Behringer MDX2200 user manual Peak limiter section, Control elements of the peak limiter section

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COMPOSER PRO MDX2200

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Using the SC MON switch will enable you to connect the side chain control signal to the audio output, whilst at the same time muting the audio input. This function provides you with the ability to monitor the side chain signal that is returned via inserted equalizers or other external processors. The SC MONITOR function will assist you with tuning equalizer parameters for example.

Please note when the SC MON switch is engaged, the audio processing facility of the respec- tive channel is disabled. When this function is active, a visual indication will be provided by the switches LED, which will blink.

The IN/OUT switch activates the relay and hence the corresponding channel. This switch acts as a so- called “hard-bypass” relay, which means that when the switch is OUT or when the unit is disconnected from the mains, the input jack is directly linked to the output jack. Normally, this switch is used to perform a direct A/B comparison between the unprocessed and the compressed or limited signals.

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Press the INTERACTIVE switch to change from “hard knee” to IKA characteristics. IKA provides a very subtle and musical compression of the program material and should therefore be used whenever compression should be more or less inaudible.

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The SC FILTER switch activates a high-pass filter in the side-chain path and thus limits the influence of low frequencies on the COMPOSER PRO’s control processes.

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The 12-digit GAIN REDUCTION meter indicates how effectively the gain is reduced by the compressor, within a range from 1 to 30 dB.

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The 12-digit INPUT/OUTPUT LEVEL meter informs you—depending on the setting of the I/O METER switch—about the current input or output level, within a range from -30 to +18 dB. When the switch is set to IN (engaged), the meter reads the input level, when it is OUT (not engaged), the output level is displayed. The meter is referenced to the operating level (-10 dBV or +4 dBu) adjusted with the OPERATING LEVEL switch.

2.3 Peak limiter section

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Fig. 2.4: Control elements of the peak limiter section

The peak limiter limits the signal to a level adjusted with the THRESHOLD control. Owing to its extremely fast response (“zero” attack), the limiter is capable of limiting signal peaks without audible distortion. Whenever the signal is limited for more than 20 ms, the overall level is reduced for about 1 second to avoid heavy and thus audible signal distortion.

When you use the peak limiter as a protective device against signal peaks, the THRESHOLD control should be set in combination with the OUTPUT control in the compressor section so that the peak limiter responds rarely or not at all. Thus, only real signal peaks will activate the limiter circuit. However, to produce creative sound effects, the peak limiter can be deliberately set to lower levels.

The LIM LED lights up as soon as the limiter function is activated.

2. CONTROL ELEMENTS

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Contents Composer PRO Safety Instructions Foreword Composer PRO Table of Contents Installation IRC Interactive Ratio Control expander IntroductionAdvanced Behringer technology IKA Interactive Knee Adaption compressorFailsafe relays Before you beginDesign concept High quality components and designTransformer balanced outputs optional Control ElementsExpander/gate section Control elements of the compressor section Compressor sectionControl elements of the peak limiter section Peak limiter sectionNoise as a physical phenomenon Technical BackgroundRear panel control elements of the Composer PRO Dynamic range capabilities of various devices What are audio dynamics?Expanders/noise-gates Compressors/limitersCompression/levelling/limiting/clipping ApplicationsClipping IRC curve characteristic of the ExpanderControlling leakage in the studio Initial settings for the expander/gate sectionCreative use of the expander/gate section Reducing leakage in stage micsReducing feedback in stage mics Noise reduction on effects pathsTab .2 Initial settings for the compressor section Initial settings for the compressor sectionMuffling effect of a compressor Composer PRO as a sound effects unitSpecial Applications Initial settings for the peak limiter sectionComposer PRO in mastering Composer PRO as a protective deviceComposer PRO in digital recording and sampling Protection of a system with an active crossover What is volume?Composer PRO in broadcast Protection of a system with a passive crossoverComposer PRO as a de-esser Using an equalizer in the side chain pathExternal Side Chain Applications Side chain functionEmphasizing musical instruments during recording Frequency-selective filtering of unwanted signalsAnticipated compression Suppressing instruments during recordingRack mounting InstallationVoice-over compression ducking Triggering additional sounds from a rhythm trackBalanced use of stereo 1/4 jack plugs Selecting the operating levelAudio Input SpecificationsOptions § 1 Warranty CARD/ONLINE Registration Warranty
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