SPEAKER CONNECTIONS
Here are two possible speaker connections, two or four 8 ohm speakers with one or one pair to each 1/4” speaker output. Also two 4 ohm speakers can be connected one to each speaker output. Never go below 4 ohms on either of the two speaker output jacks, this would result in premature distortion, thermal shut down, and/or possible damage to the internal power amplifier.
SPEAKERS | SPEAKERS |
RIGHT LEFT | RIGHT LEFT |
4 Ω | 4 Ω | 4 Ω | 4 Ω |
MINIMUM | IMPEDANCE | MINIMUM | IMPEDANCE |
250 | 250 WATTS |
| 250 | 250 WATTS | |||||||||||||
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8 OHM MINIMUM | 8 OHM MINIMUM | 4 OHM MINIMUM | 4 OHM MINIMUM |
6. CHANNEL PAN CONTROL |
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The PAN control adjusts where the channel is heard in |
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the stereo field of the stereo main outputs. If it is turned |
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to the extreme left, then the channel will only be heard in | 10 |
the left main output and similarly only in the right main |
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output if turned to the extreme right. In the center posi- |
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tion the channel is heard equally in both the left and right | 9 |
main outputs. A good starting point for the pan is in the | |
center position. Then if stereo placement is needed, a |
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quarter turn to the desired side from the center position |
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gives a smooth placement in the stereo field, or if desired | 8 |
a full turn to one side gives a hard placement. |
7.CHANNEL EFFECTS/REVERB LEVEL CONTROL
The EFF/REV control adjusts the volume of the channel
going to the effects send master control, and/or the inter- 7 nal DSP effects (if DSP is present). The effects control is post channel level. This means adjustments in the chan- nel’s EQ or level controls will be affecting the effects mix
output of that channel. | 6 |
8-10. CHANNEL TONE CONTROLS
1
HI 3 0 3
6 | 6 |
99
12 12
MID | 0 |
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3 | 3 | ||
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12 12
LOW | 0 | 3 |
3 |
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99
12 12
EFF /
REV 4 5 6
3 7
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19
0 10
PAN 0
L | R |
8 OHM MINIMUM | 8 OHM MINIMUM |
TAPE DECKS AND EXTERNAL EFFECTS
Each channel features three tone controls LO, MID, and HI. The LO and HI con- trols are shelving type tone controls with corner frequencies at 100Hz and 10KHz respectively. The shelving means, the for the LO control, all frequencies from 100Hz down to the lowest frequency the mixer can handle are all boosted when the knob is turned clockwise and cut when turned
L/R MAIN |
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4 | 5 | 6 |
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| STEREO DSP |
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1 |
| 9 | PHANTOM | POWER |
| BYPASS 1 |
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| DELAYS |
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4 | 5 | 6 | 4 | 5 | 6 |
| 127 EFFECTS | REVERB |
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| CHORUS |
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| FLANGE |
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| 8 | 2 |
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| 9 | 1 |
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| L | R |
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MONITOR | DSP EFF RTN |
| TAPE |
| L | R |
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4 | 5 | 6 | 4 | 5 | 6 |
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| SEND |
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3 |
| 7 | 3 |
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2 |
| 8 | 2 |
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1 |
| 9 | 1 |
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| TAPE |
| AMP |
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0 |
| 10 | 0 |
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| RTN |
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EFF SEND | TAPE / EFF RTN |
| L | R | PATCH |
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SEND | L RETURN R |
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AMP |
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PROTECT |
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| EFFECTS |
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| MONITOR | LINE OUT |
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| TAPE OUT | TAPE IN | ||
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| TAPE RECORDER |
MONO IN | L OUT R |
The basic hook up is simple, using four (or two stereo) RCA cables plug the TAPE SEND on the mixer into the tape deck’s inputs, and the mixer’s TAPE RTN’s into the tape deck’s outputs. With an effects processor plug the effects send 1/4”phone output on the mixer into the input jack on the effects processor, and plug one or both (for stereo) of the L/R EFFECTS RETURN 1/4” phone inputs on the mixer into the outputs on the effects processor.
means a middle section of frequences centered around 1.5kHz, but not over lapping the HI and LO controls, is boosted when the knob is turned clockwise and cut when turned
Familarity with the channel tone controls:
The three tone controls can add brightness, clairity, and control to the channel’s input signal. Here are some tonal references for these tone controls.
• LO affects the deep low bass tones and the typical bass tones. |
• MID affects all the middle frequencies where the clairty of an average persons |
spoken voice is mostly heard. Also the MID incompases the louder sometimes |
harsher tones that can distort the over all sound of the system. |
• HI affects the treble tones and very high treble tones bringing brightness and |
brillance to the channel’s input. |
Adjusting: |
Use these controls to change the tonal shape of the input signal and in many |
cases to reduce possible feedback from microphones near the mixer’s output |
speakers. It is suggested the channel tone controls start out in their center |
detent position where they do not effect the original incoming signal. Then, if |
needed, turn the tone controls (boost,turn to the right, or cut, turn to the left) to |
AUX EFFECTS PROCESSOR
change the sound. |
15 | 4 |