Yamaha 12/4 owner manual Greatly Simplified Mixer Block Diagram, Input Channel

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Making the Most Of Your Mixer

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Where Your Signal Goes Once It’s Inside the Box

At first glance the block diagram of even a modest mixer can look like a space-station schematic. In reality, block diagrams are a great aid in understanding how the signal flows in any mixer. Here’s a greatly simplified block diagram of a generic mixer to help you become familiar with the way these things work.

2-1. Greatly Simplified Mixer Block Diagram

Input Channel

 

Master Section

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Signals from the mixer’s other input channels (if they are assigned to this master output or “bus”).

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■Input Channel

1Head Amp

The very first stage in any mixer, and usually the only stage with significant “gain” or “amplification.” The head amp has a “gain” control that adjusts the mixer’s input sensitivity to match the level of the source. Small signals (e.g. mics) are amplified, and large signals are attenuated.

2Equalizer

Could be simple bass and treble con- trols or a full-blown 4-band parametric EQ. When boost is applied the EQ stage also has gain. You can actually overload the input channel by applying too much EQ boost. It’s usually better to cut than boost.

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3Channel Peak LED & Fader

The channel peak LED is your most valuable tool for setting the input “gain” control for optimum performance. Note that it is located after the head amp and EQ stage.

■Master Section

4Summing Amplifier

This is where the actual “mixing” takes place. Signals from all of the mixer’s input channels are “summed” (mixed) together here.

5Master Fader & Level Meter

A stereo, mono, or bus master fader and the mixer’s main output level meter. There could be several master faders depending on the design of the mixer— i.e. the number of buses or outputs it provides.

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MG16/4, MG12/4

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Contents MG16/4 MG12/4 Precautions For safe operationPrecautions For correct operationFeatures Contents IntroductionIntroduction Turning the Power OnBefore Turning on the Mixer Making the Most Of Your Mixer An IntroductionVersatile Phone Jack Plethora Of Connectors-What Goes Where?Venerable RCA Pin Jack Sturdy XLRMaking the Most Of Your Mixer Balanced, Unbalanced-What’s the Difference?Signal Levels-Decibel Do’s and Don’ts Greatly Simplified Mixer Block Diagram Input ChannelHead Amplifier Gain Control Is the Key Level Setup Procedure For Optimum Performance AUX Buses For Monitor Sends and Overall Effects Pre/Post-What’s the difference?Using Groups Channel Inserts for Channel-specific Processing Panning For Cleaner Mixes Approaching the Mix-Where Do You Start?Making the Most Of Your Mixer Making Better Mixes To EQ Or Not To EQ AmbienceFront & Rear Panels Channel Control SectionFront & Rear Panels Master Control Section Level Meter Power IndicatorR/PHONES Control Phones jackInsert I/O Jacks Channel Input jacksGroup OUT 1, 2 Jacks ST OUT L, R JacksConnector Polarities Power SwitchAC Adaptor in Connector Return L MONO, R JacksSetup Examples Setting UpSetup Procedure Home RecordingSetting Up Sound Reinforcement for Live PerformanceMounting the MG16/4 Rack MountingMounting the MG12/4 Specifications AppendixGeneral Specifications Input Specifications AppendixOutput Specifications MG16/4 Dimensional DiagramsMG12/4 Block Diagram and Level Diagram North America Yamaha Manual Library Http//www2.yamaha.co.jp/manual/english

12/4 specifications

The Yamaha 12/4 mixer is a compact yet powerful audio mixing console that has gained popularity among musicians, audio engineers, and sound technicians. Renowned for its versatility and robust build, this mixer is ideal for both live sound and studio applications.

One of the standout features of the Yamaha 12/4 is its 12-channel configuration, which includes four microphone inputs with high-quality preamps. These preamps are designed to capture audio with remarkable clarity and low noise levels, making them perfect for a variety of sound sources, from vocals to instruments. The four XLR inputs are complemented by additional line-level inputs, offering flexibility to connect multiple devices.

Each channel on the Yamaha 12/4 mixer is outfitted with a three-band equalizer, allowing users to shape their sound effectively. The EQ provides control over low, mid, and high frequencies, enabling precise adjustments to tailor the mix to specific requirements. This level of control is particularly beneficial for live performances, where quick tweaks can significantly enhance the audio experience.

The mixer also includes an onboard effects processor with a range of digital effects, such as reverb and delay, adding depth and dimension to the sound. This feature is a valuable asset for performers looking to enrich their live sound without the need for external effects units.

In terms of connectivity, the Yamaha 12/4 offers various outputs, including main outputs and auxiliary sends. These outputs allow for simple routing of audio signals to speakers, monitors, or recording devices. The auxiliary sends can be utilized for stage monitoring or for sending signals to external processors, enhancing the mix's overall versatility.

The design of the Yamaha 12/4 is both user-friendly and compact, making it an ideal choice for smaller venues and mobile setups. Its lightweight chassis and robust construction ensure durability during transport and frequent use, while clearly labeled controls facilitate ease of use for both novice and experienced operators.

In conclusion, the Yamaha 12/4 mixer combines quality, functionality, and versatility in a compact form, making it an excellent choice for audio professionals looking for a reliable mixing solution. With its high-quality preamps, flexible EQ, digital effects, and robust build, the Yamaha 12/4 stands out as a valuable tool for anyone in the sound industry, whether in the studio or on stage.
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