Roland MP-500 owner manual Changing Tuning Curves, Key Temperament Description

Page 29

Convenient Functions

When you want to perform using a tuning other than equal

temperament, you’ll need to specify the keynote (tonic for

major, sixth for minor) appropriate for the key of the song

you want to play.

Key

Temperament Description

C4

Equal

With this tuning, the octave is divided

 

 

into twelve equal intervals. Regardless

 

 

of the interval, very little ambiguity is

 

 

produced.

D4

Pythagorean

Developed by the philosopher

 

 

Pythagoras as a method of tuning that

 

 

resolved the ambiguousness of fourths

 

 

and fifths. As a result, melodies sound

 

 

cleaner, but a certain amount of

 

 

ambiguousness is produced with

 

 

triads.

E4

Just Major

This tuning eliminates the

 

 

ambiguousness of fifths and thirds.

 

 

This tuning is not suitable for melodies,

 

 

and transposition is impractical, but

 

 

rich sonorities can be produced by

 

 

chords.

F4

Just Minor

Just Major and Minor tunings are

 

 

different. You can get the same effects

 

 

in the minor scale as in the major scale.

G4

Mean Tone

A partial compromise of the Just Major

 

 

tuning, created to make transposition

 

 

possible.

A4

Werckmeister

A combination of the Mean Tone and

 

 

Pythagorean tunings. This tuning can

 

 

be used in all keys.

B4

Kirnberger

As a result of improvements made to

 

 

the Mean Tone and Just temperaments,

it is relatively tolerant towards transposition, and can be used to play in all keys.

NOTE

When performing in ensemble with other instruments, be aware that depending on the key, there may be some shifting of the pitch. Please tune to the other instruments in the ensemble.

NOTE

When you play back a recorded performance, it will be played using the temperament that was selected at that time.

Changing Tuning Curves

Pianos are commonly tuned so pitches in the lower registers are adjusted relatively flat, and pitches in the higher registers are tuned sharper compared to equal temperament. This kind of tuning method for the piano is called “Stretch Tuning.”

The graphic representation of the differences in pitch when comparing equal-tempered tuning with the actual tuning used is called the “Tuning Curve.” Changing the tuning curve results in a subtle change in the sound of the chords. MP-500 can switch the tuning curve.

“Type 2” (Stretch Tuning) is the power-on default for the tuning curve.

fig.7-10

Electric

Electric

Harpsi-

Vibra-

Pipe

Strings

Piano 1 Piano 2 Piano 1

Piano 2

chord

phone

Organ

Tone

 

 

Volume

 

Reverb Chorus

Electric

Electric

Harpsi-

Vibra-

Pipe

Tempo

Beat

Play

Rec

Demo Song

 

 

 

Piano 1 Piano 2 Piano 1

Piano 2

chord

phone

Organ Strings

 

 

 

 

 

Sound On/Off

Tone

Metronome

Power

 

 

C3 D3

While holding down the [Piano 1] button, [Electric Piano 1] button, and [Harpsichord] button, the “C3” note to turn the setting Type 1, or press the “D3” note to turn the setting Type 2.

fig.7-11.e

 

 

 

Type 1 Type 2

Piano 1

Electric

Electric

Harpsi-

Piano 2 Piano 1

Piano 2

chord

 

 

 

C3D3

While holding down three buttons

 

 

Press one of these keys

Key

Type

Description

C3

Type 1

Standard tuning curve. This is the right

 

 

choice when using Dual Play (p. 16), or

 

 

when playing in ensemble with other

 

 

instruments.

D3

Type 2

A tuning curve wherein the low and

 

 

high registers are widened slightly—

low pitches are a little lower, the high pitches a little higher (Stretch Tuning). Appropriate for piano solos.

NOTE

This setting is only available with piano tones.

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Contents Listening to the Demo Songs Connecting to Midi DevicesPlaying the Keyboard Try Recording Your PerformancePage Important Safety Instructions Use only the attached power-supply cord Protect the unit from strong impact. Do not drop it Placement Power SupplyMaintenance Additional PrecautionsReproduces the extended high-frequency response Main Features of the MP-500Captures the brilliant resonance Button Descriptions Metronome Beat Slider Metronome Tempo SliderMetronome Sound Button Metronome On/Off ButtonGetting Started Connecting the Power CordOpening and Closing the Lid About the PedalsSetting the Music Stand Adjusting the VolumeTurning on the power Turning off the powerPrecautions to take when using headphones Connecting HeadphonesPlaying/Stopping the Demo Songs Listening to the Demo SongsListening to the Demo Songs Selecting a Song for PlaybackNaoki Nishi Profiles of ComposersJohn Maul To cancel the Dual Play, press any Tone button Press any Tone button and confirm that its indicator is litPlaying the Keyboard Playing with Various Sounds20-1 Changing the Split PointAdding Reverberation to the Sound-Reverb Effect Press the Reverb button to turn on the indicatorAdding Breadth to the Sound-Chorus Effect Press the Chorus button to turn on the indicatorOn / OffOn / Off Sounding the MetronomePress and hold the Metronome On/Off button Metronome tempo is adjusted by the Metronome Tempo sliderRecording Press the Metronome On/Off button to turn on the indicatorTry Recording Your Performance Recording will begin when you play a note on the keyboard Press the Rec button to turn on the indicatorListening to the Recorded Performance Press the Play button to make the indicator lightDeleting Recorded Songs While pressing the Play button, also press the Rec buttonChanging Keyboard Touch Sensitivity Convenient FunctionsTransposing without Changing Your Fingering -Key Transpose While holding down the Demo Song/KeySounding a reference tone while you adjust the pitch Adjusting the Pitch of the Sound-Master TuningSetting the Reference Pitch to 442.0 Hz Changing the Depth of the Reverb Changing the Volume Balance in Dual PlayChanging the Depth of the Chorus Checking the depth of the Reverb EffectChanging the Damper Pedal’s Resonance Playing Songs Using Tunings from Classical MusicChecking the Resonance level Press and hold the Reverb and Chorus ButtonsKey Temperament Description Changing Tuning CurvesPanel Lock with the metronome enabled Before switching the power on, turn Volume all the way downAdjust the volume About the Midi Connectors Connecting to Midi DevicesMidi In Connector Midi Out ConnectorThis sets it to Local Off Switching Local On/OffThis sets it to Local On Receiving on all Midi channels- Omni On/Off Switching Omni On/OffSet the Midi Channel Program Number Tone Transmitting/Receiving Sound Selection Data Program ChangeTransmitting Performance Data from Midi Out Turning Transmission Reception of Control Changes On/OffConnectors Connecting to Audio EquipmentMaking the Connections Output JacksWhen the MP-500 is connected to an external device TroubleshootingConvenient Functions Functions Assigned to the KeyboardFunctions for Temperament Functions for MidiMidi Implementation Chart MP-500 Roland Digital Piano Specifications13-15 IndexInformation Avis Contents Name Qty

MP-500 specifications

The Roland MP-500 is a powerful and versatile digital piano tailored for both professional musicians and passionate hobbyists. Renowned for its rich sound palette and exceptional playing experience, the MP-500 combines advanced technologies with user-friendly features.

One of the standout features of the Roland MP-500 is its SuperNATURAL Piano technology. This innovative sound engine mimics the nuances of an acoustic piano, providing a highly authentic experience. Musicians can appreciate the natural decay of notes, responsive touch sensitivity, and dynamic range that reflects the subtleties of an experienced player. This technology also extends to a variety of other instrument sounds, creating a diverse sonic landscape for users to explore.

The keyboard action of the MP-500 is another remarkable characteristic. It boasts a PHA-4 standard keyboard with escapement, offering a weighted feel that emulates the touch of an acoustic piano. Each key is designed to respond dynamically to the player's touch, allowing for expressive playing whether performing delicate passages or powerful chords. This attention to tactile feedback makes the MP-500 an excellent choice for those who prioritize authenticity in their instrument.

Connectivity is a critical aspect of the Roland MP-500. It features a host of inputs and outputs, including USB, MIDI, and audio connections, which facilitate integration with music production software, recording devices, and external sound modules. The USB capability also allows for direct connection to computers, enhancing the versatility of the instrument for digital compositions.

In addition to its acoustic capabilities, the Roland MP-500 is equipped with a range of digital features. Users can access a library of onboard music styles and rhythms that can serve as accompaniment while practicing or performing. The built-in metronome and recording functions are invaluable tools for musicians looking to hone their skills or capture their creative ideas on the fly.

Furthermore, the MP-500 is designed for ease of use. The intuitive interface features a clear LCD display and dedicated controls that allow players to quickly navigate through sounds and settings, making it simple to customize the instrument to suit individual preferences.

With its combination of authentic sound, responsive action, extensive connectivity, and user-friendly interface, the Roland MP-500 is a standout choice for any musician seeking a high-quality digital piano experience. Its integration of acoustic piano nuances with modern digital technology positions it at the forefront of digital instruments, appealing to a broad audience of music lovers and performers alike.
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