Behringer MDX2200 user manual Compressor section, Control elements of the compressor section

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COMPOSER PRO MDX2200

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The RATIO control is used to adjust the expansion ratio when the signal drops below the threshold value. This control determines whether the unit works as an expander (low ratio level) or as a gate (1:8). The expansion ratio can be set from 1:1 to 1:8.

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When a signal below the threshold value is applied, the “-” LED lights up, while the “+”-LED lights up when expansion occurs.

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To optimally adapt the expander/gate to the program material, the RELEASE switch allows for selecting a SLOW or FAST release time. When you engage this switch, the expander responds with a slow release. As a general rule, percussive material with little or no ambience is processed using the FAST release mode, whereas signals with long decay or with heavy ambience require the SLOW release mode.

2.2 Compressor section

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Fig. 2.3: Control elements of the compressor section

The THRESHOLD control sets the threshold point for the compressor section. It has a range of -40 to +20 dB. The “soft knee” characteristic is applied to the signal exceeding the threshold point by a maximum of 10 dB. Above 10 dB, the signal would experience “hard knee” compression. The THRESHOLD-LEDs show the actual state of the input signal relative to the THRESHOLD setting. The IKA-“soft knee” range is indicated by the middle yellow LED.

The RATIO control determines the ratio between the input and output level for all signals exceeding the threshold point by more than 10 dB. The control range can be adjusted from 1:1 to oo:1.

The ATTACK control determines the rate by which the compressor responds to the signal which ex- ceeds the threshold. This control can be adjusted from 1 to 150 milliseconds.

The RELEASE control determines the rate that the compressor returns to unity gain after falling below the threshold level. This control can be adjusted from 0.05 to 5 seconds.

By activating the AUTO switch, the ATTACK and RELEASE controls are disabled and the attack and release rates are automatically derived from the programme material. This function allows for unobtru- sive musical compression of signals or mixes with widely varying dynamics. Only if set to “MANUAL” will the settings of the attack and release controls function.

The OUTPUT control allows for the increase or decrease of the output signal by a maximum of 20 dB. Thus, a level loss due to the compression or limiting process can be compensated for.

Please note when using the THRESHOLD control of the peak limiter section, that the OUTPUT control of the compressor section precedes the peak limiter section. If the OUTPUT control is set too high, this can result in continuous peak limiting (see item 19 “THRESHOLD control”).

When activated, the SC EXT switch severs the connection between the audio input and the side chain path, whilst at the same time allowing an external signal to be sourced at the SC RETURN jack on the rear panel.

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2. CONTROL ELEMENTS

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Contents Composer PRO Safety Instructions Foreword Composer PRO Table of Contents Installation IKA Interactive Knee Adaption compressor IntroductionAdvanced Behringer technology IRC Interactive Ratio Control expanderHigh quality components and design Before you beginDesign concept Failsafe relaysExpander/gate section Control ElementsTransformer balanced outputs optional Compressor section Control elements of the compressor sectionPeak limiter section Control elements of the peak limiter sectionRear panel control elements of the Composer PRO Technical BackgroundNoise as a physical phenomenon What are audio dynamics? Dynamic range capabilities of various devicesCompressors/limiters Expanders/noise-gatesApplications Compression/levelling/limiting/clippingIRC curve characteristic of the Expander ClippingInitial settings for the expander/gate section Controlling leakage in the studioNoise reduction on effects paths Reducing leakage in stage micsReducing feedback in stage mics Creative use of the expander/gate sectionInitial settings for the compressor section Tab .2 Initial settings for the compressor sectionComposer PRO as a sound effects unit Muffling effect of a compressorInitial settings for the peak limiter section Special ApplicationsComposer PRO in digital recording and sampling Composer PRO as a protective deviceComposer PRO in mastering Protection of a system with a passive crossover What is volume?Composer PRO in broadcast Protection of a system with an active crossoverSide chain function Using an equalizer in the side chain pathExternal Side Chain Applications Composer PRO as a de-esserSuppressing instruments during recording Frequency-selective filtering of unwanted signalsAnticipated compression Emphasizing musical instruments during recordingTriggering additional sounds from a rhythm track InstallationVoice-over compression ducking Rack mountingSelecting the operating level Balanced use of stereo 1/4 jack plugsSpecifications Audio InputOptions Warranty § 1 Warranty CARD/ONLINE Registration
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