Carvin SL40C manual Auxiliary Send Masters, Stereo Returns & Tape IN/OUT

Auxiliary Send Masters

24. AUX SENDS 1-6 CONTROLS & PFL							24						26
These are the Master levels for Auxiliary Sends. Each has its own PFL switch
	AUX SENDS
to monitor the AUX send buses pre fader.	1	5	2	5	3	5	4	5	5	5	6	5	7/8	5
	0	10	0	10	0	10	0	10	0	10	0	10	0	10
25. AUX 1-4 FLIP SWITCHES		PFL		PFL		PFL		PFL		PFL		PFL		L-R
The AUXiliary FLIP switches on AUX send 1-4 are for the purpose of providing	FLIP		FLIP		FLIP		FLIP
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XLR balanced outputs for these auxiliaries. This is especially useful for balanced
	TO GRP 1		TO GRP 2		TO GRP 3		TO GRP 4
		XLR		XLR		XLR		XLR

monitor sends. When the switch is down, the output of the auxiliary is sent to

the corresponding group XLR output and meter bridge feed. At the same time, the affected group output is fed to the auxiliaries 1/4” output jack. No other operation is affected.

26. AUX SENDS 7/8 CONTROL & L-R SWITCH

The AUX SENDS 7/8 CONTROL is a stereo master level for both the AUX Send 7 and 8. The output of AUX 7-8 level can be sent to the L-R mas- ters via the L-R switch providing a route for secondary channel inputs to get to the main L-R mix.

Stereo Returns & Tape IN/OUT

27. STEREO RETURN LEVEL AND PAN

The stereo return level is the main level control for the return. The stereo return PAN works as a balance control for Stereo inputs and as a PAN control for mono inputs.

28. STEREO RETURN AUX 1 AND AUX 2 SENDS

The Stereo return AUX 1 and AUX 2 send controls allow the returns to be fed to the monitor mixes. These Aux sends are created from summing the left and right pre-level return signals. Because they are pre-level, they can be controlled independently of the signal going to the main left right mix.

29. STEREO RETURN MUTE AND SOLO

Each stereo return contains a MUTE and a SOLO switch. The MUTE is equivalent to a L-R assignment on the channels, except it works in the reverse action. The MUTE switch is post the PAN and LEVEL controls. The SOLO switch is an in-place stereo solo, placed in the same location as the MUTE (post PAN and LEVEL).

30. TAPE OUT LEVEL AND SOURCE SWITCH.

The TAPE OUT level provides an on board control for the RCA tape output. The level is limited to adding a maximum of +6db to the original signal going out in order to prevent overdriving the recording equipment used. The L-R or AUX 7-8 source switch is provided to allow the record- ing of a live performance from the main L-R house mix or an independent mix through the AUX 7-8 sends.

31. TAPE IN LEVEL

This adjusts the level of the signal coming from RCA TAPE IN jacks.

32. TAPE IN L-R AND AUX 1-2 SWITCHES

These switches allow playback of the RCA TAPE IN signal through the main L-R mix and/or the AUX 1-2 monitor mixes.

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STEREO RETURNS		2
1	5		5

	MUTE		MUTE
0	10	0	10
PAN	C	PAN	C
	SOLO		SOLO
L	R	L	R

AUX 1	5	AUX 1	5
0	10	0	10
AUX 2	5	AUX 2	5
0	10	0	10

3 5

0 10

PAN C

L R

AUX 1 5

0 10

AUX 2 5

0 10

MUTE

SOLO

4 5

	MUTE
0	10
PAN	C

	SOLO
L	R

AUX 1 5

010

AUX 2 5

010

0

TAPE

OUT

oo+6

L-R

AUX 7-8

0

TAPE

IN31

oo+6

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L-R	AUX

1-2

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