Yamaha mixing consoles manual Block Diagram

Page 8

PHANTOM +48V

MASTER

INPUT

PAD

1-24

1-32

 

1-40

 

1-48

 

1-56

 

PEAK

INSERT I/ONOM 0dB

SIGNAL

HPF

Ø

4 stage EQ

80

EQ

PAN

 

GROUP

 

 

 

 

 

AUX

 

 

 

 

 

1

3

5

7

1

3

5

6

7

9

11

13

2

4

6

8

2

 

4

8

 

10

12

14

INSERT I/O

 

 

 

 

0dB

to METER

STEREO

 

 

G1/A7

 

 

 

 

GRP/AUX OUT

 

 

 

+4dB

 

 

 

G1/A7

L RMONO/C

 

 

 

 

PINK

MATRIX

UTILITY

 

 

CPU

1

1

IN

BLOCK DIAGRAM

(0dB)

f

g

f

g

ST L

PAN

ST

(–26dB)

26dB GAIN

LO

ON/EDIT

LO-MID

HI-MID

ST

HI

 

 

MONO

 

CHECK

 

 

ON

 

 

Control

 

 

from CPU

 

 

PRE

 

 

AUX 7-10

 

 

Same as AUX 3-6

to ST R

MONO

LCR

AUX1

AUX2

AUX3

AUX4

AUX5

AUX6

 

 

 

10kHz

A7-14/G1-8

RECALL

 

MONO

 

1kHz

AUX1-6

STORE

CHECK

 

LCR

 

 

to MATRIX

 

 

CHECK

ON

MATRIX

 

 

 

100Hz

G1-8/A7-14

 

 

 

 

Control

 

MMPMMMAM *

ON

 

q

ON/EDIT

to

 

from CPU

AFL

MMAO *

OSCILATOR

METER

u

*

 

SELECT

 

 

to METER

 

 

 

 

 

 

AUX/GRP OUT

 

 

 

 

 

+4dB

 

 

 

LEVEL

ON

A7/G1

 

 

 

 

to

MMPMMMAM *

 

 

 

 

 

MMAO *

 

 

 

 

AFL

*

 

 

 

2

2

 

 

 

OUT

 

 

 

 

 

 

 

OSC

 

 

THRU

Mute

 

 

Control

9

 

 

MIDI

7

 

to Control

0

 

to TB

 

 

ENTER

8

 

 

 

DIRECT

 

 

 

RECALL

 

 

*: MONITOR bus abbreviations

Abbrev.

MONITOR bus

MATRIX 1

A7/G1

AUX 1

G1/A7

MATRIX 2

A8/G2

AUX 2

G2/A8

MATRIX 3 A9/G3 AUX 3 G3/A9

MATRIX 4 A10/G4 AUX 4 G4/A10

+30dB

+20dB

+10dB

0dB

L

INPUT A

R

ST CH 1

L

INPUT B

R

L/MONO

ST CH 2-4

INPUT

R

Pad:On, Gain:Min

A

B

GAIN BGAIN A

ON/EDIT

GAIN

ST CH

Gain:Min

 

 

 

AUX 11-14

 

 

 

Same as AUX 3-6

 

 

 

PFL

 

 

 

PEAK

 

 

 

NOM

 

 

 

SIGNAL

2 stage EQ

 

 

 

LO

HI

EQ

BAL

2 stage EQ

 

 

 

 

 

 

ST

 

 

 

MONO

CHECK

ON

Control

from CPU

PRE

AUX 7-10

Same as AUX 3-6

AUX 11-14

Same as AUX 3-6

PFL

2 stage EQ

 

 

 

LO

HI

EQ

ST CH 2-4

Same as ST CH 1

2 stage EQ

 

 

 

 

 

 

from CPU

 

 

MIC

 

 

 

 

ON TB/OSC

 

 

Clipping Level

 

 

 

INSERT I/O

 

MIM * to MIO *

GROUP

1 3 5 7

2 4 6 8

ST L to ST R

MONO

AUX1

AUX2

AUX3

AUX4

AUX5

AUX6

MIL * to MIR * MIO *

GROUP 2-8

GRP/AUX G2/A8-G8/A14

 

 

and

 

 

 

AUX/GRP A8/G2-A14/G8

 

 

from

Same as

 

 

AUX 8-14

G1/A7

 

 

and

 

 

 

G7/A1

 

 

GROUP

 

 

 

AUX

 

 

L

GROUP/AUX FLIP

 

 

 

from INPUT

R

 

 

MONO

INSERT I/O

 

 

 

0dB

to METER

 

 

AUX 1

 

 

 

 

AUX OUT

 

 

 

+4dB

 

 

ON

1

 

 

to

MMPMMMAM *

 

 

 

MMAO *

 

 

AFL

*

 

from AUX 2-6

AUX 2-6

 

 

Same as AUX 1

 

 

 

 

 

 

ST L

SUB IN

ST R

+4dB

 

 

MONO/C

GRP/AUX OUT

SUB IN ST

AUX/GRP OUT

AUX OUT

MONO

INSERT I/O 0dB

ST L

CHECK

ON

Control

ON/EDIT

from CPU

INSERT I/O 0dB

ST R

INSERT I/O 0dB

MONO/C

CHECK

ON

Control

ON/EDIT

from CPU

 

MATRIX

 

 

G1/A7 G2/A8 G3/A9 G4/A10 G5/A11 G6/A12 G7/A13 G8/A14

STEREO

SUBIN

 

L RMONO/C

L R

 

G1/A7

 

G1/A7

 

G2/A8

 

 

 

 

 

 

 

G2/A8

 

from

 

 

 

G7/A13

 

G7/A13

 

G8/A14

 

 

 

 

 

 

 

G8/A14

 

to MONITOR

 

 

 

 

 

ST L

 

ST OUT

 

 

 

+4dB

 

 

 

L

 

ST R

 

to MMPLMMAL *

 

MONO/C

 

 

 

 

MMAO **

 

SUB IN L

 

AFL

 

SUB IN R

 

MATRIX

 

 

 

to MONITOR

 

 

 

ST OUT

 

 

 

+4dB

 

 

ON

R

 

 

 

to MMPRMMAR **

 

 

to MONITOR

+4dB

MONO/C

MATRIX

MMAM * to MMPM * MMAO *

AFL

L

SUB IN +4dB

MATRIX

R

ST OUT

SUB IN MATRIX

 

 

 

 

MIM

MONITOR INPUT MONO

 

 

 

 

MIL

MONITOR INPUT ST L

 

 

 

 

MIR

MONITOR INPUT ST R

 

 

 

 

MIO

MONITOR INPUT ON

 

 

 

 

MMPM

MONITOR MASTER PFL MONO

 

 

 

 

MMPL

MONITOR MASTER PFL ST L

 

 

 

 

MMPR

MONITOR MASTER PFL ST R

 

 

 

 

MMAM

MONITOR MASTER AFL MONO

 

 

 

 

MMAL

MONITOR MASTER AFL ST L

 

 

 

 

MMAR

MONITOR MASTER AFL ST R

 

 

 

 

MMAO

MONITOR MASTER AFL ON

 

to METER

 

 

 

 

 

 

 

MATRIX OUT

 

 

 

 

+4dB

 

 

LEVEL

ON

 

1-8

 

 

 

 

 

 

 

 

 

MONITOR

 

 

 

INPUT

MASTER

 

 

(PFL)

PFL

AFL

 

 

MONO

ST

ST

ST

 

 

L RON

MONOL RMONOL RON

 

 

AFL

 

 

 

 

 

MONO IN

 

 

 

 

 

ST IN L

 

 

 

ST L

 

ST IN R

 

 

 

 

 

 

 

from ST R

 

MONO IN, ST IN

 

 

 

 

GRP/AUX, AUX/GRP

 

 

 

MONO/C

 

AUX, ST MONO

 

 

 

 

from

GRP/AUX, AUX/GRP

 

 

 

 

 

AUX, ST MONO

 

 

 

 

 

ST L

 

 

 

 

 

ST L

 

 

 

 

 

ST R

 

 

 

 

 

ST R

 

 

 

 

 

GRP/AUX, AUX/GRP

 

 

 

 

 

AUX, ST MONO

 

 

 

 

 

ST L, ST R

 

 

 

 

MASTER

PFL

INPUT MASTER

MATRIX OUT

MATRIX 5

A11/G5

AUX 5

G5/A11

MATRIX 6

A12/G6

AUX 6

G6/A12

MATRIX 7

A13/G7

G7/A13

MATRIX 8

A14/G8

G8/A14

L

MONITOR

L+R LEVELOUT +4dB

R

MONO/C

ON

PHONES

+20dB

+10dB

MONITOR OUT

0dB

Phones

–10dB

Pad:Off, Gain:Min

–20dB

Pad:On, Gain:Max

–30dB

–40dB

ST CH 1B

Gain:Max

ST CH 1A, 2-4 Gain:Max

–10dB

–20dB

–30dB

–40dB

–50dB

MIC

–50dB

–60dB

Pad:Off, Gain:Max

–60dB

Image 8
Contents CONSOLES-24/-32/-40C/-48C/-56C Page Group/Aux Flip Function Input Channels Master Controls PW3000MA Power Supply Page Block Diagram M2500 Dimensions General specifications

mixing consoles specifications

Yamaha has long held a prominent place in the audio industry, particularly known for its innovative mixing consoles. These mixing boards are integral to live sound, studio recording, and broadcasting, thanks to their robust build, user-friendly interfaces, and advanced features. One of the standout elements of Yamaha mixing consoles is the exceptional sound quality they provide through superior analog and digital circuitry.

Yamaha's digital mixing consoles, such as the CL Series and QL Series, boast cutting-edge technology that enhances audio manipulation and processing. Advanced digital signal processing (DSP) allows for multiple channels to be handled with ease, providing flexibility and creative options for audio engineers. With numerous onboard effects, EQ settings, and dynamics processing options, users can fine-tune their mixes to perfection.

User interface is another hallmark of Yamaha's mixing consoles. Many models include a touchscreen interface that simplifies navigation through complex settings and functions. The intuitive layout ensures that users can quickly access features such as scene memory, channel strip settings, and routing without unnecessary complexity. Additionally, Yamaha’s Application programming interface (API) facilitates seamless integration with various audio software, enhancing the overall workflow in both live and studio environments.

Network capabilities are also a critical feature within Yamaha mixing consoles. Models like the TF Series leverage the Yamaha's proprietary Dante network protocol, enabling easy multi-device communication over standard Ethernet. This technology allows for the simple daisy-chaining of devices, expanding sound systems without the need for complex wiring.

Furthermore, Yamaha mixing consoles are renowned for their reliability. Built to withstand the rigors of live performance and demanding studio environments, they feature durable chassis and components that can handle frequent use. Additionally, many models come with redundant power supply options, ensuring continued operation even during power interruptions.

Yamaha also places a strong emphasis on scalability. Whether users are in small venues or large concert halls, their mixing consoles can adapt accordingly. With the ability to expand input/output capacities and integrate with various supporting tools, Yamaha consoles can grow with the evolving needs of audio professionals.

In summary, Yamaha mixing consoles combine advanced technology, exceptional sound quality, and user-friendly interfaces to meet the demands of audio professionals worldwide. Their innovative features and reliable performance make them a top choice for those seeking to create high-quality sound in any setting.