You can easily create multiple submixes of the same project by adding busses and submixes and then routing the appropriate tracks through them.
Tracks |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
Submix
Effects
Channels
Music
Channels 1– 6
Dialogue Channels 1– 6
| Hardware | ||
| outputs | Left | |
|
| ||
| 1 |
| |
| 2 | Right | |
| 3 | ||
| Center | ||
Master | 4 | ||
| |||
bus | 5 | LFE | |
| 6 | Left | |
|
| ||
| 7 | surround | |
|
| Right | |
| 8 | surround | |
Audio clip | Surround panner |
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As shown in the illustration above, you can route tracks to various submixes; in the illustration, tracks
To learn about routing tracks, see the Soundtrack Pro User Manual.
Adding Effects to Your Multitrack Project
Soundtrack Pro comes with an impressive collection of effects, including the following:
ÂDelay, which can be used to add echoes and other recurring sounds
ÂDistortion, which change the tone of the audio signal to
ÂDynamics, which let you shape the volume of your projects over time
ÂEQ (equalization) and Filter, which let you change the level of selected frequencies. EQ provides a powerful way of shaping the sound of your projects.
ÂImaging, which let you make certain sounds or the overall mix seem wider and more spacious
ÂModulation, which delay an audio signal and shift when the delayed signal plays back relative to the original signal
ÂPitch, which transposes or creates unity, thickness, or harmony on audio tracks
ÂReverb, which can be used to simulate the sound of acoustic spaces