Yamaha 12/4 owner manual Head Amplifier Gain Control Is the Key

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Making the Most Of Your Mixer

The First Steps in Achieving Great Sound

Before you even consider EQ and effects, or even the overall mix, it is important to make sure that levels are properly set for each individual source. This can’t be stressed enough—initial level setup is vitally important for achieving optimum performance from your mixer! Here’s why … and how.

3-1. The Head Amplifier “Gain” Control Is the Key!

Let’s review our simplified mixer block diagram:

Each and every “stage” in the mixer’s signal path will add a certain amount of noise to the signal: the head amp, the EQ stage, the summing amplifier, and the other buffer and gain stages that exist in the actual mixer circuit (this applies to analog mixers in particular). The thing to keep in mind is that the amount of noise added by each stage is usually not dependent to any significant degree on the level of the audio signal passing through the circuit. This means that the bigger the desired signal, the smaller the added noise will be in relation to it. In tech-speak this gives us a better “signal-to-noise ratio”—often abbreviated as “S/N ratio.” All of this leads to the following basic rule:

To achieve the best overall system S/N ratio, amplify the input to the desired average level as early as possible in the signal path.

In our mixer, that means the head amplifier. If you don’t get the signal up to the desired level at the head amplifier stage, you will need to apply more gain at later stages, which will only amplify the noise con- tributed by the preceding stages. Just remember that too much initial gain is bad too, because it will over- load our channel circuitry and cause clipping.

MG16/4, MG12/4

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Contents MG16/4 MG12/4 For safe operation PrecautionsFor correct operation PrecautionsIntroduction Features ContentsBefore Turning on the Mixer Turning the Power OnIntroduction An Introduction Making the Most Of Your MixerSturdy XLR Plethora Of Connectors-What Goes Where?Venerable RCA Pin Jack Versatile Phone JackBalanced, Unbalanced-What’s the Difference? Making the Most Of Your MixerSignal Levels-Decibel Do’s and Don’ts Input Channel Greatly Simplified Mixer Block DiagramHead Amplifier Gain Control Is the Key Level Setup Procedure For Optimum Performance Pre/Post-What’s the difference? AUX Buses For Monitor Sends and Overall EffectsUsing Groups Channel Inserts for Channel-specific Processing Making the Most Of Your Mixer Making Better Mixes Approaching the Mix-Where Do You Start?Panning For Cleaner Mixes Ambience To EQ Or Not To EQChannel Control Section Front & Rear PanelsFront & Rear Panels Master Control Section Phones jack Power IndicatorR/PHONES Control Level MeterST OUT L, R Jacks Channel Input jacksGroup OUT 1, 2 Jacks Insert I/O JacksReturn L MONO, R Jacks Power SwitchAC Adaptor in Connector Connector PolaritiesHome Recording Setting UpSetup Procedure Setup ExamplesSound Reinforcement for Live Performance Setting UpMounting the MG12/4 Rack MountingMounting the MG16/4 General Specifications AppendixSpecifications Output Specifications AppendixInput Specifications MG12/4 Dimensional DiagramsMG16/4 Block Diagram and Level Diagram North America Yamaha Manual Library Http//www2.yamaha.co.jp/manual/english

12/4 specifications

The Yamaha 12/4 mixer is a compact yet powerful audio mixing console that has gained popularity among musicians, audio engineers, and sound technicians. Renowned for its versatility and robust build, this mixer is ideal for both live sound and studio applications.

One of the standout features of the Yamaha 12/4 is its 12-channel configuration, which includes four microphone inputs with high-quality preamps. These preamps are designed to capture audio with remarkable clarity and low noise levels, making them perfect for a variety of sound sources, from vocals to instruments. The four XLR inputs are complemented by additional line-level inputs, offering flexibility to connect multiple devices.

Each channel on the Yamaha 12/4 mixer is outfitted with a three-band equalizer, allowing users to shape their sound effectively. The EQ provides control over low, mid, and high frequencies, enabling precise adjustments to tailor the mix to specific requirements. This level of control is particularly beneficial for live performances, where quick tweaks can significantly enhance the audio experience.

The mixer also includes an onboard effects processor with a range of digital effects, such as reverb and delay, adding depth and dimension to the sound. This feature is a valuable asset for performers looking to enrich their live sound without the need for external effects units.

In terms of connectivity, the Yamaha 12/4 offers various outputs, including main outputs and auxiliary sends. These outputs allow for simple routing of audio signals to speakers, monitors, or recording devices. The auxiliary sends can be utilized for stage monitoring or for sending signals to external processors, enhancing the mix's overall versatility.

The design of the Yamaha 12/4 is both user-friendly and compact, making it an ideal choice for smaller venues and mobile setups. Its lightweight chassis and robust construction ensure durability during transport and frequent use, while clearly labeled controls facilitate ease of use for both novice and experienced operators.

In conclusion, the Yamaha 12/4 mixer combines quality, functionality, and versatility in a compact form, making it an excellent choice for audio professionals looking for a reliable mixing solution. With its high-quality preamps, flexible EQ, digital effects, and robust build, the Yamaha 12/4 stands out as a valuable tool for anyone in the sound industry, whether in the studio or on stage.