MG50FX & MG100FX / MG100HFX Overview | ||||||
Channel Selection | When channel settings have been stored the current | |||||
The amplifier has 4 channels - Clean, Crunch, OD1 & | channel light (3 or 5) will stop flashing indicating the | |||||
OD2. | preset has been saved. | |||||
Pressing the Clean/Crunch switch (3) selects between | Reverb & FX | |||||
the Clean (Green Light) and Crunch (Red Light) | The amplifier provides three simultaneous effects, | |||||
channels. | Reverb, Delay and one of three Modulation effects | |||||
Pressing the OD switch (5) selects between the OD1 | (Chorus, Phaser, or Flanger). | |||||
Reverb |
|
|
| |||
(Green Light) and OD2 (Red Light) channels. |
|
|
| |||
When moving from an OD channel to a Clean/Crunch | The Reverb control sets the amount of signal sent to | |||||
the reverb section - allowing the reverb to spill between | ||||||
channel, the unit remembers the last channel you were | channels as different presets are recalled. The Rev | |||||
in before leaving. E.g. If you have moved from the | switch (8) switches the reverb effect on and off, the | |||||
Crunch Channel to an OD channel and you press the | status of the reverb is also indicated on the | |||||
Clean/Crunch switch (3), the amplifier will revert back to | footcontroller. | |||||
the Crunch channel - rather than starting again in the | FX |
|
|
| ||
Clean channel. |
|
|
| |||
Modes | The FX section consists of two effects, Delay and | |||||
Modulation. The FX section can be globally turned on | ||||||
The amplifier operates in two modes - Preset and | and off via the FX switch (11). | |||||
Manual. | Delay |
|
|
| ||
To change between these two modes, you must hold |
|
|
| |||
The Delay control (14) sets the amount of signal sent to | ||||||
the Damping switch (17) down for at least two seconds. | the delay section. When the Delay control (14) is set to | |||||
When in manual mode the Store switch (19) lights red | ‘0’ the delay is switched off. | |||||
and the selected channel light (3 or 5) will start to flash. | Modulation | |||||
The amplifier will remember the last mode it was in after | ||||||
The Mod control (12) is split into three segments and | ||||||
power off and revert to it the next time it is powered on. | selects the type of modulation effects and adjusts its | |||||
Preset | associated settings. When the Mod control (12) is set to | |||||
‘0’ the modulation effects are switched off. | ||||||
This is the factory default operation of the amplifier. |
| 0 |
| Modulation Off |
| |
In Preset mode the position of all controls except |
|
|
| |||
|
|
| ||||
| Chorus |
| Speed increases and depth is reduced as |
| ||
Master Volume (16) are stored within each channel. |
|
|
| knob is turned clockwise. |
| |
Each channel should be considered a preset. |
| Phaser |
| Speed increases as knob is turned |
| |
Selecting a channel automatically recalls the settings |
|
|
| clockwise. |
| |
stored within the channel. Note: The physical position of |
| Flanger |
| Speed increases, feedback and depth are |
| |
the front panel controls, except Master Volume (16) |
|
|
| reduced as knob is turned clockwise. |
| |
which is not storable, will now not match the actual | Tap Tempo | |||||
settings of the unit. All front panel switches will | ||||||
automatically update. | The Tap Tempo switch (13) is used for the Delay effect | |||||
Altering a control will cause the associated parameter to | only. |
|
|
| ||
The Tap Tempo switch matches the delay time to the | ||||||
jump to the current physical position of that control. | ||||||
When a control is altered the selected channel light (3 | time between two presses. | |||||
The Tap Tempo LED flashes red at the | ||||||
or 5) will start to flash indicating that the current preset | ||||||
has been altered. | selected/recalled delay time. |
Headphones & Line Out
The 3.5mm Headphones socket (18) allows the connection of a pair of headphones. When a jack is inserted into the headphones socket the unit’s speaker is muted.
Additionally the Headphones socket (18) can also be used as a Line Out to send the signal to an external equipment e.g. A computer, digital recorder or mixer. When a jack is inserted into the socket the unit’s speaker is muted providing ‘silent recording’. The unit’s output can then be monitored directly from the external equipment used.
Damping
The Damping switch (17) selects between the two modes of power amp damping. When Damping is off (LED off), the power amp response resembles the feel of a classic power amp with emphasized middle and limited bass and treble. Switching Damping on (LED on) will boost the speaker resonances both in the bass and high frequency ranges.
FX Loop
The FX Return socket (25) on the rear panel is used to connect the OUTPUT of the effects processor or pedal you are using in the effects loop.
The FX loop is series and set at instrument level so both guitar FX or professional units can be connected. The FX Send socket (26) on the rear panel is used to connect to the INPUT of the unit you are using in the effects loop.
The FX loop is switched on and off via the Ext FX switch (15) on the front panel.
Loudspeaker
ALWAYS USE A
MG50FX
The single Loudspeaker socket (22) is used to connect either the internal speaker or an external speaker cabinet to the unit’s power amp. When using external cabinets ensure the total load impedance is equal to, or exceeds, 8 ohms.
MG100FX 1x12" & 2x12" Combos
The single Loudspeaker socket (22) is used to connect either the internal speaker or an external speaker cabinet to the unit’s power amp. When using external cabinets ensure the total load impedance is equal to, or exceeds, 4 ohms.
MG100HFX Head
The two Loudspeaker sockets are used to connect to 1 or 2 external cabinets. When using external cabinets ensure the total load impedance is equal to, or exceeds, 4 ohms.
Power
The Power switch (20) turns the amplifier on and off. If current settings have not been stored they will be lost.
Restoring Settings - WARNING: ALL AMP &
FOOTSWITCH SETTINGS WILL BE LOST
To restore the unit to factory settings (see handbook rear cover) you must hold the Store switch (19) while powering on the amplifier. The Clean/Crunch (3) and OD (5) lights will light orange. You can then release the Store switch (19).
Resetting the amplifier will erase all user Channel presets and all user Footcontroller settings, replacing them with the factory presets.
ENGLISH
To store the updated settings, push the Store switch | The number of repeats is reduced as the delay time | |
(19). | decreases. | |
If you select another channel without pressing Store | If you change from a channel with delay to one without | |
(19) then any altered settings will be lost as the new | delay the effect will spill between channels. | |
channel and its settings are recalled. | If you change from a channel with delay to a channel | |
Manual | ||
with delay set to a different delay time the delay effect | ||
In manual mode the amps settings always match the | will not spill between channels. | |
physical positions of the controls. | MP3 / Line In | |
Changing channel only changes the channel, NO | ||
The 3.5mm MP3 / Line In socket (24) on the rear panel | ||
presets are recalled, NO other controls are altered. | allows the connection of an external audio source e.g. | |
| MP3 or CD player. |
Pressing Store (19) will store the current settings into the selected channel. These can then be recalled when using the unit in Preset mode.
* EUROPE ONLY |
|
| - Note: This equipment has been tested and found to comply with the requirements of the EMC Directive |
| |||
(Environments E1, E2 and E3 EN | |||
* EUROPE ONLY - Note: | The Peak Inrush current for the MG50FX is 9.6 amps. | ||
|
|
| The Peak Inrush current for the MG100HFX, MG101FX and MG102FX is 21 amps. |
Note: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to part 15 of the FCC rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:
* Reorient or relocate the receiving antenna.
* Increase the separation between the equipment and the receiver.
* Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. * Consult the dealer or an experienced radio/TV technician for help.
Follow all instructions and heed all warnings
KEEP THESE INSTRUCTIONS !
6 | 7 |