Yamaha mixing consoles manual M2500 Dimensions

Page 9

Input specifications

Connection

 

PAD

 

Gain

Actual Load

For Use With

 

Input Level *1

 

Connector In Mixer

 

 

Trim

Impedance

Nominal

Sensitivity *9

Nominal

Max before Clip

 

 

 

 

 

 

 

0

 

−60

 

 

−80 dB (0.078 mV)

−60 dB (0.775 mV)

−40 dB (7.75 mV)

 

CH INPUT

 

26

 

3 kΩ

50–600 Ω Mics

−54 dB (1.55 mV)

−34 dB (15.5 mV)

−14 dB (155 mV)

 

 

 

 

 

(1~n)*8

 

 

 

 

&

 

 

 

 

 

 

0

 

−16

 

600 Ω Lines

−36 dB (12.3 mV)

−16 dB (123 mV)

+4 dB (1.23 V)

XLR-3-31 type *2

 

 

26

 

 

 

−10 dB (245 mV)

+10 dB (2.45 V)

+30 dB (24.5 V)

 

 

 

 

 

 

 

ST CH 1A INPUT

 

 

−30

5 kΩ

600 Ω Lines

−50 dB (2.45 mV)

−30 dB (24.5 mV)

−10 dB (245 mV)

 

[L, R]

 

 

+10

−10 dB (245 mV)

+10 dB (2.45 V)

+30 dB (24.5 V)

 

 

 

 

 

 

ST CH 1B INPUT

 

 

−20

10 kΩ

600 Ω Lines

−40 dB (7.75 mV)

−20 dB (77.5 mV)

0 dB (0.775 V)

RCA Pin Jack *3

[L, R]

 

 

+10

−10 dB (245 mV)

+10 dB (2.45 V)

+30 dB (24.5 V)

 

 

 

 

 

ST CH INPUT

 

 

−30

5 kΩ

600 Ω Lines

−50 dB (2.45 mV)

−30 dB (24.5 mV)

−10 dB (245 mV)

Phono Jack (TRS)*4

[L, R] (2~4)

 

 

+10

−10 dB (245 mV)

+10 dB (2.45 V)

+30 dB (24.5 V)

 

 

 

 

 

TALKBACK IN

 

 

 

10 kΩ

50–600 Ω Mics

−66 dB (0.388 mV)

−50 dB (2.45 mV)

−20 dB (77.5 mV)

XLR-3-31 type *5

MATRIX SUB IN [L, R]

 

10 kΩ

600 Ω Lines

−2 dB (0.616 V)

+4 dB (1.23 V)

+24 dB (12.3 V)

Phono Jack (TRS)*6

STREO [L, R], MONO/C SUB IN

−6 dB (388 mV)

 

 

 

 

 

CH INSERT IN (1~n) *8

 

 

 

−26 dB (38.8 mV)

 

 

 

STEREO [L, R], MONO/C

 

 

 

 

 

 

 

INSERT IN

 

 

 

10 kΩ

600 Ω Lines

−10 dB (245 mV)

0 dB (0.775 V)

+20 dB (7.75 V)

Phono Jack (TRS)*7

GRP/AUX INSERT IN (1/7~8/14)

 

 

 

 

 

 

 

 

 

 

 

AUX INSERT IN (1~6)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

*1 In these specifications, when dB represents a specific voltage, 0dB is referenced to 0.775Vrms. *2 XLR connectors are balanced.

*3 RCA Pin Jacks are unbalanced.

*4 INPUT Phone Jacks (TRS) are balanced (T= HOT, R= COLD, S= GND). *5 XLR connector is unbalanced.

*6 SUB IN Phone Jacks (TRS) are unbalanced (T= SIGNAL, R= GND, S= GND).

*7 INSERT Phone Jacks (TRS) are unbalanced (T= OUTPUT, R= INPUT, S= GND). *8 n= 56, 48, 40, 32, or 24.

*9 Sensitivity is the lowest level that will produce an output of +4dB (1.23V), or the nominal output level when the unit is set to maximum level.

Output specifications

Connection

Actual Source

For Use With Nominal

 

Output Level *1

Connector In Mixer

Impedance

Nominal

 

Max before Clip

 

 

 

 

 

 

 

 

 

STEREO OUT [L, R]

 

 

 

 

 

 

MONO/C OUT

 

 

 

 

 

 

GRP/AUX OUT (1/7~8/14)

150 Ω

600 Ω Lines

+4 dB (1.23 V)

 

+24 dB (12.3 V)

XLR-3-32 type *2

AUX/GRP OUT (7/1~14/8)

 

AUX OUT (1~6)

 

 

 

 

 

 

MONITOR OUT [L, R, MONO/C]

 

 

 

 

 

 

MATRX OUT (1~8)

 

 

 

 

 

 

CH INSERT OUT (1~n)*5

 

 

 

 

 

 

STEREO INSERT OUT [L, R]

600 Ω

10 kΩ Lines

0 dB (0.775 V)

 

+20 dB (7.75 V)

Phone Jack (TRS) *3

MONO/C INSERT OUT

 

GRP/AUX INSERT OUT (1/7~8/14)

 

 

 

 

 

 

AUX INSERT OUT (1~6)

 

 

 

 

 

 

PHONES OUT [L, R]

100 Ω

8 Ω Phones

10 mW

 

20 mW

Stereo Phone Jack *4

40 Ω Phones

30 mW

 

75 mW

 

 

 

 

 

 

 

 

 

 

 

*1 In these specifications, when dB represents a specific voltage, 0dB is referenced to 0.775 Vrms. *2 All XLR connectors are balanced.

*3 INSERT Phone Jacks (TRS) are unbalanced (T= OUTPUT, R= INPUT, S= GND).

*4 Stereo Phone Jack is unbalanced. *5 n= 56, 48, 40, 32, or 24.

M2500 Dimensions

M2500-24: 1400 (55-1/8")

M2500-32: 1642 (64-5/8")

M2500-40C: 1899

(74-3/4")

M2500-48C: 2142

(84-5/16")

M2500-56C: 2385

(93-7/8")

265 (10-7/16")

 

 

 

242 (9-1/2")

23 (7/8")

 

 

270 (10-5/8")

137

(5-3/8")

 

-7/16")

 

 

(10-5/8")

875 (34

 

 

270

 

 

Unit : mm(inch)

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Contents CONSOLES-24/-32/-40C/-48C/-56C Page Group/Aux Flip Function Input Channels Master Controls PW3000MA Power Supply Page Block Diagram M2500 Dimensions General specifications

mixing consoles specifications

Yamaha has long held a prominent place in the audio industry, particularly known for its innovative mixing consoles. These mixing boards are integral to live sound, studio recording, and broadcasting, thanks to their robust build, user-friendly interfaces, and advanced features. One of the standout elements of Yamaha mixing consoles is the exceptional sound quality they provide through superior analog and digital circuitry.

Yamaha's digital mixing consoles, such as the CL Series and QL Series, boast cutting-edge technology that enhances audio manipulation and processing. Advanced digital signal processing (DSP) allows for multiple channels to be handled with ease, providing flexibility and creative options for audio engineers. With numerous onboard effects, EQ settings, and dynamics processing options, users can fine-tune their mixes to perfection.

User interface is another hallmark of Yamaha's mixing consoles. Many models include a touchscreen interface that simplifies navigation through complex settings and functions. The intuitive layout ensures that users can quickly access features such as scene memory, channel strip settings, and routing without unnecessary complexity. Additionally, Yamaha’s Application programming interface (API) facilitates seamless integration with various audio software, enhancing the overall workflow in both live and studio environments.

Network capabilities are also a critical feature within Yamaha mixing consoles. Models like the TF Series leverage the Yamaha's proprietary Dante network protocol, enabling easy multi-device communication over standard Ethernet. This technology allows for the simple daisy-chaining of devices, expanding sound systems without the need for complex wiring.

Furthermore, Yamaha mixing consoles are renowned for their reliability. Built to withstand the rigors of live performance and demanding studio environments, they feature durable chassis and components that can handle frequent use. Additionally, many models come with redundant power supply options, ensuring continued operation even during power interruptions.

Yamaha also places a strong emphasis on scalability. Whether users are in small venues or large concert halls, their mixing consoles can adapt accordingly. With the ability to expand input/output capacities and integrate with various supporting tools, Yamaha consoles can grow with the evolving needs of audio professionals.

In summary, Yamaha mixing consoles combine advanced technology, exceptional sound quality, and user-friendly interfaces to meet the demands of audio professionals worldwide. Their innovative features and reliable performance make them a top choice for those seeking to create high-quality sound in any setting.
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