Behringer MDX2200 user manual Clipping, IRC curve characteristic of the Expander

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COMPOSER PRO MDX2200

average level without affecting signal peaks above the threshold, this is referred to as the program limiter. For this purpose the attack time will be set above 20 ms. If the attack time is further reduced in order to also control signal peaks, this is defined as the peak limiter.

Clipping

In contrast to the two previously mentioned limiters, the clipping mode features infinitely fast control times, an infinite compression ratio and creates an unsurpassable barrier (“brickwall”) for all signals above a certain level. To be able to control the signal peaks, the clipping function radically cuts signals above the threshold, without affecting the amplitude of the original signal. If used in normal applications, this function remains inaudible and under certain circumstances it can even lead to an improved sound, because cutting the transients creates artificial harmonics. If misused, clipping can cause very obvious and distasteful distortion, which in an extreme manner, will convert the signal’s waveform into a square wave signal. This effect is often produced in guitar distortion devices (“fuzz boxes”).

4.2 Expander/gate section

The main task of the expander/gate is to “inaudibly” eliminate undesirable background noise from the usable signal. As already described in chapter 3.4, a downward expander automatically reduces the overall level for all signals below an adjustable threshold. The expander therefore operates in opposite way to that of a compres- sor/limiter. Expanders generally function with a flat ratio curve, so that the signal continually fades. Noise- gates however, can be seen as “high ratio” expanders. If the signal falls below the threshold, it is radically attenuated.

The BEHRINGER COMPOSER PRO is equipped with a newly developed IRC (Interactive Ratio Control) Ex- pander, the ratio of which is automatically adjusted dependent on the program material. The response charac- teristics of conventional expanders tend to cut into the signal abruptly and the result of this is unacceptable most of the time. Gain changes become audible.

The IRC Expander is therefore equipped with a soft, interactive non-linear ratio curve, which is best suited to human hearing. Critical signals in the vicinity of the threshold level are processed with a minute expansion ratio, whereas signals that reduce in level will be subjected to an increasingly higher ratio, which will result in greater attenuation.

Output

Gain 0 dB

Threshold

IRC-Curve

Expander, 1:8

Noise Gate, 1:oo

Input

Fig. 4.1: IRC curve characteristic of the Expander

The result is expansion, which is less critical to adjust and which is more tolerant of useable signals, whose level is slightly above that of the noise floor. Expansion therefore occurs extremely “soft” with low ratio settings, while the known negative effects of expansion are inaudible. The attack time of the IRC expander is set automatically and program-dependent, i.e. extremely short for quickly changing signals and slower for a more balanced program material. Since the expander/gate adapts itself automatically to the program material, you will note that the new IRC (Interactive Ratio Control) circuit produces considerably better results than conven- tional expanders.

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4. APPLICATIONS

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Contents Composer PRO Safety Instructions Foreword Composer PRO Table of Contents Installation Introduction Advanced Behringer technologyIKA Interactive Knee Adaption compressor IRC Interactive Ratio Control expanderBefore you begin Design conceptHigh quality components and design Failsafe relaysExpander/gate section Control ElementsTransformer balanced outputs optional Compressor section Control elements of the compressor sectionPeak limiter section Control elements of the peak limiter sectionRear panel control elements of the Composer PRO Technical BackgroundNoise as a physical phenomenon What are audio dynamics? Dynamic range capabilities of various devicesCompressors/limiters Expanders/noise-gatesApplications Compression/levelling/limiting/clippingIRC curve characteristic of the Expander ClippingInitial settings for the expander/gate section Controlling leakage in the studioReducing leakage in stage mics Reducing feedback in stage micsNoise reduction on effects paths Creative use of the expander/gate sectionInitial settings for the compressor section Tab .2 Initial settings for the compressor sectionComposer PRO as a sound effects unit Muffling effect of a compressorInitial settings for the peak limiter section Special ApplicationsComposer PRO in digital recording and sampling Composer PRO as a protective deviceComposer PRO in mastering What is volume? Composer PRO in broadcastProtection of a system with a passive crossover Protection of a system with an active crossoverUsing an equalizer in the side chain path External Side Chain ApplicationsSide chain function Composer PRO as a de-esserFrequency-selective filtering of unwanted signals Anticipated compressionSuppressing instruments during recording Emphasizing musical instruments during recordingInstallation Voice-over compression duckingTriggering additional sounds from a rhythm track Rack mountingSelecting the operating level Balanced use of stereo 1/4 jack plugsSpecifications Audio InputOptions Warranty § 1 Warranty CARD/ONLINE Registration
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