Stereo Input Channel 2
Bus Assignment Features
The bus assignment section offers considerable flexibility for creating what eventually becomes the main output mix.Two stereo subgroups are available for creating submixes or separate stereo mixes. When the channel is being used as a stereo input, Left/Right, Groups 1/2, Groups 3/4 and bus assignments are configured as true stereo pairs. Bus assignments are derived
BAL Control
The balance control adjusts the stereo balance into the Left/Right and
MUTE
The input channel is muted and the MUTE LED is illuminated. options for exceptions) and bus assignments are also muted. remain active.
All AUX feeds (See Aux Insert send and SOLO signals
Mono Bus Assign
The channel is assigned to the MONO mix bus.The Left and Right signals are summed to make up the MONO signal.The BAL control has no affect on the MONO assign.
The channel is assigned to the Left and Right mix buses.
G
The channel is assigned to Groups 1 and 2. Groups 1 and 2 are normally used as a stereo pair. They can also be treated as two discrete mono groups by using the BAL control as GROUP 1/2 mix control.
G
The channel is assigned to Groups 3 and 4. Groups 3 and 4 are normally used as a stereo pair. They can also be treated as two discrete mono groups by using the BAL control as GROUP 3/4 mix control.
Input Fader
The fader is the primary level control for signals being sent to any of the console's mix buses. The signals affected are the AUX sends selected to be
PK / SIG LED Indicator
This
PFL
The PFL (Pre Fader Listen) button routes the channel’s signal to the PFL bus for monitoring through headphones or in the control room. The Peak (red) LED is illuminated to show PFL status. Since the SOLO bus is stereo, the channel’s stereo image is preserved within the Solo system.
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