Yamaha 12/4 Plethora Of Connectors-What Goes Where?, Venerable RCA Pin Jack, Versatile Phone Jack

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Making the Most Of Your Mixer

A Place For Everything and Everything In Its Place

1-1. A Plethora Of Connectors—What Goes Where?

Questions you’re likely to encounter when setting up a system for the first time might include “Why all these different types of connectors on the back of my mixer?” and “What’s the difference?”.

Let’s start by taking a look at the most common connector types.

The Venerable RCA Pin Jack

White

Red

This is the “consumer connector,” and the one that has been most commonly used on home audio gear for many years. Also known as “phono” jacks (short for ”phonogram”), but the term isn’t used much these days—besides, it’s too easily confusable with “phone” jacks, below. RCA pin jacks are always unbalanced, and generally carry a line-level signal at –10 dB, nominal. You’re most likely to use this type of connector when connecting a CD player or other home audio type source to your mixer, or when connecting the output of your mixer to a cassette recorder or similar gear.

The name “phone jack” arose simply because this configuration was first used in telephone switchboards. Phone jacks can be tricky because you can’t always tell what type of signal they’re designed to handle just by looking at them. It could be unbalanced mono, unbalanced stereo, balanced mono, or an insert patch point. The connector’s label will usually tell you what type of signal it handles, as will the owner’s manual (you do keep your manuals in a safe place, don’t you?). A phone jack that is set up to handle balanced signals is also often referred to as a “TRS” phone jack. “TRS” stands for Tip-Ring-Sleeve, which describes the configuration of the phone plug used.

The Versatile Phone Jack

Stereo/TRS phone plug

Mono phone plug

The Sturdy XLR

Male

Female

This type of connector is generally referred to as “XLR-type,” and almost always carries a balanced signal. If the corresponding circuitry is designed properly, however, XLR-type connectors will also handle unbalanced signals with no problem. Microphone cables usually have this type of connector, as do the inputs and outputs of most professional audio gear.

MG16/4, MG12/4

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Contents MG16/4 MG12/4 For safe operation PrecautionsFor correct operation PrecautionsIntroduction Features ContentsIntroduction Turning the Power OnBefore Turning on the Mixer An Introduction Making the Most Of Your MixerSturdy XLR Plethora Of Connectors-What Goes Where?Venerable RCA Pin Jack Versatile Phone JackBalanced, Unbalanced-What’s the Difference? Making the Most Of Your MixerSignal Levels-Decibel Do’s and Don’ts Input Channel Greatly Simplified Mixer Block DiagramHead Amplifier Gain Control Is the Key Level Setup Procedure For Optimum Performance Pre/Post-What’s the difference? AUX Buses For Monitor Sends and Overall EffectsUsing Groups Channel Inserts for Channel-specific Processing Panning For Cleaner Mixes Approaching the Mix-Where Do You Start?Making the Most Of Your Mixer Making Better Mixes Ambience To EQ Or Not To EQChannel Control Section Front & Rear PanelsFront & Rear Panels Master Control Section Phones jack Power IndicatorR/PHONES Control Level MeterST OUT L, R Jacks Channel Input jacksGroup OUT 1, 2 Jacks Insert I/O JacksReturn L MONO, R Jacks Power SwitchAC Adaptor in Connector Connector PolaritiesHome Recording Setting UpSetup Procedure Setup ExamplesSound Reinforcement for Live Performance Setting UpMounting the MG16/4 Rack MountingMounting the MG12/4 Specifications AppendixGeneral Specifications Input Specifications AppendixOutput Specifications MG16/4 Dimensional DiagramsMG12/4 Block Diagram and Level Diagram North America Yamaha Manual Library Http//www2.yamaha.co.jp/manual/english

12/4 specifications

The Yamaha 12/4 mixer is a compact yet powerful audio mixing console that has gained popularity among musicians, audio engineers, and sound technicians. Renowned for its versatility and robust build, this mixer is ideal for both live sound and studio applications.

One of the standout features of the Yamaha 12/4 is its 12-channel configuration, which includes four microphone inputs with high-quality preamps. These preamps are designed to capture audio with remarkable clarity and low noise levels, making them perfect for a variety of sound sources, from vocals to instruments. The four XLR inputs are complemented by additional line-level inputs, offering flexibility to connect multiple devices.

Each channel on the Yamaha 12/4 mixer is outfitted with a three-band equalizer, allowing users to shape their sound effectively. The EQ provides control over low, mid, and high frequencies, enabling precise adjustments to tailor the mix to specific requirements. This level of control is particularly beneficial for live performances, where quick tweaks can significantly enhance the audio experience.

The mixer also includes an onboard effects processor with a range of digital effects, such as reverb and delay, adding depth and dimension to the sound. This feature is a valuable asset for performers looking to enrich their live sound without the need for external effects units.

In terms of connectivity, the Yamaha 12/4 offers various outputs, including main outputs and auxiliary sends. These outputs allow for simple routing of audio signals to speakers, monitors, or recording devices. The auxiliary sends can be utilized for stage monitoring or for sending signals to external processors, enhancing the mix's overall versatility.

The design of the Yamaha 12/4 is both user-friendly and compact, making it an ideal choice for smaller venues and mobile setups. Its lightweight chassis and robust construction ensure durability during transport and frequent use, while clearly labeled controls facilitate ease of use for both novice and experienced operators.

In conclusion, the Yamaha 12/4 mixer combines quality, functionality, and versatility in a compact form, making it an excellent choice for audio professionals looking for a reliable mixing solution. With its high-quality preamps, flexible EQ, digital effects, and robust build, the Yamaha 12/4 stands out as a valuable tool for anyone in the sound industry, whether in the studio or on stage.