Carvin SL40C manual Using the inserts, Full insert, Half insert insert Direct out

Page 22

7. Using the inserts

Full insert

The insert jack is a Tip/Ring/Sleeve (TRS) 1/4” phone jack where the tip is the send, the ring is the return and the sleeve is the ground. When used as an insert point or in full insert mode, the channel is opened up to allow an external piece of equipment to be inserted into the channels signal path. The channel signal coming from the TAPE switch, whether it is the MIC (up position) or the TAPE IN (down position), will be forced to go through the external equipment before it can continue back through the channel. The signal “re- enters” before the low cut filter and continuing on to the chan- nel EQ controls. Most external equipment is not set up for the TRS plug directly, so a special insert cable is required. The insert cable will have on one end the TRS (stereo) plug and two mono (TS) plugs (or jacks) on the other end. The two plugs each have the ground connected to the sleeve. One has the return on its tip and the other has the send on its tip. This allows the send to be connected to the input of the exter- nal equipment and the return to its output completing the insert loop back to the channel. One advantage of using the insert jack is with compressors. With a compressor at this point in the channel signal path, the input signal can be compressed reducing the need to adjust the faders during a show.

Half insert (insert Direct out)

The half insert connection creates a send signal without break- ing the channels signal path. The insert in this mode is no longer used as an insert but it becomes what is called an “insert direct out”. The advantage of an insert direct out is the signal at this point has only traveled through one amplifier stage resulting in the quietest and lowest distortion possible in the console. This is popular when recording tracks in the studio because the EQ and fader may not be needed and can be added in the mix- down. If an insert is needed on the same channel, special cabling is required to perform both functions. The half insertion con- nects the tip of the plug being inserted to the ring of the jack. (See the fig.) If the jack is fully inserted to where the tip of the plug connects to the tip of the jack, the internal jack switch will open and the channel’s signal path will be broken. The con- nection will still function as a direct out but the channel’s signal will stop at the insert and not continue on to the rest of the chan- nel and the masters. The result of the half insert is multiple out- puts for use in multi-track recording.

22

15

FULL INSERT

DIRECT

 

OUT

 

 

 

TAPE Pre-Amp

TAPE

TIP

TIP: SEND SIGNAL

IN

RING

 

RING: RETURN SIGNAL

 

 

 

 

 

TIP

 

 

 

 

 

 

 

SLEEVE: GROUND

IN

 

 

 

 

 

 

 

 

 

 

LINE

 

 

 

 

 

 

 

 

 

 

 

MIC

 

 

RING

 

 

MIC Pre-Amp

 

 

 

 

 

 

 

 

 

 

 

 

PIN 2 (+)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

PIN 3 (–)

INSERT

GAIN

TAPE

 

SWITCH

GAIN

 

 

 

INSERT JACK

 

PHASE

 

 

 

4

TAPE

 

 

 

55

 

 

 

 

 

0

 

 

 

 

-15

LOW

 

 

STEREO PLUG

 

+15 CUT

 

 

HIGH

 

 

 

 

 

0

 

 

 

 

 

 

HI

 

 

 

 

MID

 

 

 

-15

+15

 

 

 

 

 

 

 

 

 

800

1K

 

 

 

 

2K

 

 

 

 

 

FREQ

 

 

 

225

4K

 

 

 

 

 

0

 

 

 

 

 

LOW

 

 

 

 

MID

 

 

 

-15PAN

 

 

 

 

 

+15

 

 

SEND

RETURN

 

 

 

 

 

 

 

 

TO EFFECTS

 

 

15

HALF INSERT

 

 

DIRECT

 

 

 

 

 

 

 

OUT

 

 

 

 

 

 

TAPE Pre-Amp

 

 

 

TAPE

TIP

TIP: SIGNAL

 

 

 

 

 

 

 

IN

RING

 

 

 

 

 

SLEEVE: GROUN

 

 

 

 

TIP

 

 

 

LINE

 

 

 

 

 

 

 

 

 

IN

RING

 

 

 

 

 

 

 

 

 

MIC

MIC Pre-Amp

 

 

 

 

PIN 2 (+)

 

 

 

 

 

PIN 3 (–)

 

 

 

INSERT

GAIN

 

 

 

 

 

TAPE

 

 

 

 

 

SWITCH

 

GAIN

 

 

INSERT JACK

 

PHASE

 

 

 

 

 

 

 

 

4

55

TAPE

 

 

 

 

 

 

 

 

0

 

 

 

 

-15

+15

LOW

 

 

 

 

CUT

 

 

 

HIGH

 

MONO PLUG

 

 

 

 

 

0

 

 

 

 

 

HI

 

 

 

 

 

MID

 

 

 

-15

+15

 

 

 

 

 

 

 

 

 

800

1K

 

 

 

 

2K

FREQ

 

 

 

 

 

 

 

 

225

4K

 

 

 

 

 

0

 

 

 

 

 

 

LOW

 

 

 

-15PAN

MID

 

 

 

 

 

 

 

 

+15

 

 

 

TO RECORDER

Image 22
Contents SL24 SL40 SL56 Sound Quality and In-Line Flexibility Signal Routing and CapabilitiesIntroduction SoundPage Receiving INSPECTION-read before getting started For the new ownerQuick set up Before power is turned on Set your channel controls as shownTable of Contents Installations Mixer OverviewInput Channel section EQ in Switch Phase SwitchTape Switch Gain ControlPEAK, SOLO, and Mute Indicators Channel AUX 7/8 Tape SwitchChannel AUX 7/8 PRE FAD W/ EQ Switch Mute SwitchMaster I/O Section Master SectionLeft, Right and Groups Control Masters Auxiliary Send Masters Stereo Returns & Tape IN/OUTChannel Standard Studio Mixer SetupsS/L series consoles are designed for In-line Split Recording Setup Channel Tape in from MULTI-TRACK Output Standard live mixer setups Rejection and better Signal level whenTWO-TRACK SUB Mixing with the Groups LEF Monitors Full insert Using the insertsHalf insert insert Direct out RJ45 meter bridge connector removal SLP5600 power supply Cable connections used on the S/L series console Block Diagram Studio / Live series consoles specs & accesories Channel Schematic Carvin Returns 1 4 are Identical Carvin Carvin Carvin L40 Console DimensionsL56 L24Glossary DATFOH RMS TRSWorld Trade Drive, San Diego, CA

SL40C specifications

The Carvin SL40C is a cutting-edge guitar amplifier that showcases the innovative spirit of Carvin, a company known for its high-quality sound equipment. The SL40C is designed specifically for guitarists seeking a versatile and powerful amp that can meet the demands of various musical styles, from rock and blues to jazz and country.

At the heart of the SL40C is its all-tube design, which provides a warm, rich tone that digital amps often struggle to replicate. The amp features a 40-watt output, making it suitable for both practice sessions and live performances. One of the standout characteristics of the SL40C is its dual-channel configuration, allowing players to switch between clean and overdriven tones effortlessly. This feature enables guitarists to achieve a wide range of sounds, from pristine cleans to creamy distortion.

The amp is equipped with a 12-inch speaker that delivers a robust sound with clarity and depth. The cabinet is designed to enhance the tonal characteristics, providing a balanced response whether playing clean chords or heavy riffs. The SL40C also has built-in reverb, adding depth to the sound and allowing musicians to create a more ambient atmosphere during performances.

One of the key technologies incorporated in the SL40C is its unique tone shaping controls. The amp includes a three-band EQ (bass, middle, treble) that allows players to sculpt their sound to fit any musical style. Additionally, the presence control enhances high frequencies, giving players the ability to achieve a bright and cutting tone.

Another impressive aspect of the Carvin SL40C is its portability. Weighing in at a manageable level, the amp is easy to transport, making it a favorite among gigging musicians who require a reliable and powerful solution without compromising on sound quality.

Durability is also a top priority in the design of the SL40C. The rugged construction ensures it can withstand the rigors of travel and live performances, while the classic aesthetic appeals to players who appreciate a vintage look.

In conclusion, the Carvin SL40C shines as a versatile and powerful amplifier capable of delivering exceptional sound quality across various musical genres. Its all-tube design, dual-channel functionality, and effective tone-shaping controls make it an indispensable tool for guitarists looking to elevate their sound. Whether in the studio or on stage, the SL40C continues to impress with its rich tones and robust features.