Troubleshooting
If you are encountering problems with the unit, please read
the section below before assuming that there is a
malfunction.
Case | Cause/Remedy | |
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The piano cannot be | Is the AC adaptor properly connected? (p. 10) | |
switched on | ||
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| Is the [Volume] knob set to the minimum position? | |
| (p. 12) | |
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No sound is produced | Are the headphones connected? (p. 12) | |
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| Is Local On/Off set to “Off”? (p. 31) | |
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| Is the speaker cable properly connected? (p. 6) | |
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| Depending on the setting for volume balance, and the | |
Only One Tone Plays | particular selection of tones you make, certain tones | |
in Dual Play | may be difficult to hear when layered. Try adjusting | |
| volume balance (p. 28). | |
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Internal songs do not |
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play |
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Buttons do not func- | Is Panel Lock on? (p. 26) | |
tion | ||
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Keyboard sound does |
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not change |
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Two sounds are pro- |
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duced when the key- | Is the keyboard in Dual Play mode? (p. 16) | |
board is played |
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The tone has changed | If you use Dual Play with a Tone button for which | |
tone number 3 or 4 is selected, tone number 1 will be | ||
in the Dual Play | ||
selected for that Tone button (p. 15). | ||
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The pitch of the key- | Is the Master Tuning setting correct? (p. 27) | |
board sounds incor- |
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Is the Key Transpose setting correct? (p. 27) | ||
rect | ||
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| Are the indicator for the [1] or [2] button extin- | |
Song doesn’t play | guished, when you press the [Track] button? (p. 14) | |
back/ Only the sound | If the button indicator is out, the music on that track | |
of a particular part in a | is not heard. | |
song does not play | Hold down the [Track] button and press the [1] or [2] | |
| button, illuminating its indicator. | |
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| It is not possible to sound the rhythm while an inter- | |
Rhythm doesn’t sound | nal song is playing back or recording. | |
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A performance that was recorded using metronome | ||
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| cannot be played back with the rhythm. | |
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| Is Panel Lock on? (p. 26) | |
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| A performance that was recorded using rhythm can- | |
Metronome does not | not be played back with the metronome. | |
sound |
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If Rhythm is selected, the metronome will not sound | ||
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| even if you press the button. Please | |
| (time signature) of the metronome (p. 19). | |
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| If you select an internal song in which the tempo | |
| changes during the song, and then record, the tempo | |
| will change in the same way for the performances. | |
Tempo of recorded | The tempo of the metronome will also change in the | |
same way. | ||
song or metronome is | ||
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If you record additional material without erasing the | ||
off | ||
previously recorded song, the song will be recorded | ||
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| at the | |
| ously recorded song before you | |
| (p. 25). | |
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The recorded perfor- | Any performance that has been recorded is deleted | |
mance has disap- | when the power to the | |
peared | mance cannot be restored once it’s been deleted. | |
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| Raising the volume too high may distort the sound. | |
Sound is distorted | Adjust the volume level with the [Volume] knob | |
| (p. 12). | |
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Case | Cause/Remedy | |
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| On an acoustic piano, notes in the upper one and a | |
| half octaves of the keyboard continue to sound until | |
In the upper range, the | they decay naturally, regardless of the damper pedal. | |
sound changes | There is a difference in the timbre as well. Roland pi- | |
abruptly beyond a cer- | anos faithfully simulate such characteristics of the | |
tain key | acoustic piano. On the | |
| fected by the damper pedal will change depending | |
| on the Key Transpose setting. | |
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| When listening through headphones: | |
| Some of the more flamboyant and effervescent pi- | |
| ano tones feature an ample | |
| which may make the sound appear to have metal- | |
| lic reverberation | |
| added. Since this reverberation becomes particu- | |
A | larly audible when supplemented by heavy re- | |
verb, you may be able to diminish the problem by | ||
is produced | ||
reducing the amount of reverb applied to the | ||
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| sound. | |
| When listening through speakers: | |
| Here, a different cause (such as resonance pro- | |
| duced by the | |
| your Roland dealer or nearest | |
| Roland Service Center. | |
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| If you can’t hear the problem in the headphones: | |
| When playing at high volumes, resonance may | |
| occur in the piano itself or in objects near the pi- | |
| ano. At times, other objects in the room, such as | |
| fluorescent lights or glass doors, could start vi- | |
| brating. Such phenomenon becomes more preva- | |
| lent when sounding the lower frequencies at high | |
| volume. To minimize such unwanted resonance, | |
Bass notes sound | please observe the following: | |
wrong/buzzing or vi- | - Locate the instrument so it is | |
bration occurs | from walls. | |
| - Reduce the volume. | |
| - Increase the distance from the object that is res- | |
| onating. | |
| - Place the keyboard lid farther away from the pi- | |
| ano. | |
| If you can hear the problem in the headphones: | |
| The problem may be for a different reason. Please | |
| contact your dealer. | |
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The pedals are not |
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functioning, or function | Are the pedals connected properly? (p. 10) | |
intermittently |
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When the F-100 is connected to an external device
| Is the power to all equipment turned on? | |
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| Are the connections between | |
No sound is produced | quencer or the other external devices correct? (p. 29, | |
p. 30) | ||
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| Is the MIDI channel setting correct? (p. 32) | |
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| Is the Omni On/Off setting correct? (p. 31) | |
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Strange sounds (or | With the sequencer’s “Thru” function on, the same | |
two sounds) are pro- | ||
notes may be sounded twice. Set the | ||
duced when the | ||
(p. 31). | ||
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The volume level of | Could you be using a connection cable that contains | |
the instrument con- | a resistor? | |
nected to the Input | Use a connection cable that does not contain a resis- | |
jack is too low. | tor. | |
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