustic capabilities, the Roland MP-500 is equipped with a range of digital features. Users can access a library of onboard music styles and rhythms that can serve as accompaniment while practicing or performing. The built-in metronome and recording functions are invaluable tools for musicians looking to hone their skills or capture their creative ideas on the fly.

Furthermore, the MP-500 is designed for ease of use. The intuitive interface features a clear LCD display and dedicated controls that allow players to quickly navigate through sounds and settings, making it simple to customize the instrument to suit individual preferences.

With its combination of authentic sound, responsive action, extensive connectivity, and user-friendly interface, the Roland MP-500 is a standout choice for any musician seeking a high-quality digital piano experience. Its integration of acoustic piano nuances with modern digital technology positions it at the forefront of digital instruments, appealing to a broad audience of music lovers and performers alike.
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