Yamaha mixing consoles manual General specifications

Page 10

General specifications

Total Harmonic Distortion

Less than 0.1% (THD + N)

(Master output)

20 Hz–20 kHz @ +14 dB 600 Ω

 

 

 

Frequency Response

0 + 1, –3 dB

(Master Output)

20 Hz–20 kHz @ +4 dB 600 Ω

 

 

(Input Gain control at Minimum)

 

 

Hum & Noise *1

Rs = 150 Ω (20 Hz–20 kHz)

 

 

Input sensitivity=-60 dB

 

128 dB

 

 

Equivalent Input Noise.

 

99 dB

Residual Output Noise. (STEREO OUT,

 

 

MONO/C OUT, GROUP/AUX OUT, AUX OUT,

 

64 dB (68 dB S/N)

AUX/GROUP OUT)

 

STEREO OUT Master Level control and one

 

80 dB (84 dB S/N)

Ch fader at nominal level.

 

STEREO OUT, MONO/C OUT Master fader at

 

 

nominal level and all Ch assign SW’s off and all

 

81 dB (85 dB S/N)

GROUP to ST SW’s off.

 

GROUP 1/AUX 7~GROUP 8/AUX 14 OUT

 

 

Master Level control at nominal level and all Ch

 

 

assign SW’s off.

 

75 dB (79 dB S/N)

GROUP/AUX FLIP SW off.

 

AUX 1~6, AUX 7/GROUP 1~AUX 14/GROUP

 

 

8 OUT Master Level control at nominal level

 

 

and all Ch send controls at minimum.

 

90 dB (94 dB S/N)

GROUP/AUX FLIP SW off.

 

MATRIX OUT Master level control at nominal

 

 

level and all Matrix Mix controls at minimum

 

 

level.

 

 

 

 

Crosstalk

 

 

 

70 dB

@ 1 kHz

adjacent inputs.

 

70 dB

@ 1 kHz

input to output. (CH INPUT)

 

50 dB

@ 1 kHz

input to output. (ST CH INPUT)

 

 

 

Maximum Voltage Gain

 

 

 

*GROUP/AUX FLIP SW = off

 

 

60 dB

CH INPUT to CH INSERT OUT

 

84 dB

CH INPUT to GROUP 1/AUX 7~GROUP 8/

 

 

AUX 14 OUT

 

80 dB

CH INPUT to AUX 1, 2 OUT (Pre Fader)

 

90 dB

CH INPUT to AUX 3~6, AUX 7/GROUP 1~

 

 

AUX 14/GROUP 8 OUT (Post Fader)

 

84 dB

CH INPUT to STEREO OUT (CH to ST)

 

70 dB

CH INPUT to MONITOR OUT (PFL)

 

 

 

CH INPUT PAD SW

26 dB

 

 

 

 

CH INPUT GAIN control

44 dB

variable

 

 

ST CH 1A, 2–4 INPUT GAIN control

 

 

 

40 dB

variable

 

 

 

ST CH 1B INPUT GAIN control

30 dB

variable

 

 

CH INPUT High Pass Filter

18 dB/octave roll-off below 80 Hz at 3 dB

 

 

point.

 

 

 

 

CH INPUT Equalization

 

 

 

+15, 15 dB maximum

 

 

 

HIGH

10 kHz (shelving)

 

HIGH-MID

400–8 kHz (peaking)

 

LOW-MID

80–1.6 kHz (peaking)

 

LOW

100 Hz (shelving)

 

 

 

ST CH INPUT Equalization

 

 

 

+15, 15 dB maximum

 

 

 

HIGH

10 kHz (shelving)

 

LOW

100 Hz (shelving)

 

 

 

 

Phantom Power

+48VDC is applied to balanced inputs (via 6.8 kΩ current-limiting/isolation resistors) for powering condenser microphones ; may be turned ON or OFF via rear-panel phantom Master switch.

When Master is ON, individual channels may be turned ON or OFF via +48V switches (with red LED) on each input channel.

CH LED Indicators

 

PEAK

LED (red) built into each CH INPUT turns on

 

when pre-fader level reaches +17 dB.

NOM

LED (yellow) built into each CH INPUT turns

 

on when pre-fader level reaches 0 dB.

SIGNAL

LED (green) built into each CH INPUT turns on

 

when pre-fader level reaches 13 dB.

 

 

ST CH LED Indicators

 

PEAK

LED (red) built into each ST CH INPUT turns

 

on when pre-fader [L+R] level reaches +17 dB.

NOM

LED (yellow) built into each ST CH INPUT turns

 

on when pre-fader [L+R] level reaches 0 dB.

SIGNAL

LED (green) built into each ST CH INPUT turns

 

on when pre-fader [L+R] level reaches 13 dB.

Oscillator/Noise

Switchable sine wave @ 100 Hz, 1 kHz or 10 kHz, or pink noise.

Scene Memory

Direct Scene Memory recall switches (1–8)

Switchable Scene Memory recall (1–128)

VU Meters

11 illuminated meters

(0VU= +4 dB output @ 600 Ω load)

#1 ; GROUP 1/AUX 7, AUX 1, AUX 7/GROUP 1, MATRIX 1 #2 ; GROUP 2/AUX 8, AUX 2, AUX 8/GROUP 2, MATRIX 2 #3 ; GROUP 3/AUX 9, AUX 3, AUX 9/GROUP 3, MATRIX 3 #4 ; GROUP 4/AUX 10, AUX 4, AUX 10/GROUP 4, MATRIX 4 #5 ; GROUP 5/AUX 11, AUX 5, AUX 11/GROUP 5, MATRIX 5 #6 ; GROUP 6/AUX 12, AUX 6, AUX 12/GROUP 6, MATRIX 6 #7 ; GROUP 7/AUX 13, NONE, AUX 13/GROUP 7, MATRIX 7 #8 ; GROUP 8/AUX 14, NONE, AUX 14/GROUP 8, MATRIX 8 #9 ; STEREO L, PFL/AFL L

#10; MONO/C

#11; STEREO R, PFL/AFL R

VU Meter Peak Indicators

LED (red) built into each VU meter turns on when output signal is above the level 3 dB lower than clipping level.

Dimension

 

Height

265 mm (10-6/7”)

Depth

875 mm (34-3/8”) Except rear connectors

Width

56C: 2385 mm (93-7/8")

 

48C: 2142 mm (84-5/16")

 

40C: 1899 mm (74-3/4")

 

32: 1642 mm (64-5/8")

 

24: 1400 mm (55-1/8")

 

 

Weight

56C: 102 kg (224.9 Ibs.)

 

48C: 93 kg (205 Ibs.)

 

40C: 84 kg (185.2 Ibs.)

 

32: 71 kg (156.5 Ibs.)

 

24: 62 kg (136.7 Ibs.)

Accessory

Connecting cable (3 m) 1

0 dB is referenced to 0.775 Vrms.

*1 Hum & Noise are measured with a 6 dB/octave filter @ 12.7 kHz; equivalent to a 20 kHz filter with infinite dB/octave attenuation.

All specifications subject to change without notice.

For details please contact:

YAMAHA Web Site

http://www.yamaha.co.jp/english

http://www.yamaha.co.jp/product/proaudio/homeenglish/

This document is printed on chlorine free (ECF) paper.

LPA436

991223 Printed in Japan

Image 10
Contents CONSOLES-24/-32/-40C/-48C/-56C Page Group/Aux Flip Function Input Channels Master Controls PW3000MA Power Supply Page Block Diagram M2500 Dimensions General specifications

mixing consoles specifications

Yamaha has long held a prominent place in the audio industry, particularly known for its innovative mixing consoles. These mixing boards are integral to live sound, studio recording, and broadcasting, thanks to their robust build, user-friendly interfaces, and advanced features. One of the standout elements of Yamaha mixing consoles is the exceptional sound quality they provide through superior analog and digital circuitry.

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