Sound Performance Lab 9631 manual Introduction

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Introduction

Re-synthesizing second and third harmonics separately

Improving clarity, intelligibi- lity and depth without introducing harshness

Warm and smooth sounding harmonic re-synthesis

Easy and intuitive operation

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SPL digital audio processors are designed in cooperation with Spectral Design of Bremen, Germany, who are responsible for the DSP programming.

Concept: The SPECTRALIZER is the first digital harmonics processor employing a new process which allows you to re-synthesize second and third harmonics separately, and with full control over their amplitude.

The SPECTRALIZER benefits from SPL's expertise in psycho-acou- stic principles and is the ideal tool to improve the clarity, trans- parency and intelligibility of any signal in the digital domain.

A single instrument or vocal gains better penetration within a mix, while complete mixes benefit from improved subjective loudness without a measurable change in levels.

While developing the DSP-program, a strong emphasis was placed on achieving warm and smooth sounding harmonic re- synthesis. The digital domain tends to be susceptible to “sharp- ness” at the HF end of the spectrum, which made the design of the SPECTRALIZER all the more demanding. The result is a tool able to increase brightness and detail without adding harshness or sounding fatiguing.

In comparison to ostensibly similar analogue systems, the SPECTRALIZER does not produce any phase deterioration, nor introduce unmusical intermodulation products.

Operation: The SPECTRALIZER is fitted with six encoder controls, and the actual parameters values are shown in the LCD window. INPUT GAIN sets the overall input level with gain adjust- ment available from -20dB to +6dB, while the starting frequency for the re-synthesis of the harmonics is set using the FREQUENCY control. This functions as a high-pass filter adjustable over the range 1kHz to 7kHz in 500Hz steps; signals with a frequency lower than that selected using the FREQUENCY control remain unaffected. The DENSITY control offers a choice of six settings to determine the amplitude envelope of the added harmonics and works rather like a digital compressor to increase the density of the re-synthesized harmonics – which makes them more prominent. The 2ND and 3RD HARMONIC controls set the relative levels of the re-synthesized harmonics while the MIX control defines the balance between the new harmonics and the original signal.

The SPECTRALIZER has three switch functions: SOLO mutes the original input signal so that the added harmonics can be heard in isolation while KICK adds a greater proportion of harmonics to transients (attack parts of the signal).

The ACTIVE button switches the SPECTRALIZER in and out of operation; when connected via AES/EBU, a relay-operated hard bypass switches the digital input directly to the output. Signal flow remains uninterrupted, even if the mains power is switched off.

The software bypass function compensates for the inevitable (but very short!), digital domain processing delay so as to avoid

Spectralizer

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Contents Spectralizer Model By Hermann Gier and Paul White Version 2.2 1/1999Contents Foreword Thanks Specifications Warranty Dear customerNFO Hardware dialogue We wish you every success with the SpectralizerIntroduction Operation Safety SpectralizerInstalling Updates ConnectionsFlow Chart Quick-StartSet all controls to the starting positions Depress ACTIVE. The status-LED illuminatesControl Elements ActiveInput Gain Illuminated LED indicates that the processing is activatedDiagram Frequency Mix 2nd Harmonic3rd Harmonic Density LC-display Solo Kick Preset Info Software version and date Selecting inputsDisplaying the Audio-Error flag No = no error detected YES = error detectedDisplaying the CRC-Error flag Displaying the detected sample frequencyDisplaying the Channel Difference Error flag Setting or erasing the Copy-Prohibit flagDisplaying the Original flag Displaying the Emphasis flagMidi Implementations Last 3dB before 0dBSpecifications Input/OutputWarranty