Hollywood 24CX-2, 24CX-3, 24CX-4 owner manual Signal Source Power Amplifier Passive Crossover

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Signal

Source

Power

Amplifier

Passive

Crossover

Low Transducer

Mid Transducer High Transducer

Figure 1 - Typical Passive Crossover Configuration

This kind of crossover is called a passive crossover because it does not use any power other than the power contained in the signal to accomplish its task. Passive crossovers have certain limitations that make them inappropriate for large systems, or systems requiring high fidelity at high sound pressure levels. Some of these limitations are…

Insertion Loss: Some power is lost in the crossover network which lowers the efficiency of the system.

Power Handling: Passive crossovers that can handle more than a few hundred watts require very large, very costly components. This makes them impractical for high-power systems.

Fidelity: The nature of the way passive crossovers work makes it difficult to design them with high fidelity in mind. The kinds of components used in passive crossovers tend to color the sound in undesirable ways.

To get beyond these limitations, large systems, or medium sized systems that require high fidelity incorporate active crossovers. TDM 24CX series crossovers are active crossovers. These crossovers are not usually housed in the speaker cabinet. They are separate units that are usually mounted in a rack with the power amplifiers. They are called active crossovers because they require power in addition to their input signal to carry out their task. Active crossovers are different from passive crossovers in many ways. Here are the key differences…

Line Level Signals: Active crossovers work with the line level signal before it reaches the power amplifier. This allows them to use smaller, better components and designs.

© 2003 TDM Audio, Inc.

Electronic Crossover Owner’s Manual

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Contents TDM Read Before Using Table of Contents Crossover Fundamentals IntroductionSignal Source Power Amplifier Passive Crossover Crossover Terminology Shows a typical active crossover configurationFilter Frequency Response Curve How Crossovers Work24 dB per Octave Filter Curve Three-Way Crossover Response Mounting the Unit in a Rack Using the Security CoverMaking Adapter Cables Hooking Up the CrossoverWhat You’ll Need Three-Way Operation 24CX-2 or 24CX-4 Basic Hook-UpTwo-Way Operation 24CX-2 or 24CX-4 Four-Way or Five-Way Operation 24CX-4 Three-Way Operation 24CX-3Front Panel Controls Operating the CrossoverThree-Way Control Meanings Adjusting the Crossover FrequenciesChecking the Hookup Using the CD Horn BoostAdjusting the Input Levels Adjusting the Output LevelsTDM Option Cards Optional Output Limiters Distortion Troubleshooting and SupportNo Signal Output Hertz Hum or Buzz Excessive NoiseContacting TDM 24CX-2, 24CX-4 Specifications