Pop Filter
An integrated
Reduction of Proximity Effect
To counter proximity effect, the KSM42 uses two diaphragms, one active and one passive, to create an acoustic phase shift at the rear of the microphone. This produces a broad “sweet spot” of uniform low- frequency response, allowing the performer to move closer or further from the microphone with minimal changes in sound quality.
dB
dB
20
15
10
5
0
20 | 100 | 1k | 10k | 20k |
Hz
Vocalist at 2 feet
20
15
10
5
0
20 | 100 | 1k | 10k | 20k |
Hz
Vocalist at 6 inches
7